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Make Noise QPAS Quad Peak Animation System Eurorack Module

18HP Eurorack Quad-core Stereo Analog Filter Module
$379.00

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Make Noise QPAS Quad Peak Animation System Eurorack Module
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The Eurorack Filter You Can Play Like a Synth

With its smooth, clean resonance, four simultaneous filter outputs, and stereo VCA, the Make Noise QPAS Quad Peak Animation System Eurorack module delivers expansive sound design capabilities far beyond your average filter module. In addition to outputs for lowpass, bandpass, and highpass filters, a unique Smile Pass filter morphs its response as you vary the cutoff frequency, and it maintains consistent volume across the entire sweep. The QPAS module’s fast response makes it perfect for FM synthesis methods. And with dual Radiate controls to create movement and stereo width, and the ability to ping the filter for melodic sound generation, the Make Noise QPAS Eurorack module offers big creative potential.

Four filter outputs and full stereo operation

Being a quad-core analog filter, the QPAS module offers four independent filter outputs — lowpass, bandpass, highpass, and the Make Noise Smile Pass. While the first three are self-explanatory, the unique Smile Pass filter morphs as you sweep the filter cutoff. Synthesists at Sweetwater love the Smile Pass filter’s consistent volume output across its cutoff range, allowing for complex, animated patches that won’t disappear into the mix. In addition, QPAS supports stereo operation — depending on how you patch it, QPAS can operate mono to mono, mono to stereo, stereo to mono, or stereo to stereo.

Create evocative stereo movement with dual Radiate controls

It’s challenging to describe in words how the Radiate controls work, but it’s easy to hear the stereo effects they can create. In short, each of this module’s four filter cores is dialed in to the same relative cutoff frequency — until you mess with the Radiate controls. Separated into left and right controls, each Radiate knob spreads two of the four filter peaks in relation to the cutoff frequency. You can even scale and invert each pair of peaks separately for even more complex patches. Whether you dial them in manually or modulate them with CV, the Radiate controls are the key to creating animated stereo patches with the QPAS module.

Make Noise QPAS Eurorack Module Features:

  • Quad-core stereo analog filter module for Eurorack modular synthesizers
  • Individual outputs for lowpass, bandpass, highpass, and Smile Pass
  • Smile Pass filter morphs throughout the cutoff range and delivers consistent volume output across the entire range
  • Stereo VCA with fast response, perfect for FM synthesis
  • Stereo connectivity for stereo to stereo, stereo to mono, mono to stereo, or mono to mono operation
  • Clean resonance sounds great with filter pings
  • Radiate controls spread filter peaks for stereo sound design
  • Size: 18HP wide, 30mm deep
  • Power usage: 166mA (+12 volts), 190mA (-12 volts)

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Tech Specs

  • Type: Quad Peak Combining System Eurorack
  • Analog/Digital: Analog
  • Effects Types: Stereo Multi-peak Interaction, Quad Core Variable Filtering
  • Analog Inputs: 2 x 1/8" (audio)
  • Depth: 1.18" (30mm)
  • HP Size: 18HP
  • Power Supply: Requires Eurorack case and power supply
  • Manufacturer Part Number: QPAS

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Customer Reviews

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Rated 5/5

QUAD FILTER

I would have to say this is one of the best filters on the market. My favorite outputs is the SP
Rated 5/5

Amazing Filter

The QPAS is a function packed filter that has exceeded my expectations straight out of the box. The binaural capabilities have my head swimming in beautiful flowing sound. Bravo Make Noise, you created an amazing product with the QPAS!
Rated 2.5/5

Excessive resonance ruins an otherwise great filter

The resonance on this filter is out of control. Once you get past about 25% it starts screaming. If you just want a filter to ping this might be a good thing, but it's virtually unusable for standard filter duties. Too bad too because it sounds great otherwise and having stereo outs for each filter type is wonderful.
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