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The Robber Bridegroom Paperback – November 8, 1978
Purchase options and add-ons
- Print length192 pages
- LanguageEnglish
- Publication dateNovember 8, 1978
- Dimensions5.2 x 8 x 0.6 inches
- ISBN-100156768070
- ISBN-13978-0156768078
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From the Back Cover
About the Author
EUDORA WELTY (1909–2001) was born in Jackson, Mississippi, and attended the Mississippi State College for Women, the University of Wisconsin, and Columbia University (where she studied advertising). In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize.
Excerpt. © Reprinted by permission. All rights reserved.
The Robber Bridegroom
By Eudora WeltyHoughton Mifflin Harcourt Publishing Company
Copyright © 1970 Eudora WeltyAll rights reserved.
ISBN: 978-0-15-676807-8
CHAPTER 1
It was the close of day when a boat touched Rodney's Landing on the Mississippi River and Clement Musgrove, an innocent planter, with a bag of gold and many presents, disembarked. He had made the voyage from New Orleans in safety, his tobacco had been sold for a fair price to the King's men. In Rodney he had a horse stabled against his return, and he meant to spend the night there at an inn, for the way home through the wilderness was beset with dangers.
As his foot touched shore, the sun sank into the river the color of blood, and at once a wind sprang up and covered the sky with black, yellow, and green clouds the size of whales, which moved across the face of the moon. The river was covered with foam, and against the landing the boats strained in the waves and strained again. River and bluff gave off alike a leaf-green light, and from the water's edge the red torches lining the Landing-under-the-Hill and climbing the bluff to the town stirred and blew to the left and right. There were sounds of rushing and flying, from the flourish of carriages hurrying through the streets after dark, from the bellowing throats of the flatboatmen, and from the wilderness itself, which lifted and drew itself in the wind, and pressed its savage breath even closer to the little galleries of Rodney, and caused a bell to turn over in one of the steeples, and shook the fort and dropped a tree over the racetrack.
Holding his bag of gold tight in his hand, Clement made for the first inn he saw under the hill. It was all lighted up and full of the sounds of singing.
Clement entered and went straight to the landlord and inquired, "Have you a bed for the night, where I will not be disturbed till morning?"
"Aye," replied the landlord, who brushed at a long mustache — an Englishman.
"But where have you left your right ear?" said Clement, pointing to the vacancy. Like all innocent men, he was proud of having one thing in the world he could be sharp about.
And the landlord was forced to admit that he had left the ear pinned to a market cross in Kentucky, for the horse stealing he did.
Clement turned and went on up the road, and the storm was worse. He asked at the next inn, which was equally glittering and bright, indeed he could not distinguish them in his memory from one year's end to the next, if he might be accommodated for the night.
"Aye," said the landlord, showing his front teeth all of gold.
"But where have you left your left ear?" Clement asked, and he had that man too. The fellow said it had been clipped away in Nashville for the sad trouble he got into after the cockfights.
On he went, the rain worse all the time, until it sounded like the quarreling of wildcats in the cane, and at last, at the very top of the hill, he found an inn where he was able to pronounce the landlord honest.
"Since you appear to be a scrupulous man," he said, "I would like to engage of you a bed for the night, with supper and breakfast, if not too dear."
"To be sure," replied the landlord, the very image of a hare, whose large ears were easily set a-trembling. "But, sir, this is a popular house, if I may say so. You may have one bedfellow, 01 even two, before the night is over."
At that very moment there came a loud gust of laughter from the grogshop at the side — "Ho! Ho! Ho!"
"But it is early yet," the landlord said, his ears beginning to quiver nonetheless. "If you go up at once, you will be able to take first choice of place in the bed."
Clement stopped only to eat a supper of beefsteak, eggs, bacon, turkey joints, johnnycake, pickled peaches, plum pie, and a bowl of grog before saying good night to him.
"Pleasant dreams!" the landlord said, and the traveler went up the winding stair.
Clement was the first man to the room. The storm was unabated, the wind was shaking the house like a cat a mouse. The rain had turned to hail. First he hid his moneybag under that end of the pillow which was nearest the door, and then he sat down to take off his boots before getting into bed, such being the rule of the house. But before he got his first boot off, in walked a second traveler.
This was a brawny man six and a half feet high, with a blue coat, red shirt, and turkey feather stuck in his cap, and he held a raven on his finger which never blinked an eye, and could say,
"Turn back, my bonny,Turn away home."
"Ah, stranger," said this fellow to Clement, striding up. "It's been a long time since we slept together."
"So it has," said Clement.
"Have you got the same old smell you had before?" asked the stranger, and Clement did not say no.
"Are you just as lousy as ever?" he roared, and Clement said he was.
"Then shake hands!"
Before Clement could get the second boot off, the third traveler walked in.
He was as brawny as the other, though but six feet tall, and dressed up like a New Orleans dandy, with his short coat knotted about him capewise. But for some reason he wore no hat, and his heavy yellow locks hung over his forehead and down to his shoulders.
"Ah, stranger," said he to the second traveler. "Crowded days! It's been a long time since our heads were side by side on the pillow."
"Long as forever!" sang out the other.
Then Clement knew they were all three strangers to one another, with the stormy night ahead.
When the third traveler removed his cloak, there was a little dirk hid in the knot, which he placed with his moneybag under the pillow. And there were the three bags of gold sitting there side by side, like hens on their nests. So Clement held up the snuffer over the light.
"Wait!" said the third traveler. "Are we dreaming already? We are going off without the last nightcap, gentlemen."
"Ho! Ho! Ho!" said the second traveler, punching himself in the forehead and kicking himself in the breeches. "That is a thing I seldom forget, for my mind is as bright as a gold piece."
All three of them sat and uncorked their jugs and at the same moment drank down. And when they looked up, the second traveler had drunk the whole jugful.
"Remarkable!" said the yellow-haired stranger, who had made way with half a jug. Poor Clement, who had swallowed only a fourth, could say nothing.
"That was only a finicky taste," replied the other, and throwing off his blue coat, he yelled, "Drink again!" And he seized Clement's own jug out of his finger and emptied it.
"A master!" said Yellowhair. "But I dare say that is the end, the show is over. You can do no more."
"Ho! Ho!" said the other, and taking off his red shirt and filling his bristling chest with a breath of air, he seized the other's own jug and finished it off.
Then, sailing his cap in the air, he gave a whistle and a shake and declared that he was none other than Mike Fink, champion of all die flatboat bullies on the Mississippi River, and was ready for anything.
"Mike Fink! Well now," said the yellow haired stranger, and putting his head to one side studied him with all the signs of admiration.
"Yes indeed I am," said the flatboatman crossly. "Am I not Mike Fink, as you live and breathe?" he roared at Clement.
It was a cautious night, but Clement believed him, until the yellow-haired stranger said, "Well, I doubt it."
"You doubt that I am Mike Fink? Nevertheless, it is true!" yelled the flatboatman. "Only look!" And he doubled up his fists and rippled the muscles on his arms up and down, as slow as molasses, and on his chest was the finest mermaid it was possible to have tattooed at any port. "I can pick up a grown man by the neck in each hand and hold him out at arm's length, and often do, too," yelled the flatboatman. "I eat a whole cow at one time, and follow her up with a live sheep if it's Sunday. Ho! ho! If I get hungry on a voyage, I jump off my raft and wade across, and take whatever lies in my path on shore. When I come near, the good folk take to their heels and run from their houses! I only laugh at the Indians, and I can carry a dozen oxen on my back at one time, and as for pigs, I tie them in a bunch and hang them to my belt!"
"Strike me dead!" said the yellow-haired stranger, and he yawned, got into bed, and shut his eyes.
"I'm an alligator!" yelled the flatboatman, and began to flail his mighty arms through the air. "I'm a he-bull and a he-rattlesnake and a he-alligator all in one! I've beat up so many flatboatmen and thrown them in the river I haven't kept a count since the flood, and I'm a lover of the women like you'll never see again." And he chanted Mike Fink's song: "I can outrun, out-hop, outjump, throw down, drag out, and lick any man in the country!"
"Go down to the corner and buy yourself a new jug," said the yellow-haired stranger. His eyes were shut tight still, though Clement's, you may be sure, were open wide. "You're still nothing but an old buffalo."
"So I lie?" bellowed the flatboatman, and, leaping out of his breeches, he jumped across the room in three jumps and said, "Feast your eyes upon me and deny that I am Mike Fink."
Clement was ready to agree, but the yellow haired stranger said, "Why, you're nothing but an old hoptoad, you will make me mad in a minute. Now what is it you want? If you want to fight, let us fight."
At that, the flatboatman gave one soul-reaching shout and jumped into the featherbed and burst it, and he yellow-haired stranger leaped up with a laugh, and the feathers blew all around die room like the chips in a waterspout. And out die window it was storming, and from die door the raven was saying,
"Turn again, my bonny, Turn away home."
As for Clement, he removed himself, since he was a man of peace and would not be wanted on die scene, and held the candle where it would be safe and at the same time cast the best light, and all the while his bedfellows sliced right and left, picked each other up, and threw each other down for a good part of the night. And if he sneezed once, he sneezed a thousand times, for die feathers.
Finally the flatboatman said, "Let us stop and seize forty winks. We will take it up in the morning where we leave off tonight. Agreed?" "Certainly," said the other, dropping him to the ground where he was about to throw him. "That is the rule Mike Fink would make, if he were here."
"Say once more that I am not Mike Fink and, peace or no peace, that will be your last breath!" cried the flatboatman. And then he said cunningly, "If by now you don't know who I am, I know who you are, that followed this rich planter to his bed."
"Take care," said the other.
"I will bet all the gold that lies under this pillow against the sickening buttons you wear sewed to your coat, that your name is Jamie Lockhart! Jamie Lockhart the — —"
"Take care," said the other once more, and he half pulled out his little dirk.
"I say for the third time that your name is Jamie Lockhart, the I-forget-what," said the flatboatman. "And if that does not make it so, we will leave the decision to this gentleman, whose name has not yet been brought out in the open."
The poor planter could only say, "My name, about which there is no secret, is Clement Musgrove. But I do not know Jamie Lockhart, any more than I know Mike Fink, and will identify neither."
"I am Mike Fink!" yelled the flatboatman. "And that is Jamie Lockhart! And not the other way around, neither! You say you do not know who he is — do you not know what he is? He is a — —" And he took hold of Clement like a mother bear and waltzed him around, whispering, "Say id Say it! Say it!" The poor man began to shake his head with wonder, and he did not like to dance.
But the yellow-haired stranger smiled at him and said coolly enough, "Say who I am forever, but dare to say what I am, and that will be the last breath of any man."
With that delivered, he lay down in the bed once more, and said to Mike Fink, "Blow out the candle."
The flatboatman immediately closed his mouth, put his breeches and shirt and his coat back on, blew out the candle, and fell into the bed on one side of Jamie Lockhart, if it was he, while the planter, deciding that affairs were at rest for the evening, lay down on the other.
But no sooner had Clement given a groan and got to the first delightful regions of sleep than he felt a hand seize his arm.
"Make no sound, as you value your life," whispered a voice. "But rise up out of the bed."
The storm was over, and the raven was still, but who knows whether he slept? It was the yellow-haired man who had whispered, and Clement had to wonder if now he should find out what Jamie Lockhart was. A murderer? A madman? A ghost? Some outlandish beast in New Orleans dress? He got to his feet and looked at his companion by the pure light of the moon, which by now was shining through the shutter. He was remarkably amiable to see. But by his look, nobody could tell what he would do.
So he led Clement to a corner, and then placed two bundles of sugar cane, that were standing by the wall, in their two places in the bed.
"Why is that?" said Clement.
"Watch and wait," said he, and gave him a flash in the dark from his white teeth.
And in the dead of the night up rose Mike Fink, stretching and giggling, and reaching with his hands he ripped up a long board from out of the floor.
As soon as it came under his touch, he exclaimed in a delighted whisper, "Particle of a flatboat you are! Oh, I would know you anywhere, I'd know you like a woman, I'd know you by your sweet perfume." He gave it a smack and said, "Little piece of flatboat, this is Mike Fink has got you by the tail. Now go to work and ruin these two poor sleeping fools!"
Then he proceeded to strike a number of blows with the plank, dividing them fairly and equally with no favorites between the two bundles of sugar cane lying between the feathers of the bed.
"There! And there! If we have left you one whole bone between you, I'm not the bravest creature in the world and this pretty thing never sprang from a flatboat," he said.
Next, reaching under the tatters of the pillow, he snatched all three bags of gold, like hot johnnycakes from a fire, and lying down and stretching his legs, he went to sleep at once, holding the gold in his two hands against his chest and dreaming about nothing else.
When all was still once more, Clement stretched forth his hand and said, "Are you Jamie Lockhart? I ask your name only in gratitude, and I do not ask you what you may be."
"I am Jamie Lockhart," said he.
"How can I thank you, sir, for saving my life?"
"Put it off until morning," said Jamie Lockhart. "For now, as long as we are supposed to be dead, we can sleep in peace."
He and the planter then fell down and slept until cockcrow.
Next morning Clement awoke to see Jamie Lockhart up and in his boots. Jamie gave him a signal, and he hid with him in the wardrobe and watched out through the crack.
So Mike Fink woke up with a belch like the roar of a lion.
"Next day!" announced Mike, and he jumped out of bed. With a rousing clatter the moneybags fell off his chest to the floor. "Gold!" he cried. Then he bent down and counted it, every piece, and then, as if with a sudden recollection, he stirred around in the bed with his finger, although he held his other hand over his eyes and would not look. "Nothing left of the two of them but the juice," said he.
Then Jamie Lockhart gave Clement a sign, and out they marched from the wardrobe, not saying a thing.
The flatboatman fell forward as if the grindstone were hung about his neck.
"Bogeys!" he cried.
"Good morning! Could this be Mike Fink?" inquired Jamie Lockhart politely.
"Holy Mother! Bogeys for sure!" he cried again.
"Don't you remember Jamie Lockhart, or has it been so long ago?"
"Oh, Jamie Lockhart, how do you feel?"
"Fine and fit."
"Did you sleep well?"
"Yes indeed," said Jamie, "except for some rats which slapped me with their tails once or twice in the night. Did you notice it, Mr. Musgrove?"
"Yes," said Clement, by the plan, "now that I think of it."
"I do believe they were dancing a Natchez Cotillion on my chest," said Jamie.
And at that the flatboatman cried "Bogeys!" for the last time, and jumped out the window. There he had left three sacks of gold behind him, Clement Musgrove's, Jamie Lockh art's and his own.
"Gone for good," said Jamie. "And so we will have to get rid of his gold somehow."
(Continues...)Excerpted from The Robber Bridegroom by Eudora Welty. Copyright © 1970 Eudora Welty. Excerpted by permission of Houghton Mifflin Harcourt Publishing Company.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Harcourt Brace Jovanovich; First Edition (November 8, 1978)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0156768070
- ISBN-13 : 978-0156768078
- Item Weight : 5.8 ounces
- Dimensions : 5.2 x 8 x 0.6 inches
- Best Sellers Rank: #764,978 in Books (See Top 100 in Books)
- #4,364 in Small Town & Rural Fiction (Books)
- #17,427 in Classic Literature & Fiction
- #35,681 in Literary Fiction (Books)
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About the authors
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Barry Moser is the prizewinning illustrator and designer of nearly three hundred books for children and adults. He is widely celebrated for his dramatic wood engravings for the only twentieth-century edition of the entire King James Bible illustrated by a single artist. He is the Printer to the College at Smith College where he is Professor in Residence in the department of art. His work can be found in the National Gallery of Art, Washington DC; the Metropolitan Museum; and The Victoria and Albert Museum, London, among scores of other libraries and collections. He lives in western Massachusetts.
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This is a rollickingly funny book, no matter what else one might claim to find in it. It's a comic antidote to all the dead-serious mythification of William Faulkner, an intentional (I think) counterweight to the exaggerated self-reverence of Southern culture. And it's short! About the length of a good viking romance.
Clement Musgrove, the planter father, is a curiously honorable man in a world where the only dishonor is getting thwarted in your rascality. Near the end of the tale, when everything has gone from worse to worst, Clement sets himself in the middle of a circle of stones and delivers a three-page monologue of runic wisdom. Here's an excerpt:
""What exactly is this now?... What is the place and time? Here are all possible trees in a forest, and they grow as tall and as great and as close to one another as they could ever grow in the world. Upon each limb is a singing bird, and across this floor, slowly and softly and forever moving in profile, is always a beast, one of a procession, weighted low with his burning coat, looking from the yellow eye set in his head.... But the time of cunning has come, and my time is over for cunning is of a world I will have no part in. ... Men are following men down the Misssissippi, hoarse and arrogant by day, wakeful and dreamless by night at the unknown landings. A trail leads like a tunnel under the roof of this wilderness. Everywhere the traps are set. Why? And what kind of time is this, when all ids first given, then stolen away?"" Snorri Sturlison couldn't have said it better. And no sooner is Clement's monologue spoken than he is snatched by Indians, vengeful spirits as silent as the trees such planters as Clement have been despoiling for cotton lands.
Like all good folk tales, The Robber Bridegroom comes with a stinger, a grim Grimm moral.
This is a relatively short novella that is what I would call an adult fairy tale. I read it over four days in moments of free time. There are some gruesome features in the story and some sexual activity depicted, that would cause me not to have a child read this. It is not obscene, just not child like.
I saw a review elsewhere that compared this work to "Candide" by Voltaire. I agree with the comparison in some context, however I felt Candide is a much more hilarious work. The Robber Bridegroom is more clever and humorous than hilarious. I am completely uncredentialed, but in my unqualified opinion this work reminds me more of a somewhat more obscure work, "The History of Rasselas" a 1759 work by Samuel Johnson.
I am glad I read this work, but as another reviewer on this site stated, they found the story tedious at times. I also found it sometimes tedious and by the end, just wanted to finish the work and continue my study of this fine author. I have no plans on rereading this work unless I have a specific reason to do so. Thank You...
Turns out . . . I LOVED it. It was a nice fantasy break from the style of many classics. I wrote my final paper on it. Like all fairy tales it was simple and easy to understand (thumbs up!)but when you reflect on it, you can actually take away some adult advice. It has everything you need and doesn't require a lot of time to get it all. It has the annoying characters, the funny ones, the ones you love and the ones you love to hate. Definitely a good read for busy people everywhere who want a good story but don't have a lot of time.