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Fujifilm XF50-140mmF2.8 R LM OIS WR
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Purchase options and add-ons
Brand | Fujifilm |
Focal Length Description | 50-140 millimeters |
Lens Type | Telephoto |
Compatible Mountings | Fujifilm X |
Camera Lens Description | Zoom lens for Mirrorless Cameras |
About this item
- Equivalent to 76mm to 214mm;Internal focus
- Focal Length : 50-140 mm
- Focus range : Normal : 1m - ∞ (whole zoom position), Macro : 1m - 3m (whole zoom position)
- Max. magnification : 0.12x (Telephoto), Maximum aperture of F2.8
- Dust / water and low temperature resistance
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This Item Fujifilm XF50-140mmF2.8 R LM OIS WR | Recommendations | dummy | dummy | dummy | dummy | |
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Price | $1,599.00$1,599.00 | $799.00$799.00 | $869.95$869.95 | -10% $899.00$899.00 List: $999.95 | $1,999.95$1,999.95 | $899.00$899.00 |
Delivery | Get it as soon as Monday, Apr 1 | Get it as soon as Monday, Apr 1 | Get it as soon as Tomorrow, Mar 28 | Get it as soon as Monday, Apr 1 | — | Get it as soon as Monday, Apr 1 |
Customer Ratings | ||||||
Picture quality | 4.6 | 4.9 | 4.6 | 4.4 | 4.0 | — |
Image stabilization | 4.5 | 4.9 | 4.7 | 3.6 | 4.2 | — |
Auto focus | — | 4.9 | — | 3.6 | 3.7 | — |
Value for money | — | 4.2 | 4.6 | 4.0 | — | — |
Sold By | Amazon.com | Amazon.com | 6ave | Amazon.com | Amazon.com | Amazon.com |
lens type | Telephoto | Standard | Telephoto | Telephoto | Telephoto | Wide Angle |
compatible mountings | Fujifilm X | Fujifilm X | Fujifilm X | Fujifilm X | Fujifilm X | Fujifilm X |
lens design | Zoom | Prime | Zoom | Prime | Zoom | Zoom |
focus type | Auto Focus | Manual Focus, Auto Focus | Auto Focus | Manual Focus, Auto Focus | Auto/Manual | Auto/Manual |
minimum focal length | — | 33 millimeters | 70 millimeters | 56 millimeters | 150 millimeters | 18 millimeters |
fixed focal length | 140 millimeters | 33 millimeters | 300 millimeters | 56 millimeters | 600 millimeters | 120 millimeters |
real angle of view | 31.7 degrees | 46.9 degrees | 22.9 degrees | — | — | — |
Product guides and documents
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Product information
Product Dimensions | 3.26 x 3.26 x 6.93 inches |
---|---|
Item Weight | 2.2 pounds |
ASIN | B00NGFLO74 |
Item model number | 16443060 |
Batteries | 1 Lithium Ion batteries required. |
Customer Reviews |
4.7 out of 5 stars |
Best Sellers Rank | #501 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | September 9, 2014 |
Manufacturer | Fujifilm |
Country of Origin | Japan |
Warranty & Support
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Product Description
A telephoto zoom offering the most frequently used telephoto focal lengths, equivalent to 76mm to 214mm, and a maximum aperture of F2.8. It features the latest technology, including dust / water and low temperature resistance, a triple linear motor, and the world's top image stabilization technology in its class, so that users do not miss a shot in any conditions. Its advanced performance makes it a perfect choice, not only for portraiture and snapshots, but also to capture fast-moving subjects in sports or wildlife photography, and for general outdoor nature photography.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, sharpness, and image quality of the lens. They mention that it's an excellent lens, with outstanding image stabilization that helps deliver very sharp images. They appreciate the build quality, saying that it feels very premium and reassuringly solid. Customers also appreciate the fast focusing speed, saying it'll focus more accurately.
AI-generated from the text of customer reviews
Customers are satisfied with the quality of the lens. They say it's an excellent lens, with outstanding image stabilization. The optical quality is rated very highly, and the high-end materials and flawless operation make it a great choice.
"...the jpegs from the fuji with this lens is very satisfying...." Read more
"...The short arc to zoom makes composition a breeze. The IS is nothing short of outstanding, I can handhold the 50-140 and get fewer blurred images..." Read more
"...reviews about the 50-140mm you are already aware that optical quality is rated very highly...." Read more
"...Besides the OIS is much quieter and appears to be more effective. Mostly importantly I already sold all my canon full frame...." Read more
Customers are satisfied with the sharpness of the lens. They mention that it is incredibly sharp all the way to the corners, even when wide open. They are also pleased with the image quality.
"...In fact this lens is much sharper wide open, focusses more accurately...." Read more
"...The lens is very sharp, compact, and fast focusing - the 55-200 is a great lens. But...." Read more
"...That system is excellent and delivers amazing color, sharpness and manageability... IF, IF, the lens you have can get light in to the system with..." Read more
"...Also, this lens is SHARP! I've been more than impressed with the quality of shots I get.The OIS is truly incredible...." Read more
Customers are satisfied with the image quality of the lens. They mention that it takes great pictures, has excellent image quality, and the IS is exceptional. The lens produces crisp, contrasty, and fantastic images at all focal lengths and apertures. The bokeh is buttery smooth, making portraits gorgeous. The IS makes the photographic creative moment wonderfully pleasurable.
"...As mentioned above the quality of the lens and its images are fantastic, but it's the internal focus and zoom that have been game changers for me...." Read more
"...Autofocus is fast and accurate. Image quality is very high. I can't find obvious flaws. Unfortunately this lens has low magnification factor...." Read more
"...That system is excellent and delivers amazing color, sharpness and manageability... IF, IF, the lens you have can get light in to the system with..." Read more
"...Also, this lens is SHARP! I've been more than impressed with the quality of shots I get.The OIS is truly incredible...." Read more
Customers like the focus of the lens. For example, they mention it's very sharp, compact, and fast focusing. Some say the lens is quiet and has no focus hunting. That said, most are happy with the internal focus and zoom capabilities.
"...In fact this lens is much sharper wide open, focusses more accurately...." Read more
"...of the lens and its images are fantastic, but it's the internal focus and zoom that have been game changers for me...." Read more
"...It is by no means small but very manageable. It's weather resistant. It allows to me to use lower ISO thanks to its extremely effective OIS...." Read more
"...I swear it also makes the IS whirring more bearable. It locks focus faster, hunts less, feels more precise.So, 9 years...." Read more
Customers are satisfied with the build quality of the lens. They mention that it has a great build quality, beautiful craftsmanship, and feels very premium. Customers also appreciate the reassuringly solid feel of the product.
"...Pleasing and solid build, I have no concern it will require more than normal care in handling...." Read more
"...Other than this, build quality is very high. It makes me want to hold it. My Canon 70-200 2.8 makes me want to put it down...." Read more
"...lens in also very smooth when either zooming or focusing and is extremely well made...." Read more
"...The lens hood feels very premium, and the lens itself feels very reassuringly solid. I don't regret the purchase at all." Read more
Customers appreciate the compactness of the lens. They mention that it fits on their XT bodies well and feels comfortable.
"...The 50-140 is a monster of a lens in comparison, but it fits on my XT bodies well and feels comfortable to tote around...." Read more
"...So why five stars? Not so big and bulky if you compare it to 70-200mm on a full frame camera. About 1/2 the price of the latest 70-200 f/2.8's...." Read more
"Fantastic sharpness, color and contrast. Lighter and smaller than full frame Canon...." Read more
"...It is also smaller, lighter and less expensive than the Canon. If you have been on the fence about this lens, it is well worth the investment." Read more
Customers are mixed about the weight of the camera. Some mention that it is smaller, lighter, and less expensive than the Canon, while others say that it's a little heavy and bulky.
"...Significantly lighter, less expensive, and shorter than Canon and Nikon offerings, but no loss in performance. Well worth the investment." Read more
"...This lens convinced me i could!! It is a little heavy, but balances well on the xt2...." Read more
"Fantastic sharpness, color and contrast. Lighter and smaller than full frame Canon...." Read more
"Big and bulky on my X-PRO2 let alone on my X-E2. Also expensive...." Read more
Customers are mixed about the noise of the camera. Some mention that it's fast, quiet, and accurate, while others say that they're a little concerned about the OIS noise, the clunking sound, and the constant audible whirring of the stabilization mechanism.
"...of these lenses before I bought one and noticed a clunking sound from within the lens barrel. This concerned me. Did some research...." Read more
"...Besides the OIS is much quieter and appears to be more effective. Mostly importantly I already sold all my canon full frame...." Read more
"...is turned on or not, which uses some battery, and makes a strange whirring noise constantly, but it's not disruptive or detrimental...." Read more
"...Not thrilled the element cluster clunks around in the housing when the lens isn't powered by the camera, but that's just how it is put together...." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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I wanted a small system for travel, street, casual shooting. So buying this lens was not what i had planned originally as it is huge and heavy. However, my thinking was, if i tried it and it worked well, then i could get rid of my FF setup. To be honest, it is hard to imagine i could go back to a crop system. This lens convinced me i could!! It is a little heavy, but balances well on the xt2.
I have shot hundreds of photos with this lens and the xt2 and compared to shots taken with my FF and the Tamron. My conclusion? I don't lose much, if anything at all, from shooting the fuji. In fact this lens is much sharper wide open, focusses more accurately. As i do not have much time doing a lot of PP (except when i shoot a friend's wedding for fun), the jpegs from the fuji with this lens is very satisfying. I was thinking of the 56mm for portraits, but with this lens, i don't think I'll be buying that in a hurry.
So with this lens, I'm ready to ditch my FF. The fuji mirrorless small body with the excellent small primes and the excellent 18-55 is great for casual, street, and travel photography. This lens allows me to do the other more serious things. This lens helped me make up my mind, and my FF setup will be going soon!! It is that good.
Thumbnail review of the Fuji 50-140mm f2.8 - If you need it, buy it, it is really as good as everyone says it is. Pleasing and solid build, I have no concern it will require more than normal care in handling. Functionally the zoom and focus rings are as smooth in operation as any top end lens I've handled. Internal focus and internal zoom seems to be hard to find anymore, but having both makes it very easy to use filter holders and grad filters. The short arc to zoom makes composition a breeze. The IS is nothing short of outstanding, I can handhold the 50-140 and get fewer blurred images than with the 55-200. And finally images taken with this lens are some of the sharpest I've seen.
Oh, and the foot on the rotating collar isn't Arca Swiss compatible but you can swap it out for a foot that is for about $40 from 3rd party vendors.
tldr/
As a photographer I shoot across a range of styles, from street to tabletop and landscape. What I do not shoot are portraits, sports, or video. I did all three ages ago and found that I had no desire to continue. What drives me to acquire camera equipment is need with also a little bit of desire, I need certain focal lengths but I want the equipment that's the best fit for me. I'm 7 years past my switch from Canon to Fuji and I'm still very happy with my pictures so I think the verdict is in for me, I'm not feeling any motivation to use another brand or platform.
Two years ago I needed a longer lens to punch in on my landscapes and to make panoramic images of deep scenes. I purchased the 55-200 because that's what I felt I could afford. The lens is very sharp, compact, and fast focusing - the 55-200 is a great lens. But. Because the barrel extends on the 55-200 while zooming, and there is no way to lock it down, each time I adjusted filters setting up a shot the zoom would creep in or out changing composition and focus (the lens isn't constant focus throughout the zoom range). The 55-200 is a great lens, just not for what I want to shoot.
The 50-140 was my second choice, but only because of price. As mentioned above the quality of the lens and its images are fantastic, but it's the internal focus and zoom that have been game changers for me. I no longer have zoom and focus creep when adjusting filters and my landscapes are much better for it.
Soapbox moment: The 50-140 gives approximately the same magnification through the viewfinder as a 70-200 on a FF camera. The rest of that statement is: f2.8 is f 2.8 and doesn't change based on sensor size. Please stop multiplying apertures to find an equivalent. Applying 'crop factor' to aperture only helps describe the out of focus background in specific situations, it has nothing to do with light gathering. So, f2.8 is f2.8. This lens gathers as much light allowing similar shutter speeds in a given lighting situation as a FF 70-200 f2.8.
Also, I suggest not worrying too much about equivalency between two different sensor formats. Honestly, nobody in film days ever spent this much time rationalizing magnification and bokeh differences between 35mm (FF) and medium format. We just shot our cameras. The same applies here, how often do you look at a scene and say to yourself "I think a 73mm focal length would be perfect"? You just don't do that when you're shooting a zoom, you view the scene through the eyepiece or back panel and compose your image. You just shoot your camera. In that moment is anyone really doing the math to determine the FF equivalancy of their shot?
Off the soapbox...
Summary: The 50-140 lens works for me in ways that the 55-200 couldn't. Internal focus and zoom make a huge difference for me and I probably should have purchased this lens first and skipped the 55-200. The 50-140 is a monster of a lens in comparison, but it fits on my XT bodies well and feels comfortable to tote around. I will shoot this lens most often from a tripod, but when handheld the IS is exceptional and helps deliver very sharp images. Highly recommended!
If you have already read formal reviews about the 50-140mm you are already aware that optical quality is rated very highly. I won't dispute that and also note that if you use this with Fuji's matched 1.4x teleconverter there is no discernable image degradation.
TIP: If you leave the tripod mount adapter that comes with it attached, you can use that as handle to hold lens+camera with one hand and the other hand for the camera controls. This mitigates much of the imbalance between the weight and size of the lens ans an X-E series body.
My most common uses are :
-to isolate subject matter from surroundings. Getting closer with a shorter lens might work but that tends to affect perspective. Having some distance keeps the image "flat". For me this applies more to nature/botanical subjects, but it has implications for portraits as well. The wide aperture makes for isolation by narrow depth-of-field and nice "bokeh".
-certain landscapes where I want to flatten perspective such a row of trees or a mountainside with patches of autumn color amidst the conifers.
-sports events like rodeos and horse races. With the x-PRO2 and the right camera settings continuous shooting with AF tracking works well. I'm sure it works even better on an X-T2.
- carry a macro extension tube (Fuji's MCEX-11 is a good one). Slip it in place between the body and the lens and you get really good close-up (not true macro) capability.
Another plus: having this lens has helped me restrain my desire for Fuji's 56mm and 90mm.
Suggestion to Fuji: There is a reason Nikon (Canon, too?) aldo offer a 70-200 f/4! Think about in future planning
Update: As kludgy as it sounds you can use the 1.4 teleconverter and the macro tube at the same time. Tube attaches to the camera body and televonverter goes between lens and tube. Still not a macro lens but gets you a closer closeup. Good results hand held but be sure OIS is switched on
Top reviews from other countries
Cet objectif prend des filtres à 72 mm. Si vous avez des 77 mm (nécessaires pour le 18-55 f/2.8), le petit trou dans le pare-soleil plastoque ne sert à rien. Le pied amovible est tout juste compatible Arca Swiss, mais n’est pas biseauté. J’ai failli perdre l’objectif et mon X-T5 en pensant qu’il était bien attaché, mais ce n’était pas le cas. Vissez une plaque au pied avant de l’attacher à un trépied. Aussi, il est trop en avant du centre de gravité ; on ne peut pas poser l’objectif + boîtier sur le pied. Heureusement, on peut tourner le collier ou bien carrément dévisser le pied de l’objectif.
Pour ceux qui hésitent entre cet objectif et le 55-200 mm f/3.5-f/4.8 ou le 70-300 mm f4-5.6, il faut savoir que le premier est vraiment un outil professionnel. Il coûte beaucoup plus cher et pèse davantage pour une plage de focales plus réduite, mais il est plus polyvalent, puisque l’ouverture est constante. La séparation du sujet de l’arrière-plan est bluffante. Le piqué est bien meilleur à toutes les focales dès f/2.8. Il est tropicalisé (ce n’est pas le cas du 55-200). La mise au point du 50-140 mm est interne ; le barillet ne s’allonge pas. Les autres objectifs aspirent la poussière beaucoup plus facilement.
La question est vraiment de savoir si la grande différence de prix est justifiée. Pour moi, la qualité d’image, l’ouverture constante et la polyvalence de cet objectif (c’est un bon outil pour le portrait, le sport en intérieur, le spectacle, le mariage…) me font dire que oui. Je me sépare de mon 55-200 (un peu à contrecœur, j’avoue) et n’utilise le 70-300 que dans certaines situations bien précises.
Objectif vendu par Amazon et livré dans les temps. RAS.
A metal lens hood would be a nice addition to this lens, as the lens hood that comes with it is plastic.