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Sony - FE 12-24mm F4 G Wide-Angle Zoom Lens (SEL1224G),Black

4.2 4.2 out of 5 stars 82 ratings

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Purchase options and add-ons

Brand Sony
Focal Length Description 12-24 millimeters
Lens Type Wide Angle
Compatible Mountings Sony A
Camera Lens Description 7

About this item

  • G Lens design for corner-to-corner high resolution
  • Maximum magnification ratio (x) :0.14.Premium Optics; 4 aspherical, 1 Super ED, 3 ED glass elements
  • Constant F4 max aperture maintains exposure and Depth of field
  • 7-blade circular aperture contributes to beautiful bokeh
  • Direct Drive Supersonic Wave motor for fast, quiet, precise focus
  • In-the-box: Lens front cap; Lens rear cap; Case; Angle of View (35 mm): 122°–84°
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Sony - FE 12-24mm F4 G Wide-Angle Zoom Lens (SEL1224G),Black
Sony - FE 12-24mm F4 G Wide-Angle Zoom Lens (SEL1224G),Black
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Price$1,773.00-8% $1,098.00
List:$1,199.99
$2,298.00-17% $2,410.60
New Price:$2,898.00
-14% $648.00
List:$749.99
-6% $1,498.00
List:$1,599.99
Delivery
Get it as soon as Tuesday, Apr 2
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Get it as soon as Tomorrow, Mar 29
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Customer Ratings
Image stabilization
4.6
3.6
4.4
3.6
4.6
Auto focus
4.6
4.6
4.8
4.5
4.8
Picture quality
3.6
4.9
4.6
5.0
Sold By
Amazon.com
Amazon.com
PROCAM
Minty Gadgets (we track serial numbers)
Amazon.com
Amazon.com
lens type
Wide Angle
Wide Angle
Standard
Wide Angle
Wide Angle
Wide Angle
compatible mountings
Sony A
Sony E
Sony E
Sony E
Sony E
Sony E
lens design
Zoom
Zoom
Zoom
Zoom
Zoom
Prime
focus type
Auto Focus
Auto Focus
Auto Focus
Auto Focus
Auto Focus, Manual Focus
Auto Focus
minimum focal length
16 millimeters
24 millimeters
0.92 feet
fixed focal length
24 millimeters
35 millimeters
70 millimeters
24 millimeters
20 millimeters
14 millimeters
model name
SEL1224G
SELP1635G
FBASNSEL2470GM2
SEL1224GM
SELP1020G
SEL14F18GM
max aperture
4 f stop
4 f stop
2.8 f stop
2.8 f stop
4 f stop
1.8 millimeters

Product Description

Get a fresh dynamic perspective with Sony’s widest full-frame E-mount lens*. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down.


From the manufacturer

Sony Alpha FE 12-24mm F4 G Ultra Wide-angle Zoom Lens

Get a fresh dynamic perspective with Sony’s widest full-frame E-mount lens*. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down.

Features

Dynamic perspectives in an ultra wide-angle zoom

With a zoom range extending from 12mm to 24mm, the ultra wide-angle FE 12-24mm F4 G zoom offers the widest perspectives in the full-frame E-mount lens lineup. Optical aberrations that commonly detract from the performance of wide-angle designs have been effectively controlled, achieving excellent resolution throughout the image area. Despite its impressive performance, this lens is remarkably lightweight, compact, and mobile, offering quality and capabilities that will satisfy professionals' and enthusiasts’ needs for wider fields of view when photographing landscapes, architecture, and more.

Aspherical lens elements

Four aspherical elements in a new optical design effectively suppress aberrations that commonly occur in wide-angle lenses, achieving impressively high resolution that fully satisfies expectations for the G Lens brand. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and ultra-wide angles, and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight.

Constant F4 max aperture

Constant F4 max aperture maintains exposure and depth of field regardless of the focal range to which you zoom. When changing your aperture to defocus the background, the areas out of the focal plane appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with circular aperture blades used in this lens.

Features

7-blade circular aperture contributes to gorgeous bokeh

When changing your aperture to defocus the background, light sources appear blurred. This ‘bokeh’ effect of the blurred background is enhanced with the 7-blade circular aperture used in this lens. Conventional aperture blades have flat sides creating unappealing, polygonal-shaped defocused points of light. α lenses overcome this problem through a design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result.

Direct Drive Supersonic Wave Motor (DDSSM)

High-resolution cameras demand absolute focus precision. A floating mechanism driven by a DDSSM (Direct Drive Super Sonic Wave Motor) actuator maintains outstanding resolution from infinity to close focus for both stills and movies. DDSSM has the capability to position the large, heavy optical assemblies required by large-aperture lenses with pinpoint precision, offering accurate, fast and quiet autofocus. Manual focus response is natural and intuitive with the DDSSM system.

Nano AR Coating

Sony’s original Nano AR Coating technology minimizes flare and ghosting by suppressing internal reflections and maintaining clarity, even in difficult outdoor lighting conditions, for dynamic range that achieves lifelike detail and gradation with advanced camera sensors. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, more so than with lenses that use coatings with an irregular nano-structure. The reflection suppression characteristic of the Nano AR Coating is superior to conventional anti-reflective coatings, providing a notable improvement in clarity, contrast, and overall image quality.

Features

Dust and moisture resistant1 for robust reliability

Sony’s standard lens sealing is augmented by a lens mount seal that maximizes resistance to dust and moisture for reliable operation in challenging environmental conditions1. Additional details, like rubberized rings that are easy to operate in low temperatures, a customizable focus hold button and a hood lock button, all add up to professional control and convenience.

Super ED and ED glass minimize chromatic aberration

One Super ED (Extra-low Dispersion) and three ED glass elements control chromatic aberration for excellent sharpness from image center to periphery. Both Super ED and ED glass elements correct for axial chromatic aberration and chromatic aberration, which affect resolution and bokeh, while leaving precisely rendered edges with no fringing or unnatural coloration.

Instant auto/manual focus selection

Instantly switch between auto and manual focus via an AF/MF switch on the side of the lens. This makes operation faster and easier as you let the camera and lens focus for you, or decide to take control and manually focus on the precise point you chose.

Features

Focus hold button

The focus hold button not only performs its primary function to lock focus when recomposing, but can be customized to a number of other functions depending on your needs. In addition to Focus Hold, custom functions include: Grid Lines, Eye AF, AF On, Aperture Preview, Shot Result Preview or Bright Monitoring.

Internal Focus maintains lens dimensions

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change while focusing. This is especially useful when using the lens for video with a matte box.

Fluorine front-element coating

The front lens element features a fluorine coating that helps to prevent dirt and fingerprints from sticking, and makes it easier to wipe dirt and fingerprints away if they become attached to the lens surface. This is a lens that can be used with confidence in a variety of challenging outdoor conditions.

Footnotes:

1 Although the design is dust and moisture resistant, absolute protection from dust and moisture is not guaranteed.

Legal:

2017 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. Sony, the G logo, the Alpha logo and the Sony logo are trademark of Sony Corporation. All other trademarks are trademarks of their respective owners.

What's in the box

  • SEL1224G
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    Customer reviews

    4.2 out of 5 stars
    4.2 out of 5
    82 global ratings
    This len is amazing! It's lighter than my 24-70mm GM
    5 Stars
    This len is amazing! It's lighter than my 24-70mm GM
    This len is amazing! It's lighter than my 24-70mm GM! It is lighter than Canon 11-24mm L F4! Image quality is amazing and sharp!
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    Arturo Solis Herrera
    4.0 out of 5 stars Me gusto pero...
    Reviewed in Mexico on March 2, 2020
    Alan
    5.0 out of 5 stars Best wide angle option IMO
    Reviewed in Canada on November 26, 2019
    Itai
    5.0 out of 5 stars Spectacular Prespective
    Reviewed in Canada on December 15, 2019
    One person found this helpful
    Report
    R Croft
    5.0 out of 5 stars Small, not too heavy, surprisingly sharp, low distortion.
    Reviewed in Canada on February 28, 2020
    Customer image
    R Croft
    5.0 out of 5 stars Small, not too heavy, surprisingly sharp, low distortion.
    Reviewed in Canada on February 28, 2020
    I got this for night-urban monochrome, part of a project I'm working on. I have the 16-35GM and it's great, but I needed to go a little bit wider. The included photo is straight from a JPG, in-camera B&W mode, Sony a9. ISO 1600, s0.2, F/4, 13mm. Handheld. 11.15pm, natural 'urban light pollution' during a snowfall.
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    Al*
    5.0 out of 5 stars Five Stars
    Reviewed in Canada on April 30, 2018
    One person found this helpful
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