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Austrian Audio OC818 Multi-pattern Large-diaphragm Condenser Microphone

Multi-pattern Dual-output Large-diaphragm Condenser Microphone with Optional Wireless Control
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Austrian Audio OC818 Multi-pattern Large-diaphragm Condenser Microphone
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This article was Written By

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Austrian Audio Revolution

Handcrafted in Vienna, the City of Music, the Austrian Audio OC818 is a revolutionary multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control. Onboard, the OC818 offers a choice of four selectable polar patterns, 10dB and 20dB pads, and three switchable highpass filters. But with Austrian Audio's open-source PolarDesigner plug-in (Mac and Windows), you can craft custom polar patterns for up to five different frequency bands. What's more, the PolarPilot mobile app (iOS, Android) gives you real-time wireless remote control over polar patterns, highpass filter, and pad settings via the optional OCR8 Bluetooth dongle. Note that the OC818 is always operating and mode switching purely in the analog domain; it's only the analog bias voltages that are being governed remotely. There is no digital signal in either the audio or bias paths. Giving you the best of both worlds, the Austrian Audio OC818 is a sophisticated tool that will help you make better-sounding recordings.

Explore the sonic possibilities

The OC818 offers four selectable onboard polar patterns: figure-8, supercardioid, cardioid, and omnidirectional, giving you immense flexibility when it comes to exploring the sonic possibilities offered by different recording techniques. The fifth setting is Preset mode, which works in tandem with the optional Bluetooth dongle that plugs into a port on the rear of the mic body and lets you program custom patterns. Austrian Audio microphones are rigorously tested on state-of-the-art measurement systems and precision matched to within a stringent 1dB tolerance — which means that with two of these excellent microphones, you can confidently implement stereo techniques such as Spaced Pair (A/B), X-Y (including Blumlein), ORTF array, Mid-Side (MS), and Spaced Omni (with or without a center mic). It's worth noting that a single OC818, with its two separate XLR outputs, is a stereo microphone in and of itself. But with two OC818s, your options expand exponentially.

Dual mode and PolarDesigner

The second output on the back of the OC818 delivers the signal from the rear capsule membrane, while the front membrane is output via the normal XLR plug. Simply plug in the OCC8 mini XLR cable supplied with your OC818 and set the polar pattern switch to the cardioid setting (the center position with the dual-cardioid icon). The OC818 will now work in Dual mode, with both capsule diaphragms being routed independently. In dual mode, you can record the two signals to separate tracks and use the PolarDesigner plug-in to subsequently modify the polar pattern in post production. PolarDesigner even lets you independently choose the polar pattern for up to five different frequency bands. Imagine how a pair of room mics with, for instance, a tight supercardioid pickup in the low frequencies, figure-8 for the mids, and omnidirectional for the highs would sound on a drum kit in a great-sounding room!

Real-time remote control

With Austrian Audio's OCR8 Bluetooth module (available separately) and the PolarPilot app for iOS and Android, you can remotely control your OC818 from your smartphone or tablet. Powered by the 48-volt phantom that powers the mic, the OCR8 is activated via the Preset mode switch setting (the "•" position all the way to the right). Once paired with your device, the PolarPilot app gives you full wireless control over the OC818's polar patterns, highpass filters, and pads. The app also features an overload monitor that displays a red bar if the signal is too loud. In that case, engage the 10dB pad to reduce bias voltage to the capsule and protect the mic’s internal circuitry from clipping.

Outstanding results on any source

The heart of any classic mic is a superior handmade capsule, and this wisdom is borne out in the Austrian Audio's proprietary CKR12 capsule. In keeping with its multi-pattern design specification, the OC818 uses the dual-diaphragm version of the CKR12 capsule, which, in concert with the microphone's custom electronic circuitry, delivers excellent results when used for vocals, acoustic guitar, piano, drum overheads, strings, brass, percussion, and room capture. What's more, the OC818's robust native 148dB maximum SPL capability — further increased by the inclusion of selectable 10dB and 20dB pads — also makes it ideal for louder sources such as tom toms and electric guitar cabinets.

The new Vienna classics

Carrying on the rich legacy of high-end Viennese microphone design into the modern era, Austrian Audio is driven by an engineering team with over 300 years of combined experience. Their motto: "Making Passion Heard." Their mission: to design and manufacture a new generation of recording tools that embrace cutting-edge technologies and sonic excellence while honoring Vienna's rich musical heritage. That vision is realized in the Austrian Audio's proprietary handcrafted CKR12 large-diaphragm capsule, which is used in the company's excellent OC18 and OC818 condenser microphones. Sweetwater is proud to bring you Austrian Audio's distinguished lineup of fine musical instruments.

Austrian Audio OC818 Features:

  • Multi-pattern dual-output large-diaphragm condenser microphone with optional wireless control
  • Handmade, dual-diaphragm CKR12 ceramic capsule
  • Selectable polar patterns: figure-8, supercardioid, cardioid, omni, custom
  • Microprocessor control of polarization voltages
  • Choice of 3 analog highpass filters: 40Hz, 80Hz, 160Hz
  • 10dB and 20dB analog pads
  • Dual outputs for recording each diaphragm separately
  • Wireless control via optional OCR8 Bluetooth module (available separately)
  • Incorporates Austrian Audio's Open Acoustics Technology
  • Frequency response: 20Hz–20kHz
  • Sensitivity (all directions): 13mV/Pa
  • Equivalent noise level: 9dB SPL (A)
  • Maximum SPL: 148dB (158dB SPL with pad)
  • Impedance: 275Ω; load impedance: >1kΩ
  • Supply voltage: 48-volt phantom (<4mA, typical 2.1mA)
  • Handcrafted in Vienna
  • Includes protective carry case, OCS8 spider mount suspension, OCW8 foam windshield, OCH8 mic clip, OCC8 mini XLR cable, and cable clip

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Tech Specs

  • Microphone Type: Condenser
  • Mono/Stereo: Dual Out
  • Polar Pattern: Cardioid, Figure-8, Supercardioid, Omnidirectional
  • Diaphragm Size: Large
  • Frequency Range: 20Hz-20kHz
  • Max SPL: 148dB SPL
  • Output Impedance: 275 ohms
  • Sensitivity: 13mV/Pa
  • Self Noise: 9dB SPL (A weighted)
  • Low Cut Filter: 40Hz, 80Hz, 160Hz
  • Pads: -10dB, -20dB
  • Wireless: Bluetooth control (OCR8 required)
  • Connector: XLR (mic), Mini-XLR (dual out cable)
  • Software: PolarPilot App (iOS, Bluetooth)
  • Color: Silver
  • Power Source: 48V phantom power
  • Dimensions: 6.18" x 2.48"
  • Weight: 0.79 lbs.
  • Included Accessories: Carrying Case, Spider Mount, Foam Windshield, Mic Clip, Mini-XLR Cable
  • Manufacturer Part Number: 17002F10200

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Customer Reviews

Write your review
Rated 5/5

My Microphone

There is a perfect microphone out there for every voice.
The Austrian Audio OC818 is the one for me.
So much warmth, so little harshness, and very easy on my ears even after hours in the recording booth.
The build quality is second to none and the studio kit comes in a solid case.
This is my microphone.
Music background: Voice Actor
Rated 5/5

Just...wow.

I've worked in voice over along with working in the broadcast industry for over 15 years. I've owned many microphones and this is, by far, the cleanest, most pure sounding microphone I've used. I'm going out in a limb and saying that I now prefer this over my MKH 416 and TLM 103.

The amount of forward thinking design and technology that has been implemented into this mic at this price...wow.
Music background: Broadcasting/Voice Over
Rated 5/5

A Studio Must Have Mic

If you are looking for a superior quality professional level multi-pattern condenser mic that can do everything well, the OC818 is the one. If you don't know the history of AKG and how Austrian Audio was born, I suggest you read up but in short, Austrian Audio employees were the brains and technicians from AKG in Vienna. The mic build is flawless and robust. It comes in a great case fully outfitted with mounts, windscreen and xlr adapter cable. As for the stereo feature, remote control and software functionality..I will simply say these are amazing features so please watch the videos on YT to learn more. It's best to see and hear it in action than read about it. AS FOR THE SOUND. ON VOCALS - The OC818 has a lovely pleasing open high end but not "crisp" or thin. The mids are silky smooth and the low end is clean and articulate. There is no mud to be found. ON ACOUSTIC INSTRUMENTS (guitar, mandolin, fiddle, percussion, cymbals) the OC818 just nails it. What goes in, is exactly what comes out. ON ELECTRIC GUITAR & BASS CABS - Same thing. Accurate reproduction. I run my pair of OC818's through either a Focusrite ISA Two or 2 UA 610 Tube Pre's. CONCLUSION - there are dozens of mics in and around this price point. I chose the OC818 because of the quality of its' sound reproduction and the innovative mindset of the Austrian Audio team. Austrian Audio brought the vintage AKG CK12 capsule and 414 legacy into our current world and has built a superior mic that will deliver consistent reliable performance & it will physically out live me.
Music background: Composer, Multi-Instrumentalist, Project Studio Operator
Rated 5/5

Love it!

The positives I have for this mic would be to repeat what other reviewers have said. This microphone has warm, smooth, rich tones that are very pleasing to the ears. And as others have noted . . . it's innovative! An innovative, wonderful sounding microphone at similar price points as other mics with much less versatility. What's not to love.
Rated 5/5

By Far The Best Large-Diaphragm Condenser

I've been doing voiceover for a while, and (I believe) I have a pretty good ear. I have an MKH 416 I've been using for the last 10 years or so, but wanted to up my game with a good LDC (the 416 has always sounded a bit thin on the low end, and I'm a bass/baritone vocal timbre). I was also looking for dual-capsule designs, so I could maximize my versatility.

Cue up a voice-over mic shootout including: MKH 416, RE-20 (because I already own those), AT-4050, KSM44A, Aston Spirit and OC818. They all sounded pretty good, but the OC818 was far and away the best. Great frequency response across many bands, absolutely silent, and true 360-degree coverage on the capsule (AT-4050 came in 2nd place for me, for what it's worth). I bought the bluetooth adapter and started playing with the polar pattern designer, and holy cow.

If you're looking for an absolutely fantastic-sounding mic, with innumerable applications, this is the mic for you.
Music background: Voice-over, bass guitar, trombone
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