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The Divine Comedy (The Inferno, The Purgatorio, and The Paradiso) Kindle Edition
The poem discusses "the state of the soul after death and presents an image of divine justice meted out as due punishment or reward", and describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Catholic theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse".
- LanguageEnglish
- PublisherGlobal Publishers
- Publication dateDecember 19, 2023
- File size982 KB
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Editorial Reviews
Review
“Ciardi has given us...a credible, passionate persona of the poet, stripped of the customary gauds of rhetoric and false decoration, strong and noble in utterance.”—Dudley Fitts
“A sensitive and perceptive translation…a spectacular achievement.”—Archibald MacLeish
“I think [Ciardi’s] version of Dante will be in many respects the best we have seen.”—John Crowe Ransom
About the Author
Product details
- ASIN : B0CG46HKN5
- Publisher : Global Publishers (December 19, 2023)
- Publication date : December 19, 2023
- Language : English
- File size : 982 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 500 pages
- Best Sellers Rank: #30,620 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Dante Alighieri was born in 1265 in Florence. His family, of minor nobility, was not wealthy nor especially distinguished; his mother died when he was a child, his father before 1283. At about the age of 20 he married Gemma Donati, by whom he had three children. Little is known of Dante's formal education-it is likely to have included study with the Dominicans, the Augustinians, and the Franciscans in Florence, and at the university in Bologna. In 1295 he entered Florentine politics and in the summer of 1300 he became one of the six governing Priors of Florence. In 1301, the political situation forced Dante and his party into exile. For the rest of his life he wandered through Italy, perhaps studied at Paris, while depending for refuge on the generosity of various nobles. He continued to write and at some point late in life he took asylum in Ravenna where he completed the Divine Commedia and died, much honoured, in 1321.
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Every reader draws his own conclusions and opinions and they are probably all correct. In the context of John Ciardi's translation, it cannot be overstated how meticulous this translation actually is. The Divine Comedy is the `first of its kind' exposition of the Tuscan dialect that much later emerges as the consolidated `Italian' language. Dante's syntax, meanings and nearly everything linguistic are 21st century translationally imputed into this `first of its kind'. The debates for perfection can never be ended.
So, opinions? ... here's mine ...
The `Divine Comedy' is a relentless satirical, pseudo-theological exposition of super-epic length. Context and setting are everything. The 14th Century was perhaps the single most catastrophic century for historical Western humankind and so Dante relates his world as an observer to the human cataclysm erupting all around him day after stinking day. A first-time read of Dante ... without some historical perspective on time and place, will leave the reader confused and inevitably horribly bored. That Dante skewers his living `enemies' in some level of damnation's treadmill is the `commedia'. I might suggest this historical pre-read A Distant Mirror: The Calamitous 14th Century
Some imagine there's theology here. Some even imagine Christianity might be defined here. That notion is unfortunately absurd and very unfortunately plays into some readers mind as `Christian' to confuse scriptural vs the imaginings of Dante's fantasy. Is Christianity defined by Tom Hanks in the DaVinci Code? Of course not. Dante's epic here is nightmare scary stuff intended to keep people awake at night ... an afterlife of eternally walking the treadmill to 'paradiso' is grim indeed. A chance error of Dante's perception of sin here or there and the treadmill of damnation-to-paradise is right there to snatch you. It's fun but it's not Christianity.
John Ciardi's annotation makes this translation entertaining. You will wear out Wikipedia searching for the story of the devilishly tormented and transitionally divine characters. These are generally obscure folks of no otherwise historical note then to be mentioned by Dante. Hypocrisy reigns supreme and the fundamental answers to the great 'unknowns' of the faith are dreamed up by Dante Alighieri and rendered here by Ciardi.
Enjoy the show!
Top reviews from other countries
Además lo compre en inglés para practicar.
Reviewed in India on December 16, 2023
Sinopse: A vida de Dante assemelha-se a um poema atribulado, mais próximo ao “Inferno” do que ao “Purgatório” criados pelo poeta, e bem distante do Paraíso. Dante era um florentino, obsessivamente, e foi exilado de sua cidade natal durante os últimos 19 dos 56 anos em que viveu. “Inferno”, uma paródia de cidade, é a primeira e mais célebre parte da ‘Divina Comédia’. “Inferno” é o estado da alma após a morte, mas é também o estado do mundo visto por um peregrino cujas experiências o ensinam a não confiar nos valores mundanos.
A descida ao “Inferno” simboliza o tormento que Dante deve ter passado no exílio. Em pouco tempo ele percebeu que o sofrimento foi uma passagem necessária para sua transformação espiritual. A notoriedade perene do ‘Inferno’, no entanto, não obscurece a eloquência dramática do “Purgatório”, o único que se localiza na Terra, assim como as nossas vidas, pés no chão, caminhando pela praia, escalando uma montanha. Até chegarmos ao cimo do monte, a esperança confunde-se com a dor, o que torna a experiência do “Purgatório” ainda mais próxima ao nosso presente. Em contraste, “Paraíso” é um livro imensamente difícil de ler, mas essa dificuldade representa o que há de mais indiscutível no gênio de Dante. Em certo sentido, “Paraíso” mostra a transformação do peregrino em poeta; como ele chegou lá; de que forma a história foi contada. A figura de Beatriz, sua musa, funde-se a obra da vida de Dante; em um sentido crucial, ela é a Divina Comédia, e não pode ser compreendida fora do poema.
Dante a apresenta como a verdade, conquanto não deva ser confundida com o Cristo, que é o caminho, a luz. Paradoxalmente, Beatriz enquanto vivia, pouco reconhecia o amante que a idealizava; depois de morta, demonstra uma preocupação cosmológica com a sua salvação. Em síntese, Dante é uma inspiração para qualquer um que que está do poço e desesperadamente espera por uma chance de fazer tudo certo de novo. Dante nos ensina que, com a sabedoria de Virgílio, a graça do céu, e com atos de coragem, é possível voltar do inferno. Ao ler o poema lembre-se que se trata de uma visão. Talvez, depois disso, o universo de Dante não fique tão estranho assim para você.