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Colorless Tsukuru Tazaki and His Years of Pilgrimage Paperback – May 5, 2015

4.2 4.2 out of 5 stars 10,410 ratings

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An instant #1 New York Times Bestseller

One of the most revered voices in literature today gives us a story of love, friend­ship, and heartbreak for the ages.

Colorless Tsukuru Tazaki and His Years of Pilgrimage is the remarkable story of a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present.

New York Times and Washington Post notable book, and one of the Financial Times, St. Louis Post-Dispatch, Slate, Mother Jones, The Daily Beast, and BookPage's best books of the year

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Editorial Reviews

Review

A New York Times and Washington Post Notable Book
One of the
Financial Times, St. Louis Post-Dispatch, Slate, Mother Jones, The Daily Beast, and BookPage's Best Books of the Year

“Mesmerizing, immersive, hallucinogenic.” —
Entertainment Weekly

“Readers wait for [Murakami’s] work the way past generations lined up at record stores for new albums by the Beatles or Bob Dylan.... Reveals another side of Murakami, one not so easy to pin down.... A book for both the new and experienced reader.” —Patti Smith,
The New York Times Book Review 

“Hypnotic.” —
The Boston Globe
 
“Brilliant.” —
The Miami Herald

“A masterpiece.” —
Elle

“Wistful, mysterious, winsome, disturbing, seductive.” —
The Atlantic

Remarkable.” —The Washington Post
 
 “Intoxicating.... Full of beauty, strangeness, and color.” —NPR

“[Murakami] is ever alert to minds and hearts, to what it is, precisely, that they feel and see, and to humanity’s abiding and indomitable spirit.... A deeply affecting novel, not only for the dark nooks and crannies it explores, but for the magic that seeps into its characters’ subconsciouses, for the lengths to which they will go to protect or damage one another, for the brilliant characterizations it delivers along the way.” —
The Washington Post

“More than just a story but rather a meditation.... There is a rawness, a vulnerability, to these characters.” —
Los Angeles Times
 
“Tsukuru’s pilgrimage will never end, because he is moving constantly away from his destination, which is his old self. This is a narrow poignancy, but a powerful one, and Murakami is its master. Perhaps that's why he has come to speak not just for his thwarted nation, but for so many of us who love art—since it's only there, alas, in novels such as this one, that we're allowed to live twice.” —
Chicago Tribune
 
“Bold and colorful threads of fiction blur smoothly together to form the muted white of an almost ordinary realism. Like J.M. Coetzee, Murakami smoothly interlaces allegorical meanings with everyday particulars of contemporary social reality.... Tsukuru’s situation will resonate with anyone who feels adrift in this age of Google and Facebook.” —
San Francisco Chronicle
 
Colorless Tsukuru spins a weave of ... vivid images around a great mystery.... The story flows along smoothly, wrapping around details like objects in a stream.” —The Boston Globe
 
 “The premise is simple enough, but in the works of Murakami, nothing is simple.... A perfect introduction to Murakami’s world, where questions of guilt and motivation abound, and the future is an open question.” —
The Miami Herald
 
“Beautiful, rich with moving images and lush yet exquisitely controlled language.... Fans of elegant, intelligent fiction will welcome this book.” —
Tampa Bay Times
 
“Moving.... One of Murakami’s most endearing and enduring traits as a writer is an almost reportorial attention to detail, the combined effect of which gives you a complete picture while still feeling a little ethereal.” —
Milwaukee Journal Sentinel

“Shockingly seductive.... Murakami has a knack for swift, seamless storytelling.... Don’t be surprised if you devour
Colorless Tsukuru Tazaki and His Years of Pilgrimage in the course of a night or two.... Charming and unexpected.” —Richmond Times-Dispatch
 
“Satisfying.... Murakami can find mystery in the mundane and conjure it in sparse, Raymond Carveresque prose.” —
Financial Times
 
Colorless Tsukuru Tazaki alights in some mysterious places but doesn’t settle there.... [It] is replete with emotionally frank, philosophical discussions.... Reflective.” —The Dallas Morning News
 
“A piercing and surprisingly compact story about friendship and loneliness.... Murakami skillfully explores the depths of Tsukuru’s isolation and pain.” —
St. Louis Post-Dispatch
 
“Truly captivating ... Calling Murakami a ‘universally respected author’ or even a ‘paragon of literature’ is no longer apt. The man is a cultural force unto himself.... [In
Colorless Tsukuru] the staples of his work ... all come together to form a beautiful whole.” —A.V. Club
 
“Spare and contained.... Quiet, with disturbing depths.” —
The Columbus Dispatch
 
“A testament to the mystery, magic, and mastery of this much-revered Japanese writer’s imaginative powers. Murakami’s moxie is characterized by a brilliant detective-story-like blend of intuition, hard-nosed logic, impeccable pacing, and poetic revelations.” —
Elle

About the Author

Haruki Murakamiwas born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages. The most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul. Translated by Philip Gabriel.

Product details

  • Publisher ‏ : ‎ Knopf Doubleday Publishing Group; First Vintage International Edition (May 5, 2015)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 336 pages
  • ISBN-10 ‏ : ‎ 0804170126
  • ISBN-13 ‏ : ‎ 978-0804170123
  • Lexile measure ‏ : ‎ HL800L
  • Item Weight ‏ : ‎ 8.4 ounces
  • Dimensions ‏ : ‎ 5.2 x 0.7 x 8 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 10,410 ratings

About the author

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Haruki Murakami
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Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul.

Customer reviews

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Top reviews from the United States

Reviewed in the United States on October 31, 2014
Colorless Tsukuru Tazaki is a story about borders: conscious/unconscious, reality/wish fulfillment, perception/insight, logic/intuition, work/freedom, sex/love, making/creating, and action/existence. Tsukuru lives a comfortable, uneventful, and somewhat lonely bordered life in Tokyo. He works in a profession related to his boyhood fascination with trains and railroad systems. He enjoys his work for a company that builds well-structured train stations, and he is competent, conscientious, and dedicated in his work. He is a good law abiding man who likes his pleasures in moderation, eating out frequently and enjoying a glass of wine or spirits, most of the time by himself. He takes care of his body by swimming laps at a public pool and tension relief by having sex with women he meets without much effort and with no expectations of long term commitments. Tsukuru's inner voice continuously evalutes himself and his environment in terms of his ideas about his contours of experience.

Tsukuru's focus for self-evaluation is his memory of a time in high school teenage life when he was part of a 5 person group. In his recollections, this period was a high point of his life because of the unique relationship each member of the informal group had with every other member. Tsukuru played his role as the steady purposeful student with long term goals related to an interest in trains. The others, 2 girls and 2 boys, did not look as much to the future as Tsukuru and seemed more free to enjoy the moments of youthful existence that all realized were so fleeting. Even at the time, Tsukuru understood that he had the unique staid status and accepted it without question. Each member of the group had a nickname related to a color suggested by their last names: "red pine" and "blue sea" for the boys and "white root" and "black field" for the girls. Only Tsukuru's last name did not suggest a color and so he was "colorless."

An unspoken rule of the group was that no personal relationships were allowed independent of the group interaction. Tsukuru experienced severe anxiety and depression when he was rejected from the group after high school graduation. The other 4 members would not discuss why he was being shunned. Now comfortably moving along on his life path in his 30's, Tsukuru realizes his current problem of finding an acceptable meaning of life requires that he revisits the time of the group's existence. Then, all thoughts and emotions were enclosed in logical borders determined by the almost magical experiences of the group, and life had immediate meaning. Tsukuru discovers he must challenge the logic of the borders in order to reduce the anxiety and depression that has floated freely over his head without explanation for 15 years. He did not realize that his retrospective exploration of the group would include a deadly mystery, secret love, resentment, regret, and redemption.

Murakami writes with simple declarative sentences creating a direct realism of Tsukuru's daily life activities and continuous thoughts. As a result, the novel is a good story that appeals to readers of all levels of reading ability and age (teen and older). The complexity of Tsukuru's "Pilgrimage" to view and challenge the hidden borders of his life is skillfully built upon Murakami's careful, realistic descriptions of plot and narrative. The insight readers experience related to the major borders of their lives by identifying with Tsukuru is rewarding. I enjoyed the book as much as I did my past reading of two Murakami novels: 
1Q84  and  Norwegian Wood
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Reviewed in the United States on September 17, 2014
I am a huge fan of Murakami, so let me get that out of the way really quick. I am a bit biased, I suppose, anytime I read anything by him, as I go into his novels already liking it without reading a single word. I hope anyone reading this can understand what I mean. Some authors just have that power, don't they?
Yet, when I read Murakami's latest novel, I felt like there were about twenty pages missing at the end of the book. Up until that point, every page dripped with a simple fluidity that only Murakami can create in a story. And strangely enough, there was nothing too crazy or too out of the ordinary for him in this one. In fact, this might be his most normal, completely non magical realistic book yet (his interview books with the Aum victim's doesn't count in this assessment). There was only a hint of the magical in this book, and it's a loooong stretch of a hint at that.
So the main issue I have is that the book just... ended. NO resolution, no finality, no nothing. It was like Murakami looked at what he wrote and said to himself, "Okay, that's about enough of this book, on to the next." I mean, why couldn't he have told us what happened, both to Shiro and also to Tsukuru and Sara? That's all I'm going to say, as I don't want to give away any of the plot, but what a bummer that Murakami decided to not fill us in on these two very, very important details!
I know some will probably argue that it wasn't necessary to the story and that the way he ended it, sort of in media res fashion, makes it kind of artsy and perhaps even a bit avant-garde, but I would strongly disagree. For how normal his observations were on everything, he didn't need to go all abnormal with the conclusion. I mean, there's parts of this book where he literally is just talking about Shinjuku's massive subway station. It almost feels as though that was page filler, and not necessarily Murakami just being Murakami (anyone who has read 1Q84 knows how long-winded Murakami can get about descriptions). Though his observations are so impeccable you really, truly feel like you are in the presence of whatever he's describing, I GLADLY would've skipped that sort of page eating material for something that resolved, or perhaps delved into the Murakami style of strange (maybe Tsukuru could've fell down a well and found a door to another dimension where Shiro was playing the piano. Don't knock my idea... the dimensional well scenario worked for Murakami before!), or heck, just ended the book with at least one of the two major issues resolved completely. So yeah, great book, wonderful descriptions, mesmerizing storyline, and then what would've been a perfect ten dive into absolute modern writing brilliance ended up being a 6.5 performance off the literary spring board by Murakami.That's this book, in a nutshell.
Still, I enjoyed it, if you can believe that. That's how Murakami is... can't get enough of him, even when he somewhat fails at delivering a solid punch at the end.
7 people found this helpful
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Top reviews from other countries

gabriele cadoni
5.0 out of 5 stars Always great
Reviewed in Italy on March 31, 2024
As expected from Murakami, superb book
Ujjwal PREZENS
5.0 out of 5 stars Beautiful read
Reviewed in India on January 29, 2024
Thought provoking book that takes one back to one's own childhood days
Pandemic Panacea
5.0 out of 5 stars An engaging read.
Reviewed in the United Kingdom on February 8, 2024
I read the book a few weeks ago, after a friend mentioned that the author was a jazz fan, and had used the Thelonius Monk song, Round Midnight, in the story.

As it happened, Round Midnight itself has no major part in the story. In fact another classical music piece, Franz Liszt's "Les Fleurs du Mal" , is nore central to the story. But Round Midnight is played by a pianist who claims to have received a token that conferred enlightenment upon him, but also imminent death, unless he passed it on.

However, I found the book really engaging and easy to read. The hero is an upper middle class Japanese man who is untroubled by an6 financial or societal issues, though he himself has chosen to be something of an outsider. He accepts the world as it is. He wants to negotiate his way in it, not change it. He has been emotionally scarred by how his closest friends abandoned him as a teenager. But it is only when he starts a new relationship that his prospective lover challenges him to know himself before he can know her sexually. This prompts his reconnecting with each of his childhood circle in turn.

I liked that the book was an internal conversation, a sort of running commentary on life and people. After reading the book, I wanted to read others by the author.
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Patrick
5.0 out of 5 stars Such a great Book
Reviewed in Germany on November 25, 2023
This Book was really a Journey
Dunnolo
5.0 out of 5 stars Beautiful
Reviewed in Canada on January 9, 2019
Beautiful edition with Tokyo's map on the cover