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Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E Black

4.8 4.8 out of 5 stars 4,489 ratings

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Brand Sigma
Focal Length Description 30mm
Lens Type Wide Angle
Compatible Mountings Sony E
Camera Lens Description 30 month

About this item

  • SONY E-mount
  • With nine rounded aperture blades, a stepping ring motor, and compact design
  • Perfect paring of high performance and pricing, Contemporary compactness, Art line Image Quality
  • Accessories Included: Lens Hood, Rear and Front Cap
  • For APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds
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Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E Black
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Price$284.00$527.00$299.00$349.00$499.95$549.00
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Customer Ratings
For portrait photography
4.7
4.4
5.0
Auto focus
4.4
4.7
4.4
Image stabilization
3.9
3.2
4.7
Sold By
Digital Goja
RAD Savings
Sunshine Photo & Electronics
BuzzPhoto
The Pixel Hub
SDC Photo
lens type
Wide Angle
Standard
Standard
Standard
Standard
compatible mountings
Sony E
Sony E
Sony E
Sony E
Sony E
Sony E
lens design
Prime
Prime
Prime
Prime
Prime
Prime
focus type
Auto Focus
Auto Focus
Auto Focus
Auto Focus
Auto Focus
Manual Focus
minimum focal length
30 millimeters
30 millimeters
30 millimeters
56 millimeters
max focal length
30 millimeters
30 millimeters
30 millimeters
56 millimeters
fixed focal length
1 millimeters
50 millimeters
30 millimeters
30 millimeters
56 millimeters
23 millimeters
model name
302965
585965
dc

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Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E Black


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What's in the box

  • lens and lens hood
  • Product guides and documents

    Product Description

    The Sigma 30mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds. The Contemporary line is part of Sigma Global Vision and is the perfect blend of image quality and compact size. The large aperture is great for lowlight and for creating depth of field and its small size makes it highly portable. A stepping motor provides fast and accurate autofocus and is highly useful for video work. Like all SGV lenses, each lens is hand crafted in our single factory in Aizu Japan, individually inspected before shipping

    Customer reviews

    4.8 out of 5 stars
    4.8 out of 5
    4,489 global ratings

    Customers say

    Customers like the quality, sharpness, and image quality of the lens. For example, they mention it's well built, produces beautiful images, and is one of the sharpest lenses on the market. That said, opinions are mixed on auto focus.

    AI-generated from the text of customer reviews

    225 customers mention203 positive22 negative

    Customers are satisfied with the quality of the lens. They mention that it is a top quality lens, excellent in low light, and well built. They also appreciate the bokeh quality and find it very useful. Some customers also mention that the lens has no defects.

    "...Wide open performance of this lens is perfect, vignetting is very minimal, and you can achieve narrow DoF depending on distance from subject, just do..." Read more

    "...The lens is light, yet sturdy, the lens fits great on the NEX-7 without sticking out so much out of the camera, is shorter than the kit lens, but..." Read more

    "...for Sony E A6000 to any photographer looking for a high-quality, versatile lens that can capture stunning images in a variety of shooting scenarios...." Read more

    "...I use it on my Sony A6000, and it's amazing. Quick pros and cons:Pros:Best-in-class aperture...." Read more

    142 customers mention135 positive7 negative

    Customers are satisfied with the sharpness of the lens. They mention that it is one of the sharpest lenses on the market, and is very sharp even in low light. The lens is also very refined, and has a best-in-class aperture.

    "...Being a normal focal length and having this sharpness, you get a compact walk-around kit capable of anything from portraiture to landscapes...." Read more

    "...1-Image quality is great, I've gotten some very sharp images all the way open at F2.8, I've gotten great results even in low light..." Read more

    "...In terms of image quality, this lens does not disappoint. The sharpness is excellent throughout the entire frame, even when shooting wide open at..." Read more

    "...Quick pros and cons:Pros:Best-in-class aperture...." Read more

    117 customers mention111 positive6 negative

    Customers are satisfied with the image quality of the lens. They mention that it produces crisp, beautiful images with a beautifully blurred background. They also say that it's perfect for candid pictures and action shots. Customers also appreciate the clarity and the blurring effect it produces. Overall, customers are happy with their purchase and recommend it to others.

    "...Wide open performance of this lens is perfect, vignetting is very minimal, and you can achieve narrow DoF depending on distance from subject, just do..." Read more

    "...Why you should buy this:1-Image quality is great, I've gotten some very sharp images all the way open at F2.8, I've gotten great results..." Read more

    "...I have been able to capture stunning portraits and creative shots with this lens that I couldn't achieve with other lenses in my collection...." Read more

    "...The images are sharp (on the OM-D body) and the colors good.There is no built in lens stabilization...." Read more

    104 customers mention101 positive3 negative

    Customers appreciate the value of the lens. They say it has a great quality to price ratio, and is well worth the purchase. Customers also mention that it is an affordable E mount lens that will let you take advantage of great images at a low price.

    "...Sold. Pros: -sharpest lens for the E mount -$200. So cheap, and yet an EXCELLENT performer -small front element prevents..." Read more

    "...But if you want great images at a low price, then this is a great choice." Read more

    "...I consider it an excellent value at $199. There are certainly faster primes, and sharper zoom lenses at 30mm - but not at this price level...." Read more

    "...lens has all the normal flaws of a 1.4 in this price range, but it costs less, and has the lowest f-stop you can get...." Read more

    64 customers mention57 positive7 negative

    Customers like the color of the lens. For example, they say it has beautiful colors and bokeh, with attractive out-of-focus background blur. The color signature of this lens is great, and it's bright and sharp. The lens is good for portraits and landscapes, and the colors seem to pop more.

    "...The color signature of this lens is great, and is of other Sony/Minolta lenses...." Read more

    "...The colors are also accurate, and the contrast is punchy, giving images a beautiful pop...." Read more

    "...-and-shoot or basic portraits won't need to do a thing, it looks great out of the box.Cons:..." Read more

    "...bokeh, or out of focus areas, that this lens produces are smooth and beautiful. The lens has a rounded 9-bladed aperture...." Read more

    58 customers mention47 positive11 negative

    Customers like the focus speed of the camera lens. For example, they mention it's a super fast lens that will keep your ISO low even in low light situation, the AF is decently fast and accurate, and the fast aperture means you can take it into just about any lighting. That said, some say the focus seems good in good light and in lowlight the lens can hunt a little. That being said, they say it'll get the job done and is fast in getting photos.

    "...pocketable status, it's not the 16mm but close. -overall performance is incredible, and will beat practically any 35mm lens you can put on..." Read more

    "...One of the things that I love most about this lens is its fast f/1.4 aperture, which allows for excellent low light performance and beautiful bokeh...." Read more

    "...The lens is thus an ideal walkabout type of lens. The fast aperture means you can take it into just about any lighting situation...." Read more

    "...The lens operates wonderfully as a native lens, the focus is very fast and the overall feel is very comfortable...." Read more

    55 customers mention49 positive6 negative

    Customers like the size of the lens. They say it is relatively small so you don't look big and awkward while trying it on. The lens is light and sharp, with a small profile. It is functional and compact, with the perfect all-around focal length. The 30mm length is perfect for most situations and does excellent in video. It has a minimal size and you can achieve narrow depth of field depending on distance. Overall, customers are satisfied with the size and functionality of the product.

    "...of this lens is perfect, vignetting is very minimal, and you can achieve narrow DoF depending on distance from subject, just don't go expecting to..." Read more

    "...4-The lens is very portable, it comes with a carrying case, (which I found to be a nice touch from SIGMA) that can be use to swap out and carry the..." Read more

    "...Again, Goldilocks would approve: it's not too wide, and not too narrow. You see something similar to what the human eye sees...." Read more

    "...The thing I love the most is how light and small this thing is...." Read more

    99 customers mention58 positive41 negative

    Customers are mixed about the auto focus of the lens. Some mention that it's quick and accurate, while others say that it isn't as good as they'd like. The minimum focus distance is nice, and the manual focus ring adjustment is more responsive. However, some customers feel the autofocus isn’t as quick in really low light, and that the manual ring seems weird.

    "...Minimum focus distance is nice, not replacing a macro but much closer than the 16mm. You can get some nice close ups with this lens...." Read more

    "...In addition to the focus being less than optimal in low-light I wish the lens were 35mm as I have become very accustomed to that focal range and 30..." Read more

    "...3-It focuses fast, just as fast if not faster than the kit lens...." Read more

    "...The autofocus is quick and accurate, which is particularly useful when shooting fast-moving subjects...." Read more

    Almost perfect lens
    5 Stars
    Almost perfect lens
    The sigma 30mm f2.8 is a compact lens designed for a future compact mirrorless by sigma, but has been ported to m4/3rds and the nex mount. The 30mm translates to 45mm in 35mm terms, which gives us an almost normal focal length. Along with the 19mm, Sigma has created the first third party autofocus primes for mirrorless systems. Neat! The lens is compact in size (about the size of my 50mm 1.7 Minolta AF lens), and the front element is VERY small. The back element is large, allowing for a small design with minimal distortion and good coverage across the frame. The most important features of this lens are the focal length, and size. 50mm is often the most desired focal length in a system, which is 35mm in APS-C terms. Since the NEX system has large amounts of adaptable glass, this would seemingly be non-issue. But 35mm lenses are large for film cameras, due to retrofocus designs. Often the adapter and 35mm lens combination would leave you with a very long lens, and fast aperture (as in f2) 35mm lenses are even bigger. The only convenient options in terms of size available until this lens were the 35mm f1.7 CCTV lens (which has unbearable corner performance and vignetting, though a good lens if used stopped down marginally and centralized composition), the Contax G 35mm f2 (hard to come by, and the adapters are expensive, and lastly the Voigtlander 35mm 1.4 (very good lens, small with great construction, but expensive). So this lens represents something pretty significant, especially considering the autofocus capabilities. Sharpness: The sharpness of this lens is unreal. Bar none. On MTF curves for the Nex 7, it beats out Leica lenses (scored in the 1000's wide open in center, and high 900's stopped down in corners). This is the sharpest lens you will put on your NEX, bar none. And that's from wide open. The lens has maximum sharpness at 5.6, but hardly improves over being used wide open. That means you pretty much only stop down to gain DOF. For this reason alone, I highly recommend this lens. Being a normal focal length and having this sharpness, you get a compact walk-around kit capable of anything from portraiture to landscapes. Focus speed: The focus speed of this lens is pretty quick. Though it uses CDAF, I had no problems with speed on my Nex 5, performance should be better on a 5n or 7. The focusing speed was not as quick as my 16mm, but probably rivals the 18-55 kit lens. This will not be as fast as Phase Detection, but it is quick enough for what I need. No complaints here, not something I would use for sports or candid moments, but that isn't what I shoot anyways. The only fault for focusing is while using facial recognition, sometimes the focus will not be correct. I have only encountered misfocusing while using facial detection. So either turn that off, or make use of the excellent DMF built in, which will zoom in on the face with a turn of the ring, and allow precision focusing. Build Quality: The build quality is good. It uses a metal mount, but unlike the Sony lenses it is made of hard plastic as opposed to aluminum. That's not to complain, because it's durable plastic. The focus ring is well dampened, and I have had no problems with the focus-by-wire design. It also supports DMF (direct manual focusing) as do all native Nex lenses, which is great. This isn't a lens I would worry about taking anywhere. Pricing: Can be had new for $200, used for a little less. If you want a normal equivalent prime for every day, and not dying for fast aperture, buy this immediately. If you want a fast aperture lens, buy this and then spend $40 on a 35mm CCTV fujian lens, as that will cover everything this doesn't at this focal length. Some side notes: Fringing is extremely well controlled. Wide open it is practically non-existent, and of course goes away as you stop down. Flaring is also not an issue due to the small front element. If the sun is in the shot, it will not do much to the image at all. It does provide a green flare, as opposed to a red style ala Canon. I would try and avoid purposeful flare, because it isn't attractive looking at any aperture because of the color signature of the flare. The color signature of this lens is great, and is of other Sony/Minolta lenses. You will have more blue/purple as opposed to hard reds and greens from Canon. Minimum focus distance is nice, not replacing a macro but much closer than the 16mm. You can get some nice close ups with this lens. Bokeh is decent, not very smooth but not at all distracting. The aperture blades are rounded as well, a nice touch especially for price range. Vignetting is minimal. Optically I cannot fault this lens. Some might complain that the aperture isn't very fast, but you should buy this lens not trying to get a narrow DoF. This is a multi-purpose lens, and 30mm is not a focal length which will have shallow DoF regardless of aperture. If you are dying for shallow DoF use a longer, faster adapted lens. Wide open performance of this lens is perfect, vignetting is very minimal, and you can achieve narrow DoF depending on distance from subject, just don't go expecting to make a bopie with this lens (as in you can always get background bokeh, but don't expect foreground bokeh. If you are DYING for a fast aperture 50mm equiv, buy the Mitakon 35mm f0.95 [...] and receive few of the things that make this lens special. The only faults I would attribute to this lens are the 46mm filter ring (the standard for MFT, but NEX uses 49mm. Just buy a step up ring and new cap, should set you back $5 at most), and the lens slows the operation of the camera. For whatever reason, start up time and switching from image review to shooting are slower with this lens attached. I have tested this against adapted lenses and my 16mm, and the operation of those features are much longer with this lens. Why? I have no idea, but it is worth noting. This means you can lose the moment from doing image review. I suggest turning auto review off (because you can pretty much see what the picture will look like anyways due to EVF), and not reviewing images often. It is a VERY glaring error, but one that can be overlooked in favor of the pros of the lens, which are abundant. It also doesn't have any sort of stabilization so it's not ideal for video, but that would add to price and size so it's not the end of the world. Though shaky video is pretty easy to correct, detail will be lost that way. If shooting video try and use a tripod, or wait for the 16-50mm G zoom by Sony in a couple months. Oh did I mention this lens is $200, and the sharpest lens for E mount? Sold. Pros: -sharpest lens for the E mount -$200. So cheap, and yet an EXCELLENT performer -small front element prevents flare or accidental damage -compact size brings nex to near pocketable status, it's not the 16mm but close. -overall performance is incredible, and will beat practically any 35mm lens you can put on the camera -plastic construction appears to be durable -it's $200, and beats leica lenses in sheer sharpness. Cons: -46mm filter size -slows some of cameras operations. Kind of cons?: -2.8 aperture -No stabilizationOverall the only real con of the lens is the slower operation. While a 49mm would be nice, maybe an f2, and stabilization, they would add to the size and expense of this lens, compromising some of the best things about it. If you learn to use this lens, you will love it, and that's it. You won't think about wishing it was faster, because at f2.8 it's sharper than any other lens at f2.8, and your camera will be small and portable. The only thing that will irk you is operation time, depending on what you shoot. Chances are there will be times you miss a moment due to this. But the images you do capture, will be some of the best rendered photographs you could make with this system.Update:I purchased a step up ring for this camera, 46mm to 49mm. the cap still fits the 49mm without falling off, sweet!
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    Top reviews from the United States

    Reviewed in the United States on July 10, 2012
    Style: Sony E 330965Verified Purchase
    Customer image
    5.0 out of 5 stars Almost perfect lens
    Reviewed in the United States on July 10, 2012
    The sigma 30mm f2.8 is a compact lens designed for a future compact mirrorless by sigma, but has been ported to m4/3rds and the nex mount. The 30mm translates to 45mm in 35mm terms, which gives us an almost normal focal length. Along with the 19mm, Sigma has created the first third party autofocus primes for mirrorless systems. Neat! The lens is compact in size (about the size of my 50mm 1.7 Minolta AF lens), and the front element is VERY small. The back element is large, allowing for a small design with minimal distortion and good coverage across the frame. The most important features of this lens are the focal length, and size. 50mm is often the most desired focal length in a system, which is 35mm in APS-C terms. Since the NEX system has large amounts of adaptable glass, this would seemingly be non-issue. But 35mm lenses are large for film cameras, due to retrofocus designs. Often the adapter and 35mm lens combination would leave you with a very long lens, and fast aperture (as in f2) 35mm lenses are even bigger. The only convenient options in terms of size available until this lens were the 35mm f1.7 CCTV lens (which has unbearable corner performance and vignetting, though a good lens if used stopped down marginally and centralized composition), the Contax G 35mm f2 (hard to come by, and the adapters are expensive, and lastly the Voigtlander 35mm 1.4 (very good lens, small with great construction, but expensive). So this lens represents something pretty significant, especially considering the autofocus capabilities.

    Sharpness:
    The sharpness of this lens is unreal. Bar none. On MTF curves for the Nex 7, it beats out Leica lenses (scored in the 1000's wide open in center, and high 900's stopped down in corners). This is the sharpest lens you will put on your NEX, bar none. And that's from wide open. The lens has maximum sharpness at 5.6, but hardly improves over being used wide open. That means you pretty much only stop down to gain DOF. For this reason alone, I highly recommend this lens. Being a normal focal length and having this sharpness, you get a compact walk-around kit capable of anything from portraiture to landscapes.

    Focus speed:
    The focus speed of this lens is pretty quick. Though it uses CDAF, I had no problems with speed on my Nex 5, performance should be better on a 5n or 7. The focusing speed was not as quick as my 16mm, but probably rivals the 18-55 kit lens. This will not be as fast as Phase Detection, but it is quick enough for what I need. No complaints here, not something I would use for sports or candid moments, but that isn't what I shoot anyways. The only fault for focusing is while using facial recognition, sometimes the focus will not be correct. I have only encountered misfocusing while using facial detection. So either turn that off, or make use of the excellent DMF built in, which will zoom in on the face with a turn of the ring, and allow precision focusing.

    Build Quality:
    The build quality is good. It uses a metal mount, but unlike the Sony lenses it is made of hard plastic as opposed to aluminum. That's not to complain, because it's durable plastic. The focus ring is well dampened, and I have had no problems with the focus-by-wire design. It also supports DMF (direct manual focusing) as do all native Nex lenses, which is great. This isn't a lens I would worry about taking anywhere.

    Pricing:
    Can be had new for $200, used for a little less. If you want a normal equivalent prime for every day, and not dying for fast aperture, buy this immediately. If you want a fast aperture lens, buy this and then spend $40 on a 35mm CCTV fujian lens, as that will cover everything this doesn't at this focal length.

    Some side notes:
    Fringing is extremely well controlled. Wide open it is practically non-existent, and of course goes away as you stop down. Flaring is also not an issue due to the small front element. If the sun is in the shot, it will not do much to the image at all. It does provide a green flare, as opposed to a red style ala Canon. I would try and avoid purposeful flare, because it isn't attractive looking at any aperture because of the color signature of the flare. The color signature of this lens is great, and is of other Sony/Minolta lenses. You will have more blue/purple as opposed to hard reds and greens from Canon. Minimum focus distance is nice, not replacing a macro but much closer than the 16mm. You can get some nice close ups with this lens. Bokeh is decent, not very smooth but not at all distracting. The aperture blades are rounded as well, a nice touch especially for price range. Vignetting is minimal. Optically I cannot fault this lens. Some might complain that the aperture isn't very fast, but you should buy this lens not trying to get a narrow DoF. This is a multi-purpose lens, and 30mm is not a focal length which will have shallow DoF regardless of aperture. If you are dying for shallow DoF use a longer, faster adapted lens. Wide open performance of this lens is perfect, vignetting is very minimal, and you can achieve narrow DoF depending on distance from subject, just don't go expecting to make a bopie with this lens (as in you can always get background bokeh, but don't expect foreground bokeh. If you are DYING for a fast aperture 50mm equiv, buy the Mitakon 35mm f0.95 [...] and receive few of the things that make this lens special.

    The only faults I would attribute to this lens are the 46mm filter ring (the standard for MFT, but NEX uses 49mm. Just buy a step up ring and new cap, should set you back $5 at most), and the lens slows the operation of the camera. For whatever reason, start up time and switching from image review to shooting are slower with this lens attached. I have tested this against adapted lenses and my 16mm, and the operation of those features are much longer with this lens. Why? I have no idea, but it is worth noting. This means you can lose the moment from doing image review. I suggest turning auto review off (because you can pretty much see what the picture will look like anyways due to EVF), and not reviewing images often. It is a VERY glaring error, but one that can be overlooked in favor of the pros of the lens, which are abundant. It also doesn't have any sort of stabilization so it's not ideal for video, but that would add to price and size so it's not the end of the world. Though shaky video is pretty easy to correct, detail will be lost that way. If shooting video try and use a tripod, or wait for the 16-50mm G zoom by Sony in a couple months.

    Oh did I mention this lens is $200, and the sharpest lens for E mount? Sold.
    Pros:
    -sharpest lens for the E mount
    -$200. So cheap, and yet an EXCELLENT performer
    -small front element prevents flare or accidental damage
    -compact size brings nex to near pocketable status, it's not the 16mm but close.
    -overall performance is incredible, and will beat practically any 35mm lens you can put on the camera
    -plastic construction appears to be durable
    -it's $200, and beats leica lenses in sheer sharpness.

    Cons:
    -46mm filter size
    -slows some of cameras operations.

    Kind of cons?:
    -2.8 aperture
    -No stabilization

    Overall the only real con of the lens is the slower operation. While a 49mm would be nice, maybe an f2, and stabilization, they would add to the size and expense of this lens, compromising some of the best things about it. If you learn to use this lens, you will love it, and that's it. You won't think about wishing it was faster, because at f2.8 it's sharper than any other lens at f2.8, and your camera will be small and portable. The only thing that will irk you is operation time, depending on what you shoot. Chances are there will be times you miss a moment due to this. But the images you do capture, will be some of the best rendered photographs you could make with this system.

    Update:
    I purchased a step up ring for this camera, 46mm to 49mm. the cap still fits the 49mm without falling off, sweet!
    Images in this review
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    Customer imageCustomer image
    74 people found this helpful
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    Reviewed in the United States on March 10, 2013
    Style: Sony E 330965Verified Purchase
    6 people found this helpful
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    Reviewed in the United States on March 30, 2023
    Style: SingleVerified Purchase
    7 people found this helpful
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    Top reviews from other countries

    Translate all reviews to English
    Liten
    5.0 out of 5 stars The imaging quality is excellent
    Reviewed in Canada on February 5, 2024
    Style: SingleVerified Purchase
    OMAR
    5.0 out of 5 stars Bueno, bonito, práctico, recomendable
    Reviewed in Mexico on December 30, 2023
    Style: SingleVerified Purchase
    12 people found this helpful
    Report
    Luiz Felipe Pitzer Jacob
    5.0 out of 5 stars Uma das melhores primes 30mm para E mount.
    Reviewed in Brazil on January 5, 2022
    Style: SingleVerified Purchase
    Santiago Chaillou
    5.0 out of 5 stars Amazing quality
    Reviewed in Belgium on January 9, 2024
    Style: SingleVerified Purchase
    quentin Toulouzan
    5.0 out of 5 stars Assez compact et très lumineux !
    Reviewed in France on September 12, 2023
    Style: SingleVerified Purchase
    3 people found this helpful
    Report