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In the Dream House: A Memoir Kindle Edition
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A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties
In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.
And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.
Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.
- LanguageEnglish
- PublisherGraywolf Press
- Publication dateNovember 5, 2019
- File size5105 KB
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What's it about?
A memoir about domestic abuse by Carmen Maria Machado, exploring the author's relationship with a volatile woman through various narrative tropes and cultural representations.Popular highlight
A reminder, perhaps, that abusers do not need to be, and rarely are, cackling maniacs. They just need to want something, and not care how they get it.3,388 Kindle readers highlighted thisPopular highlight
Putting language to something for which you have no language is no easy feat.2,533 Kindle readers highlighted thisPopular highlight
Afterward, I would mourn her as if she’d died, because something had: someone we had created together.2,108 Kindle readers highlighted thisPopular highlight
This is what I keep returning to: how people decide who is or is not an unreliable narrator. And after that decision has been made, what do we do with people who attempt to construct their own vision of justice?2,044 Kindle readers highlighted thisPopular highlight
Places are never just places in a piece of writing. If they are, the author has failed. Setting is not inert. It is activated by point of view.1,976 Kindle readers highlighted this
From the Publisher
Praise for In the Dream House:
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Editorial Reviews
Amazon.com Review
Review
“Breathtakingly inventive. . . . Machado’s writing, with its heat and precise command of tone, has always had a sentient quality. But what makes In the Dream House a particularly self-aware structure―which is to say, a true haunted house―is the intimation that it is critiquing itself in real time. . . . Here and in her short stories, Machado subjects the contemporary world to the logic of dreaming.”―Katy Waldman, The New Yorker
“If there are no new stories, only new ways to tell them, Carmen Maria Machado has found a way to do exactly that, ingeniously, in Dream House ― a book that manages to break open nearly everything we think we know about abuse memoirs. . . . The result is a gorgeously kaleidoscopic feat ― not just of literature but of pure, uncut humanity.”―Entertainment Weekly
“Machado rejects standard memoir conventions in favor of short discursive chapters. . . . The result is a thoroughly engrossing, sometimes enraging must-read.”―BuzzFeed
“Daringly structured and ruthlessly inquisitive. . . . The heart of this history is clear, deeply felt, and powerful. A fiercely honest, imaginatively written, and necessary memoir from one our great young writers.”―Kirkus Reviews, starred review
“Machado is able to captivate the reader while telling a brutally honest narrative of abuse.”―Marie Claire
“Forget everything you think you know about memoir when reading Carmen Maria Machado's brilliant, twisting, provocative entry in the genre.”―NYLON
“In the Dream House is proof, a nod towards justice, however nebulous or impossible that idea might be, as it sounds out against gatekeepers, archival erasures, and silence, articulating the possibility of queerness against the grain of singularity.”―Frieze
“A groundbreaking memoir in terms of both form and content. . . . Get ready for Machado to take you on several breakneck cross-country trips of the soul.”―The Observer
“Machado has written an affecting, chilling memoir about domestic abuse.”―Publishers Weekly, starred review
“[Machado’s] writing exhibits all of the formal precision of her fiction, and the book draws the reader deep into the varied rooms of the haunted house of the past. Highly recommended.”―Booklist, starred review
“Absolutely remarkable. . . . What makes this book truly exceptional is how Machado creates an archive where, shamefully, there is none.”―Roxane Gay
“Wrought with alarming premonition, propulsive rhythm, and a trove of folkloric archetypes, Machado’s genre-crushing memoir is a meditation on the eclipse of knowledge and intuition by the narcotic light of a destructive bond that feels like love.”―Melissa Broder
“It’s a testament to Carmen Maria Machado’s abilities that a memoir as harrowing as In the Dream House can also be so energizing to read, so propulsive.”―Kevin Brockmeier
“Carmen Maria Machado’s memoir about being trapped in a love relationship that turns nasty and shameful is unflinchingly honest. . . . In the Dream House affirms that Machado is one of the most talented young writers of our day.”―Lillian Faderman
“Carmen Maria Machado has re-imagined the memoir genre, creating a work of art both breathtakingly inventive and urgently true. In the Dream House is crucial queer testimony. I’ve never read a book like it.”―Alex Marzano-Lesnevich
About the Author
Carmen Maria Machado is the author of Her Body and Other Parties, which was a finalist for the National Book Award and winner of the National Book Critics Circle's John Leonard Prize. Her work has appeared in Granta, the New Yorker, NPR, Electric Literature, and elsewhere.
Product details
- ASIN : B07TQHVNJH
- Publisher : Graywolf Press (November 5, 2019)
- Publication date : November 5, 2019
- Language : English
- File size : 5105 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 265 pages
- Best Sellers Rank: #16,264 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Carmen Maria Machado's debut short story collection, Her Body and Other Parties, was a finalist for the National Book Award and the winner of the Bard Fiction Prize, the Lambda Literary Award for Lesbian Fiction, the Brooklyn Public Library Literature Prize, the Shirley Jackson Award, and the National Book Critics Circle's John Leonard Prize. In 2018, the New York Times listed Her Body and Other Parties as a member of "The New Vanguard," one of "15 remarkable books by women that are shaping the way we read and write fiction in the 21st century."
Her essays, fiction, and criticism have appeared in the New Yorker, the New York Times, Granta, Harper’s Bazaar, Tin House, VQR, Conjunctions, McSweeney's Quarterly Concern, The Believer, Guernica, Best American Science Fiction & Fantasy, Best American Nonrequired Reading, and elsewhere. She holds an MFA from the Iowa Writers’ Workshop and has been awarded fellowships and residencies from the Guggenheim Foundation, Michener-Copernicus Foundation, Elizabeth George Foundation, CINTAS Foundation, Yaddo, Hedgebrook, and the Millay Colony for the Arts. She is the Writer in Residence at the University of Pennsylvania and lives in Philadelphia with her wife.
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Months earlier I stumbled upon the description and knew this book would be monumental. As early reviews crept in, my anticipation grew. I had my Kindle fully charged and stayed up until midnight so I could start reading the second it released. By 2am I was 30% done. A few marathon readings later, I reached the last page with breathless finality. The result? Monumental doesn't even begin to cover it.
The funny thing, it's not monumental because of what happens. Bad relationships happen all the time. Abusive relationships, mental and/or physical, happen all the time. It's talked about less in queer relationships, that's true, and Machado does a great job pointing that out, but I doubt anybody will be dumbfounded by what they read. They will be surprised, however, that there's someone brave enough to talk about it, and by how personal she's willing to get. They will be surprised by how she structures it.
The structure really is what makes this a masterpiece. It's not just the experience, it's the delivery. The darkest memories are brilliantly conveyed in second person and through varying lens. Most of them literary devices. Machado recounts her life through the eyes of Chekhov's Gun, Choose Your Own Adventure, Haunted House, Erotica, Plot Twist, and dozens more. Each section is short and precise. Never a wasted word. For those uncomfortable reading about abuse, she doesn't take it too far either. This isn't battered woman porn. She doesn't go on and on. We get snippets, glimpses of a life that we can easily piece together, and, more importantly, relate to.
What she accomplishes for the queer community specifically, I think, is breaking the ice. After hard-fought battles for marriage equality, there's this unspoken rule that gay relationships must work. If they don't, people will point and say I told you so. By extension, rights may be taken away. Obviously that's not the only factor that kept Machado in her relationship. It may not even be in the Top 10, but it is a shadow that hovers over the scene. She points to lesbian stereotypes as well. Society expects men to be abusive, but two women? Their relationship should be a utopia, right? These stereotypes, this ice, is something she clearly wants to break apart. And she succeeds tremendously.
Of course you don't have to be queer to recognize this is a master work of memoir and creative non-fiction. It is a testament that all experiences, however ordinary or unique, should be shared. Perhaps the most powerful aspect of the book is the relentless honesty. She veils it slightly by the structure and 2nd person, but in a way this makes the experience more real. More true. And the accomplishment, I think, is for any one person to read this and be able to know that, for sure, they are not alone.
The book follows, very generally, Machado's foray into an abusive relationship that happens to be a queer one (she being, from my understanding of the work, bisexual and her partner a maybe-polyamorous lesbian? A better description is her lover is presented as someone with a severe personality disorder that manifested itself onto Machado and transcends sexuality). The experience is given in a series of vignettes, intermixed with other vignettes on subject matters such as the art of vignettes/short stories/fables and academic-esque musings on lesbian culture. I get that it is hard to write about difficult personal things, so short form might be easier because of the "quick-in-quick-out", but it makes the story disjointed. There is an underlying current of mental dismantling though, so maybe the argument for this structure is to mirror this precipitous state.
The book references that during this time Machado was finishing her MFA, and her work was not great. It would have been interesting to hear more about her work and day-to-day in her graduate program rather than just snapshots of social interactions with others versus social interactions with her partner. She only lightly touches on the bleeding edge of abuse.
There is also something to be said though, about professional/academic writers writing about their states during writing. It can be incredibly boring for an average reader who is has a life more tethered to reality rather than academia. So maybe that is another thought on this...
The book generally brought me back to my undergrad days hanging out at Bluestockings, when I had the time to really look and reflect on my chosen relationships rather than the socio-economic ties and required obligations that drive me now (mortgage, children, etc.). If you find this type of self-exploration and reflection indulgent or even narcissistic this book is not for you. If you have the capacity to read a very academically written queer relationship and general abuse story, then the book is worthwhile.
Things like domestic abuse that doesn't involve much physical violence, controlling and possessive behavior in homosexual relationships, when the abuser is a woman and/or the victim is a man all get completely overlooked. Often even by people who claim to care about protecting abuse victims
This leaves the victim in these situations not only suffering from the abuse, but often having no where to turn to. And that's if he/she is even aware of or willing to acknowledge that he/she is a victim of abuse. It's very common for victims to not even interpret the behavior as "abusive" when it's committed by a woman, and/or if it doesn't result in trips to the ER
Top reviews from other countries
“In the Dream House” happened to be released just around the time my queer relationship was becoming egregiously verbally and emotionally abusive for the first (and, while prolonged, still thankfully last) time.
Reading Carmen Maria Machado’s experiences of abuse in a queer relationship was one of the things that helped me believe my own perceptions about what was happening to me, despite being gaslighted, and despite desperately wanting to believe the woman I’d loved couldn’t possibly be abusing me; that I couldn’t possibly be allowing her to stay in my life while she abused me. Lies my ex-partner had a vested interest in buying into and reinforcing.
Without “In the Dream House” to contrast my experiences against and parallel them with, I would have had an even harder time believing and validating to myself that, yes, she was abusing me.
Without “In the Dream House”, it would have taken me even longer to leave.
Thank you, Carmen Maria Machado, for writing so painfully beautifully and so honestly about your own experiences of abuse and choosing to share them to help other queer intimate abuse survivors.
I did need this book. I don’t have the words to say how grateful I am for it. Thank you.
Es un libro increíble tanto por el tema como por la escritura, profundamente emocional. Por momentos olvidé es una memoria. Quiero leer más libros de la autora.