
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
A Blessing on the Moon Paperback – Bargain Price, September 7, 2010
At the center of A Blessing on the Moon is Chaim Skibelski. Death is merely the beginning of Chaim’s troubles. In the opening pages, he is shot along with the other Jews of his small Polish village. But instead of resting peacefully in the World to Come, Chaim, for reasons unclear to him, is left to wander the earth, accompanied by his rabbi, who has taken the form of a talking crow. Chaim’s afterlife journey is filled with extraordinary encounters whose consequences are far greater than he realizes.
Not since art Spiegelman’s Maus has a work so powerfully evoked one of the darkest moments of the twentieth century with such daring originality.
- Print length272 pages
- LanguageEnglish
- PublisherAlgonquin Books
- Publication dateSeptember 7, 2010
- Dimensions5.5 x 0.78 x 8.19 inches
"All the Little Raindrops: A Novel" by Mia Sheridan for $10.39
The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more
Customers who bought this item also bought
Editorial Reviews
Review
(The Boston Globe )
“Startlingly original . . . Recalls the dark, hallucinatory world of Jerzy Kosinski’s The Painted Bird while at the same time surpassing it.” --The Washington Post
(The Washington Post )
“As mesmerizing as a folk tale, as rich as gold itself.” --The Denver Post
(The Denver Post )
“A compelling tour de force, a surreal but thoroughly accessible page-turner.” --Houston Chronicle
(Houston Chronicle )
“As magical as it is macabre.” --The New Yorker
(The New Yorker )
About the Author
Product details
- ASIN : B0058M60LI
- Publisher : Algonquin Books; Reprint edition (September 7, 2010)
- Language : English
- Paperback : 272 pages
- Item Weight : 3.2 ounces
- Dimensions : 5.5 x 0.78 x 8.19 inches
- Best Sellers Rank: #7,757,468 in Books (See Top 100 in Books)
- #3,094 in Jewish Historical Fiction
- #7,345 in Jewish Literature & Fiction
- #12,860 in Military Historical Fiction
- Customer Reviews:
About the author

Possessing "a gifted, committed imagination" (New York Times), Joseph Skibell is the author of three novels, A Blessing on the Moon, The English Disease, A Curable Romantic, a collection of stories, My Father's Guitar & Other Imaginary Things (forthcoming), and a mythopoetic study entitled Six Memos From the Last Millennium: A Novelist Reads the Talmud (also forthcoming). He has received numerous awards, including the Rosenthal Foundation Award from the American Academy of Arts and Letters, a National Endowment for the Arts Fellowship, the Sami Rohr Award in Jewish Literature, and Story Magazine's Short Short-Story Prize. His work has been described as "daring in its ... honesty" (New York Times); "witty and profound" (Jerusalem Report); "laugh-outloud humorous" (Forward); "brave ... unafraid" (New York Journal of Books); "magical" (New Yorker); "high-energy, wild" (New Republic); and "wholly original" (JM Coetzee). Skibell's novels, stories and essays have been widely anthologized and translated, most recently into Ido and Chinese. He has written or translated essays for three books of photographs: Loli Kantor's Beyond the Forest, Neil Folberg's The Serpent's Chronicle, and Fred Stein: Paris New York. As the director of the Richard Ellmann Lectures in Modern Literature from 2008 to 2015, he sang and played guitar onstage with both Margaret Atwood and Paul Simon, though not at the same time. The Winship Distinguished Research Professor in the Humanities at Emory University, Skibell has taught at the University of Wisconsin, Bar-Ilan University, and the Michener Center for Writers at the University of Texas. In 2014-2015, he was a Senior Fellow at the Fox Center for Humanistic Inquiry. (Photos by Laura Noel and Jeffrey Allen)
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
The opening, certainly, is brilliant. Believing that the bullets have merely bruised him, the protagonist Chaim Skibelski clambers out of the death pit and runs with glee back to his former home, only to find it occupied by a Polish Catholic family making free with his former property. Nonetheless, he moves into an empty bedroom, accompanied by his short, black-coated Rebbe, who has been turned into a crow. This entire opening section, "From the Book of Mayseh" (which I think refers to a kind of fairy tale parable), is quite absorbing, largely because Skibell avoids crude moral polarization; one of its loveliest qualities is the relationship that develops between Chaim and Ola, the tubercular daughter who is the only member of the Christian family able to see him.
In the second section, "The Color of Poison Berries," Chaim is no longer alone, but journeys southward with others of the resurrected dead. This is more episodic, and almost loses the narrative thread until the throng believe they have reached "The World to Come," and the story attains a peak of radiant but temporary joy. The final section, "The Smaller to Rule by Night," moves forward many decades, and concerns Chaim's role in helping the two old Hasids restore the moon to its proper place in the heavens. It too has lovely qualities, but none so beautiful as the last pages of all, where Skibell shows that time can bend backward as well as leaping forwards.
Most Holocaust novels begin much earlier, but this starts at the moment of death. It is a highly original approach, equaled only (though in a very different register) by Martin Amis' TIME'S ARROW , which actually runs time backwards. I have also encountered a similar use of folk tales in Dara Horn's rather later book, THE WORLD TO COME , but they were only one ingredient in a mostly realistic modern story. The danger that Skibell runs by peopling his story with flying rabbis and the walking dead is that he loses contact with the hard fact of the Holocaust itself. There was really only one sustained passage in the book where it truly touched the horror of the death camps, but that hit me when I least expected it.
It occurs to me, though, that this is not a Holocaust book so much as an allegory of survival. What does it mean to be an observant Jew of a later generation, coming to terms with loss, death, and enmity, and the inscrutable ways of a God who one is taught has a purpose for everything? If such horror cannot be explained by reason, turn to fable. And if that fable is neither linear nor entirely sufficient, then no more is life, when you think you have put something behind you only to have it hit you again harder from left field.