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Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune

4.2 4.2 out of 5 stars 57 ratings

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Purchase options and add-ons

Brand Peavey
Number of Channels 4
Item Weight 9.46 Pounds
Connectivity Technology Bluetooth
Power Source Corded Electric

About this item

  • New rugged, slim, low-profile console design
  • Convenient tablet cradle
  • 2 Channels of Antares Auto-Tune
  • 4 combination XLR/1/4 low noise mic preamps
  • Selectable Hi Pass Filter on first 4 inputs

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Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune
Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune
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Price$399.99$399.99$479.99$129.00-14% $49.99
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$389.99
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Get it as soon as Sunday, Mar 24
Get it Mar 28 - Apr 2
Get it as soon as Sunday, Mar 24
Get it as soon as Sunday, Mar 24
Get it as soon as Sunday, Mar 24
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Peavey PV 10 AT 10 Channel Compact Mixer with Bluetooth and Antares Auto-Tune


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Product guides and documents

Product Description

Introducing the next level in world-class non-powered mixer performance. The all new PV series mixing consoles include Peavey's reference-quality mic preamps that spec in at an incredible 0.0007% THD, making the PV series mixers excellent for live or recording applications. The PV 10 BT includes 4 channels of reference quality mic preamps, 4 direct outputs for recording, a stereo channel, media channel with Bluetooth wireless input, high quality digital effects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos audio enhancement, 48-volt phantom power, dual selectable control room outputs, 2 channels of compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge. This amazingly versatile mixer is at home both in the studio as well as live applications. Modern features such as Bluetooth allow seamless connection to almost any "smart" device. 4 direct outs allow easy connection to most DAW interfaces for recording. In addition, the PV 10 BT can stream audio directly to a PC. MP3 playback is also available, just plug a flash drive with MP3 files on it into the USB A port and use the LCD to select and play back music. The PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs, and the EQ bypass allows the user to hear and compare the EQ'd signal to the original signal with the push of a button. 2 channels of compression keep signals with difficult levels under control, and Peavey's exclusive guitar shape adjusts the EQ and preamp specifically for guitar. Hi pass filters on every channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise-free signal to your powered speakers or power amplifier.


From the manufacturer

PV 10 AT

The all-new PV 10 AT mixers come equipped with Antares Auto-Tune pitch correction, a technology that can literally help anyone sing in key and is used on professional recordings and live performances throughout the world. This technology is incorporated directly into a complete and powerful portable mixing solution, ensuring that your audience will experience perfectly tuned vocals to complement the crystal-clear audio of the mixer.

Features such as Bluetooth allow seamless connection to almost any 'smart' device. Multiple direct outs per channel allow easy connection to most DAW interfaces for recording. In addition, these mixers can stream audio directly to a PC. MP3 playback is also available via USB A port and LCD display.

With a slim, low-profile design, PV AT series mixers are ideal in small to mid-size venues. Key features include 2 channels of Antares Auto-Tune, 4 channels of reference-quality mic preamps, 4 direct outputs for recording, Bluetooth wireless input, and built-in digital effects with LCD display. These all-new mixers will provide years of hassle-free operation.

  • New rugged, slim, low-profile console design
  • Convenient tablet cradle
  • 2 Channels of Antares Auto-Tune
  • 4 combination XLR/1/4" low noise mic preamps
  • Selectable Hi Pass Filter on first 4 inputs
  • 3-band EQ on all channels
  • EQ bypass per channel
  • 2 channels of built-in compression
  • Individual channel mutes
  • Individual Listen/Solo function
  • LED clip and signal present indication
  • 4 Channels of direct out
  • Stereo pan control per channel

PV Series Mixer

Pro Features Made Affordable, All in a Heavy-Gauge Steel Chassis.

Multi-use PV Series mixers feature discrete, ultra-low-noise microphone preamps that are essential for live-sound reproduction and studio recording, plus a host of additional features such as effects and monitor sends on each channel, zero-latency record monitoring capability and 48 volts phantom power.

About Peavey

Founded in 1965, Peavey is one of the world's largest manufacturers and suppliers of musical instruments and professional sound equipment. Peavey has earned over 180 patents and distributes to more than 130 countries. Peavey and its MediaMatrix, Architectural Acoustics, Crest Audio, Composite Acoustics and Trace Elliot brands can be found on concert stages and in airports, stadiums, theme parks and other venues around the world.

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Customer reviews

4.2 out of 5 stars
4.2 out of 5
57 global ratings

Customers say

Customers like the quality, bluetooth, sound quality, and versatility of the audio mixing console. They mention that it's built solid, lasts for years with no problems, and has a proper staged with correct gain structure. Some appreciate the Bluetooth functionality, saying it has strong Bluetooth and auto tune. However, opinions are mixed on performance.

AI-generated from the text of customer reviews

10 customers mention10 positive0 negative

Customers are satisfied with the sound quality of the audio mixing console. They mention that it produces excellent sound and clarity if used correctly, and the audio equalizer preset sends out excellent microphone levels when their mix is properly set. Overall, customers are happy with the product's sound quality and durability.

"...chain, since it’s properly staged with correct gain structure, sounds excellent and clean and allows for my EV ZLX and ELX 200 18 subwoofer to have..." Read more

"...The difference is noticable. I also like the compressor, auto tune, kosmos c, knobs/faders, even bluetooth is great...." Read more

"Excellent and great audio. Good Value for the price." Read more

"...The sound is amazing!" Read more

9 customers mention9 positive0 negative

Customers are satisfied with the quality of the audio mixing console. They mention that it is built solid, dependable, and versatile. The first one was excellent and lasted for years with no problems. The sound chain is properly staged with the correct gain structure, making it sound excellent and clean.

"...This sound chain, since it’s properly staged with correct gain structure, sounds excellent and clean and allows for my EV ZLX and ELX 200 18..." Read more

"...Very solid, built well. Built in BT and USB are a huge asset, and can be used for background music when not playing...." Read more

"3rd Peavey mixer I’ve owned. First one was excellent. Lasted for years with no problems. Had a severe power surge and destroyed it...." Read more

"I am 99% pleased with the mixer. Great construction and functionality. Mic and instrument lines are clean. Morph and Cosmos functions sound great!..." Read more

3 customers mention3 positive0 negative

Customers are satisfied with the bluetooth feature of the audio mixing console. They mention that the bluetooth is great and the sound is great.

"...like the compressor, auto tune, kosmos c, knobs/faders, even bluetooth is great. There's also high pass filters...." Read more

"Great sound and strong Bluetooth" Read more

"This is an awesome mixer with Bluetooth and Auto tune." Read more

3 customers mention3 positive0 negative

Customers appreciate the versatility of the audio mixing console. They mention that it is dependable and adjustable, allowing for a lot of flexibility.

"...30 Effects are alright but adjustable so there is a lot of flexibility...." Read more

"Versatile board..." Read more

"Dependable and versatile...." Read more

5 customers mention3 positive2 negative

Customers are mixed about the performance of the audio mixing console. Some mention that it works really well as a mixer for multiplayer gigs, while others say that channels one and two stopped working and the right XLR output stopped working.

"This mixer is really quite excellent, I’ve been using it for well over a year now...." Read more

"...The third one arrived DOA. Had no output on the output channels. I’ve always been a Peavey guy but I’ll not buy peavey anymore...." Read more

"I like the eq which works very well on each channel. The difference is noticable...." Read more

"...Mic channels one and two stopped working, and the right XLR output stoped working and it was in a flight case so the cables were not being pulled in..." Read more

Excellent Sound and Clarity if Used Correctly
5 Stars
Excellent Sound and Clarity if Used Correctly
This mixer is really quite excellent, I’ve been using it for well over a year now. At first I didn’t really feel like it was a worthy successor to my previous live sound and Dj audio mixer from Alesis. The reason why this happened has a lot to do with proper gain staging which has to be done with every new piece of audio equipment you introduce into your sound chain. Once I set up the sound from every stage in the right order, and reduced the audio gain on the first two sound channels that have auto tune, which are the two outputs that have my wireless microphones, it shined beautifully.The thing is, the microphone outputs on the Peavey have more natural audio gain than my previous Alesia USB Multi-Mix Mixer, which had beautifully warm sound. With the microphone gain set lower on the Peavey, the main channel output volume can be raised instead of the gain. This is very benificial because when combined with my DBX Go Rack feedback protection, feedback is easier to avoid when less gain is in the sound chain. There’s something else a lot of people don’t understand, XLR cables shield audio because one of the 3 prints on the cable is a grounding pin. Because of this, when using XLR cables, your sound output will be 10-15% louder and cleaner than regular analog cables because the mixer can safely send a louder distortion free signal through if everything is setup properly in the gain staging phase. My dual wireless microphone bases have a 1/4th phono in. They also came with a 1/4th male to 1/4th male audio cable. Using this cable provided poor quality audio that required more gain on the Peavey Mixer. The first thing I did to correct this is was buying a 1.5 ft XLR male to 1/4th male audio cable. This allowed my Peavey 10 Auto-Tune mixer to send a louder signal to my wireless microphone base, despite the other end of the cable being a 1/4 phono plug.The only complaint I have is that the effects, outside of the excellent and fully featured chromatic scale Auto-Tune, which I don’t use frequently, aren’t all that great. The channelstrips have an effects and equalizer bypass on them, which is good because adjusting the highs, miss and lows on here introduces a few little issues that don’t sound great. I leave them at default, and then go to the final output strip, and adjust them there. My DBX GoRack is then used for final sound staging and processing. This combination puts out loud, full and powerful sound for me that my singers on DJ and karaoke nights love. My GoRack has an acoustic audio equalizer preset which sends out excellent microphone levels when my mix is properly set up on the Peavey 10 AT. Then I use the club mode on my EV ZLX speakers in sub mode with the crossover set to ELX 118p, combined with my ELX 200 18 inch subwoofer. The bass is further lowered on my ZLX 12ps or 15ps with the treble set to -1 one and the final output set to -1. With my subwoofer handling the bass, my speakers output louder, cleaner highs and Mids. My sub is placed on a slight raised wooden platform in certain venues and completely hidden by a Dj facade. The raised platform is only used in venues where the floor can lead to swallowing up the low end. There’s a venue I dj at which had this issue. My sub was clipping early and didn’t sound prominent at all until I raised it slightly off of the ground.The important thing to understand about any sound setup is, there is actually a correct way to stage the sound in order, which can alleviate issues. The more effects you introduce into your chain, the more likely you’ll have minor sound issues because each effect has the ability to boost or lower other sound frequencies. Too much sound compression for instance can result in feebavk loops. I use feedback suppression on my DBX GoRack, but even that can be instantly defeated by adding too much gain on the Peavey Mixer’s microphone output channels. The microphones wireless base sound has to be balanced first, which thankfully has a reverb setting on it, then the line it goes into on the Peavey mixer has to be adjusted next, then the Peavey effects channel, which in this case is usually very very light additional reverb, or rare auto-tune if a singer asks for it. Lastly the final sound output line, which feeds my DBX GoRack. The GoRack is set to output in Balanced XLR stereo. Each of these cable runs are about 1.5 feet since I’ve wired this setup inside of a flight case to avoid unplugging anything. My Peavey Mixer is connected to a Numark DJ Deck, that’s connected to my Windows PC or MacBook Pro laptop. My final cables are roughly 4 feet to my subwoofer, which then sends the last set of XLR cables to my speakers.This sound chain, since it’s properly staged with correct gain structure, sounds excellent and clean and allows for my EV ZLX and ELX 200 18 subwoofer to have equal to, or in some cases better than my previous setup which included 2 QSC K12s and the QSC KW 18 subwoofer. Granted that setup, even before proper gain structure, naturally took less sound knowledge to get more headroom out of, but people compliment my sound a great deal in both regards, and are hard pressed to tell the difference, though I notice the final output on my current setup is slightly lower. With the proper gain structure, it sounds fantastic and still provides punchy bass. Every once in awhile, if I want to push my Bass output further, I use the sub harmonic synthesizer on my GoRack sparingly to send bass a few octaves lower than the current signal has, and then I can raise it on my subwoofer slightly more to get more fully distortion free Bass volume without harming my sub. Too much can potentially damage it, it goes up to 99 on the GoRack, but I never usually set it to more than 15 or 20. The same thing with compression, which can keep my singers in the pocket, in terms of final sound mix. I never have that set up higher than 25 if I do use it. With my Peavey Mixer, since my music levels are first set on my Numark Mixtrack Platinum, then my final output channel strip on on the Peavey 10 AT, it usually sounds full and clean. My singers are adjusted accordingly with the gain always set relatively low, and the final microphone levels set to the 12 o clock position, or slightly above that.
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Top reviews from the United States

Reviewed in the United States on April 15, 2018
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5.0 out of 5 stars Excellent Sound and Clarity if Used Correctly
Reviewed in the United States on April 15, 2018
This mixer is really quite excellent, I’ve been using it for well over a year now. At first I didn’t really feel like it was a worthy successor to my previous live sound and Dj audio mixer from Alesis. The reason why this happened has a lot to do with proper gain staging which has to be done with every new piece of audio equipment you introduce into your sound chain. Once I set up the sound from every stage in the right order, and reduced the audio gain on the first two sound channels that have auto tune, which are the two outputs that have my wireless microphones, it shined beautifully.

The thing is, the microphone outputs on the Peavey have more natural audio gain than my previous Alesia USB Multi-Mix Mixer, which had beautifully warm sound. With the microphone gain set lower on the Peavey, the main channel output volume can be raised instead of the gain. This is very benificial because when combined with my DBX Go Rack feedback protection, feedback is easier to avoid when less gain is in the sound chain. There’s something else a lot of people don’t understand, XLR cables shield audio because one of the 3 prints on the cable is a grounding pin. Because of this, when using XLR cables, your sound output will be 10-15% louder and cleaner than regular analog cables because the mixer can safely send a louder distortion free signal through if everything is setup properly in the gain staging phase. My dual wireless microphone bases have a 1/4th phono in. They also came with a 1/4th male to 1/4th male audio cable. Using this cable provided poor quality audio that required more gain on the Peavey Mixer. The first thing I did to correct this is was buying a 1.5 ft XLR male to 1/4th male audio cable. This allowed my Peavey 10 Auto-Tune mixer to send a louder signal to my wireless microphone base, despite the other end of the cable being a 1/4 phono plug.

The only complaint I have is that the effects, outside of the excellent and fully featured chromatic scale Auto-Tune, which I don’t use frequently, aren’t all that great. The channelstrips have an effects and equalizer bypass on them, which is good because adjusting the highs, miss and lows on here introduces a few little issues that don’t sound great. I leave them at default, and then go to the final output strip, and adjust them there. My DBX GoRack is then used for final sound staging and processing. This combination puts out loud, full and powerful sound for me that my singers on DJ and karaoke nights love. My GoRack has an acoustic audio equalizer preset which sends out excellent microphone levels when my mix is properly set up on the Peavey 10 AT. Then I use the club mode on my EV ZLX speakers in sub mode with the crossover set to ELX 118p, combined with my ELX 200 18 inch subwoofer. The bass is further lowered on my ZLX 12ps or 15ps with the treble set to -1 one and the final output set to -1. With my subwoofer handling the bass, my speakers output louder, cleaner highs and Mids. My sub is placed on a slight raised wooden platform in certain venues and completely hidden by a Dj facade. The raised platform is only used in venues where the floor can lead to swallowing up the low end. There’s a venue I dj at which had this issue. My sub was clipping early and didn’t sound prominent at all until I raised it slightly off of the ground.

The important thing to understand about any sound setup is, there is actually a correct way to stage the sound in order, which can alleviate issues. The more effects you introduce into your chain, the more likely you’ll have minor sound issues because each effect has the ability to boost or lower other sound frequencies. Too much sound compression for instance can result in feebavk loops. I use feedback suppression on my DBX GoRack, but even that can be instantly defeated by adding too much gain on the Peavey Mixer’s microphone output channels. The microphones wireless base sound has to be balanced first, which thankfully has a reverb setting on it, then the line it goes into on the Peavey mixer has to be adjusted next, then the Peavey effects channel, which in this case is usually very very light additional reverb, or rare auto-tune if a singer asks for it. Lastly the final sound output line, which feeds my DBX GoRack. The GoRack is set to output in Balanced XLR stereo. Each of these cable runs are about 1.5 feet since I’ve wired this setup inside of a flight case to avoid unplugging anything. My Peavey Mixer is connected to a Numark DJ Deck, that’s connected to my Windows PC or MacBook Pro laptop. My final cables are roughly 4 feet to my subwoofer, which then sends the last set of XLR cables to my speakers.

This sound chain, since it’s properly staged with correct gain structure, sounds excellent and clean and allows for my EV ZLX and ELX 200 18 subwoofer to have equal to, or in some cases better than my previous setup which included 2 QSC K12s and the QSC KW 18 subwoofer. Granted that setup, even before proper gain structure, naturally took less sound knowledge to get more headroom out of, but people compliment my sound a great deal in both regards, and are hard pressed to tell the difference, though I notice the final output on my current setup is slightly lower. With the proper gain structure, it sounds fantastic and still provides punchy bass. Every once in awhile, if I want to push my Bass output further, I use the sub harmonic synthesizer on my GoRack sparingly to send bass a few octaves lower than the current signal has, and then I can raise it on my subwoofer slightly more to get more fully distortion free Bass volume without harming my sub. Too much can potentially damage it, it goes up to 99 on the GoRack, but I never usually set it to more than 15 or 20. The same thing with compression, which can keep my singers in the pocket, in terms of final sound mix. I never have that set up higher than 25 if I do use it. With my Peavey Mixer, since my music levels are first set on my Numark Mixtrack Platinum, then my final output channel strip on on the Peavey 10 AT, it usually sounds full and clean. My singers are adjusted accordingly with the gain always set relatively low, and the final microphone levels set to the 12 o clock position, or slightly above that.
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Francisco Javier Muñoz ossio
5.0 out of 5 stars Lo mejor que he comprado
Reviewed in Mexico on November 2, 2023
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1.0 out of 5 stars retourner car défectueuse
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1.0 out of 5 stars Very Bad!!!
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