Praise for Girl, Woman, Other:NATIONAL BESTSELLER
WINNER OF THE BOOKER PRIZE 2019
Named One of Barack Obama’s Favorite Books of 2019
Named Roxane Gay’s Favorite Book of 2019
Named Author of the Year by the British Book Awards
Winner of the Indie Book Award for Fiction (UK) and the British Fiction Book of the Year Award
Gold Medal for the 2020 BookTube Prize for Fiction
Shortlisted for the Women’s Prize for Fiction, the Dublin Literary Award, the Gordon Burn Prize, a Publishing Triangle Award, the Goldsboro Glass Bell Award, the Orwell Prize for Political Fiction, and the Visionary Honours Award
Longlisted for the Australian Book Industry Award
Named an Amazon Best Book of the Year
Named a Best Book of the Year by the New Yorker, Washington Post, NPR, Entertainment Weekly, Time, Vogue, Seattle Times, Literary Hub, Guardian, Sunday Times, Financial Times, Times Literary Supplement, Kirkus Reviews, Shelf Awareness, New York Public Library, Chicago Public Library, Washington Independent Review of Books, New Statesman, Evening Standard, and the Daily Telegraph
“Girl, Woman, Other received half a Booker Prize, but it deserves all the glory . . . A breathtaking symphony of black women’s voices, a clear-eyed survey of contemporary challenges that’s nevertheless wonderfully life-affirming . . . Together, all these women present a cross-section of Britain that feels godlike in its scope and insight.”—Ron Charles, Washington Post
“A big, busy novel with a large root system . . . Evaristo has a gift for appraising the lives of her characters with sympathy and grace while gently skewering some of their pretensions . . . Evaristo’s lines are long, like Walt Whitman’s or Allen Ginsberg’s, and there are no periods at the ends of them. There’s a looseness to her tone that gives this novel its buoyancy. Evaristo’s wit helps too.”—Dwight Garner, New York Times
“The ambition of this novel, the inventive structure and syntax, the grand scope, all make for the most absorbing book I read all year. The characters are so richly drawn, so intimately known by Evaristo, and so perfectly rendered on the page. This novel is a master class in storytelling. It is absolutely unforgettable. When I turned the final page, I felt the ache of having to leave the world Evaristo created but I also felt the excitement of getting to read the book all over again. It should have won the Booker alone. It deserves all the awards and then some.”—Roxane Gay, Gay Magazine
“Exuberant, capacious, and engaging . . . Complex, astute, painful, funny, enlightening, and most of all enjoyable . . . An elegant and compulsively readable account of the black women of England . . . Plumbing the many dimensions of her characters’ lives, Evaristo revels in universals and singularities alike . . . The final scene triumphantly pulls together the novel’s dominant themes. I laughed, I cried, I turned the last page fully satisfied.”—Rebecca Steinitz, Boston Globe
“A sprawling book, but too intimate to be considered an epic . . . Each of these characters—and indeed the doting spouses, or abusive girlfriends, or foul-mouthed school chums, or lecherous preachers, or the rest of the human parade—feels specific, and vibrant, and not quite complete, insofar as the best fictional characters remain as elusive and surprising as real people are. This is a feat; the whole book is . . . Evaristo is a gifted portraitist, and you marvel at both the people she conjures and the unexpected way she reveals them to you . . . Yes, prizes are silly. But sometimes they’re deserved.”—Rumaan Alam, New Republic
“[Girl, Woman, Other is] about almost everything. Politics, parenthood, sexuality, racism and colorism, immigration, domestic violence, infidelity, friendship, love, all the ways we misunderstand each other, the way life surprises us with its unfolding. This is a partial list . . . Bernardine is here to turn on the lights, give you your money’s worth, and let you decide for yourself.”—Marion Winik, Minneapolis Star-Tribune
“Deserves every accolade, and more . . . A creative and technical marvel—a sprawling, unpunctuated, and improbably joyful account of twelve interconnected characters in modern-day Britain . . . A book so bursting with wit, empathy, and insight, its clear-eyed reflections on race and feminism hardly ever feel like polemics; there’s too much pure, vivid life on every page.”—Entertainment Weekly
“[Evaristo] is a master at parsing out individual voices while also collaging them into a beautiful chorus, exploring the ways identities and people’s lives intersect.”—Katie Yee, Literary Hub
“Compulsively readable . . . There’s something truly pleasurable to watching a virtuoso at work, and Evaristo’s ability to switch between voices, between places, and between moods brings to mind an extraordinary conductor and her orchestra.”—Paris Review
“Girl, Woman, Other changed my thinking.”—Tom Stoppard, Times Literary Supplement
“Not just one of my favorite books of this year, but one of the most insightful books I’ve ever had the pleasure of reading . . . In this inspired piece of writing, Evaristo examines the realities and complexities of womanhood in the UK.”—Nicola Sturgeon, Guardian
“Look no further than Bernardine Evaristo’s Girl, Woman, Other for the most distinctive novel of the year . . . Superlatives pale in the shadow of the monumental achievement of Girl, Woman, Other. Few adjectives suffice. It’s hard not to overpraise this brilliant novel. Evaristo’s verbal acrobatics do things language shouldn’t be able to do. It’s a Cirque du Soleil of fiction. Readers should put down whatever book they’re reading and immerse themselves in this one. Bernardine Evaristo is the writer of the year. Girl, Woman, Other is the book of the decade.”—Washington Independent Review of Books
“The novel flows seamlessly, like water, from thought to thought, character to character . . . Eminently readable and emotionally intense.”—New York Journal of Books
“Magnificent . . . As she creates a space for immigrants and the children of immigrants to tell their stories, Evaristo explores a range of topics both contemporary and timeless. There is room for everyone to find a home in this extraordinary novel. Beautiful and necessary.”—Kirkus Reviews (starred review)
“Evaristo beguiles with her exceptional depictions of a range of experiences of black British women . . . A stunning powerhouse of vibrant characters and heartbreaks.”—Publishers Weekly (starred review)
“Courageous . . . Hearing from mothers and their children, teachers and their students across generations, readers might expect that they’ll get to see just what these characters can’t know about one another, but they won’t imagine the dazzling specificities nor the unspooling dramas; they will be entertained, educated, and riveted.”—Booklist (starred review)
“Girl, Woman, Other, the intermingling stories of generations of black British women told in a gloriously rich and readable free verse, will surely be seen as a landmark in British fiction.”—Guardian
“In Girl, Woman, Other, Evaristo adopts an even bigger canvas, with a sparkling new novel of interconnected stories . . . In Evaristo’s eighth book she continues to expand and enhance our literary canon. If you want to understand modern day Britain, this is the writer to read.”—New Statesman
“Brims with vitality . . . The form [Evaristo] chooses here is breezily dismissive of convention. The flow of this prose-poetry hybrid feels absolutely right, with the pace and layout of words matched to the lilt and intonation of the characters’ voices . . . She captures the shared experience that make us, as she puts it in her dedication, ‘members of the human family.’”—Financial Times
“The voices of black women come to the fore in a swirl of interrelated stories that cover the past century of British life. Wide-ranging, witty and wise, it’s a book that does new things with the novel form.”—Sunday Times
“This masterful novel is a choral love song to black womanhood.”—Elle (UK)
“Evaristo is known for narratives that weave through time and place with crackling originality. Girl, Woman, Other is no exception.”—Vogue
“Ambitious, flowing and all-encompassing, [Evaristo] jumps from life to life weaving together personal tales and voices in an offbeat narrative that’ll leave your mind in an invigorated whirl. This is an exceptional book that unites poetry, social history, women’s voices and beyond. You have to order it right now in fact.”—Stylist
“Spanning a century and following the intertwined lives of twelve people, this is a paean to what it means to be black, British and female. Evaristo’s prose hums with life as characters seem to step off the page fully formed. At turns funny and sad, tender and true, this book deserves to win awards.”—Red
“Marvelous . . . [The characters] sing off the page as they negotiate their own way of being through the prisms of race and gender. In prose that defies many of the rules of punctuation, and feels all the more immediate for it . . . Summons up a limitless canvas of black female experience that’s by turns funny, acutely observed and heart-snagging. Terrific.”—Metro
“A magnificent read from a writer with a gift for humanity.”—Observer
“Beautiful, hilarious and moving homage to what it means to be black and British. Girl, Woman, Other celebrates the rich variety of black women across generations.”—Refinery29
“Bernardine Evaristo can take any story from any time and turn it into something vibrating with life.”—Ali Smith, author of Spring
“There is an astonishing uniqueness to Bernardine Evaristo’s writing, but especially showcased in Girl, Woman, Other. How she can speak through twelve different people and give them each such distinct and vibrant voices is astonishing. I loved it. So much.”—Candice Carty-Williams, author of Queenie
“Hilarious, heart-breaking, and honest. Generations of women and the people they have loved and unloved—the complexities of race, sex, gender, politics, friendship, love, fear and regret. The complications of success, the difficulties of intimacy. I truly haven’t enjoyed reading a book in so long.”—Warsan Shire, author of Teaching My Grandmother How to Give Birth
“Bernardine Evaristo’s books are always exciting, always subversive, a reminder of the boundless possibilities of literature and the great worth in reaching for them. Her body of work is incredible.”—Diana Evans, author of Ordinary People
“Once again, Bernardine Evaristo reminds us she is one of Britain’s best writers, an iconic and unique voice, filled with warmth, subtly and humanity. Girl, Woman, Other is an exceptional work, presenting an alternative history of Britain and a dissection of modern Britain that is witty, exhilarating and wise.”—Nikesh Shukla, author and editor of The Good Immigrant
“Bernardine Evaristo is without doubt one of the most important voices in contemporary British literature. Her phenomenal writing gets at the heart of what affects and concerns us most in these times.”—Jacob Ross, author of The Bone Readers
“Girl, Woman, Other is brilliant. I feel like a ghost walking in and out and in again on different people’s lives, different others. Some I feel close to, some I feel I must have met and some are so ‘other’ that I have to stretch myself to see them. Mind expanding.”—Philippa Perry, author of How To Be a Parent
“Bernardine Evaristo is one of those writers who should be read by everyone, everywhere. Her tales marry down-to-earth characters with engrossing storylines about the UK today.”—Elif Shafak, author of Three Daughters of Eve
“Bernardine Evaristo is the most daring, ambitious, imaginative and innovative of writers, and Girl, Woman, Other is a fantastic novel that takes fiction and black women’s stories into new directions.”—Inua Ellams, author of The Half God of Rainfall
“For a fresh and inspiring take on writing about the African diaspora, there’s nothing like a new book by Bernardine Evaristo. Somehow she does it every time!”—Margaret Busby, editor of Daughters of Africa
