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Blink 182 Explicit Lyrics
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blink-182 [Clean]
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Price | New from | Used from |
MP3 Music, November 18, 2003
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Vinyl, Explicit Lyrics, October 7, 2016
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From the brand
Track Listings
1 | Feeling This |
2 | Obvious |
3 | I Miss You |
4 | Violence |
5 | Stockholm Syndrome |
6 | Down |
7 | The Fallen Interlude |
8 | Go |
9 | Asthenia |
10 | Always |
11 | Easy Target |
12 | All of This |
13 | Here's Your Letter |
14 | I'm Lost Without You |
Editorial Reviews
Product description
While Blink-182's pop-punk has given more than its share of entertaining moments over their career, "sonic experimentation" is hardly what you'd expect from their sixth studio album. Within their guitar-bass-drums template, however, they offer moments of playfulness and lyricism that stretch their definition of sound. The tempo changes and uses of (relative) silence in "Violence" and "Stockholm Syndrome" borrow post-punk conventions, and lend a new feel to the band's trademark cranked-upness. (The use of treated piano on the latter song also suggests that they’ve bent an ear to a few psychedelic-pop classics in their time.) As with 2001's Take Off Your Pants and Jacket, a theme of loneliness emerges upon the first couple of listens, but this time it feels as if Blink wants to connect it to something larger than before. Growth from the guys who once jokingly celebrated man-on-dog intercourse? Yeah. And best of all, it's worth hearing. --Rickey Wright
Amazon.com
While Blink-182's pop-punk has given more than its share of entertaining moments over their career, "sonic experimentation" is hardly what you'd expect from their sixth studio album. Within their guitar-bass-drums template, however, they offer moments of playfulness and lyricism that stretch their definition of sound. The tempo changes and uses of (relative) silence in "Violence" and "Stockholm Syndrome" borrow post-punk conventions, and lend a new feel to the band's trademark cranked-upness. (The use of treated piano on the latter song also suggests that theyve bent an ear to a few psychedelic-pop classics in their time.) As with 2001's Take Off Your Pants and Jacket, a theme of loneliness emerges upon the first couple of listens, but this time it feels as if Blink wants to connect it to something larger than before. Growth from the guys who once jokingly celebrated man-on-dog intercourse? Yeah. And best of all, it's worth hearing. --Rickey Wright
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.88 x 5.59 x 0.47 inches; 3.39 ounces
- Manufacturer : Universal Music Group
- Item model number : 2311719
- Original Release Date : 2003
- Date First Available : October 21, 2006
- Label : Universal Music Group
- ASIN : B0000DZDTG
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #4,563 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #57 in American Alternative Rock
- #1,812 in Pop (CDs & Vinyl)
- #2,236 in Rock (CDs & Vinyl)
- Customer Reviews:
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-ENVIO ANTES DE LO ESPERERADO
-EMPAQUE IMPECABLE.
There is no longer a need for puerile vulgarity on an album like this, the music speaks for itself. Also, lyrically there are some quite profound themes on this record: the heartache of a partner’s infidelity and breakups (“Obvious”), the forlorn state of loss (“I Miss You”), the constant presence of insatiable male lust in society (“Violence”), the sadness of divorce (“Go”), and the trials and embarrassments that men go through to impress attractive women (“Easy Target”). In addition, “Always” is the most gorgeous song, with synthesizers and melodies taking you back to the ‘80s and early ‘90s, back when you listened to The Cure and Depeche Mode, and bought food from food courts at the mall with cash and went to the movie theatre without a smart phone: “And your hands they shake with goodbyes / And I’ll take you back if you’d have me / So here I am / I’m trying / […] I’m so sick of fights / I hate them / Let’s start this again for real.”
In many ways, “Always” is representative of the entire album, as there is a longing to reunite and reconcile, but also the acknowledgement that it probably won’t occur. You hear this longing as well in “Go,” with Mark Hoppus reflecting on his early childhood: “Are we all victims of opportunity / Locked outside the door back in ’83 / I heard the angry voice of a man inside / And saw the look of fear in my mother’s eyes.” Yes, this album is like a long letter written to an ex-girlfriend or divorced parents, explaining the pain of broken relationships and the longing to love again and forgive. It’s no mistake that this record ends with a song entitled, “I’m Lost Without You.” In the super postmodern era of today’s society that often seems to rob your human spirit, it’s refreshing to hear an authentic record, instead of more garbage that does not delineate real life. We’re not zombies, we’re people, and this is why people related and continue to relate with this record.
At its core, “Blink-182” is a human record, a rock and roll album with soul that causes you to reflect on the vicissitudes and capricious nature of relationships. It’s really one of those go-to albums that take you back to high school or college, because you see yourself reflected in the music and relate to it. And that is why we love music!
This album is a triumphant achievement, and should go down as one of the most important albums of the post-9-11 Bush era in American culture. Whether they knew it or not, Blink-182 created something special here. And I bet they knew they were.
Get ready for action.
While most of the album’s sound was spearheaded by DeLonge’s post-hardcore side project Box Car Racer (as evidenced by songs like “Obvious”, “Not Now” and “Asthensia”), none of this is to downplay Hoppus’ contributions either. “Stockholm Syndrome” is easily one of the best songs that the group have ever done, and “Here’s Your Letter” is an honest look at miscommunication and confusion (kind of ironic looking back at it, given that those reasons were the reasons why Blink would end up disbanding just a year and a half after the album's release). Barker manages to tie it all together with his intricate drum patterns and beats, really making it a better listening experience.
Of course, the best moments on the album are when DeLonge and Hoppus come together to blend their sound and styles. The fast paced “Feeling This” contends with “Dumpweed” for the group’s best album opener, reflective ballad “I Miss You” is still a stellar departure for the group (for as memeable as it may be), and “Easy Target” remains super underrated in the band’s discography.
Easily the most important album in the band’s music, “Blink-182” remains the group’s magnum opus, and definitely represents a turning point for punk music in the early 2000’s. Without this album, there’s a good chance that we wouldn’t have gotten masterpieces like “Chuck” by Sum 41, “From Under The Cork Tree” by Fall Out Boy, and “Move Along” by The All American Rejects. It’s influence has still been felt by the genre as a whole, 17 years after the fact, for good reason.