℗ 2019 London Symphony Orchestra Ltd
| Released | February 8, 2019 |
| Duration | 1h 14m 09s |
| Record Label | Lso Live |
| Catalogue No. | LSO0810D |
| Genre | Classical (Symphony) |
Tchaikovsky: Symphony No. 4 - Mussorgsky: Pictures at an Exhibition
London Symphony Orchestra, Gianandrea Noseda
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 4 in F Minor, Op. 36
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1.1
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I. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo
Pyotr Ilyich Tchaikovsky; Gianandrea Noseda; London Symphony Orchestra |
18:25 | |||
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1.2
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II. Andantino in modo di canzona
Pyotr Ilyich Tchaikovsky; Gianandrea Noseda; London Symphony Orchestra |
9:21 | |||
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1.3
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III. Scherzo. Pizzicato ostinato - Allegro
Pyotr Ilyich Tchaikovsky; Gianandrea Noseda; London Symphony Orchestra |
5:23 | |||
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1.4
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IV. Finale. Allegro con fuoco
Pyotr Ilyich Tchaikovsky; Gianandrea Noseda; London Symphony Orchestra |
8:34 | |||
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Pictures at an Exhibition
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1.5
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I. Promenade (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
1:37 | |||
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1.6
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II. No 1, Gnomus (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
2:42 | |||
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1.7
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III. Interlude, Promenade II (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
0:55 | |||
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1.8
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IV. No 2, Il vecchio castello (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
4:37 | |||
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1.9
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V. Interlude, Promenade III (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
0:29 | |||
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1.10
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VI. No 3, Tuileries (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
0:58 | |||
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1.11
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VII. No 4, Bydlo (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
3:01 | |||
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1.12
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VIII. Interlude, Promenade IV (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
0:40 | |||
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1.13
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IX. No 5, The Ballet of Unhatched Chicks in their Shells (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
1:10 | |||
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1.14
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X. No 6, Samuel Goldenberg und Schmuyle (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
2:11 | |||
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1.15
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XI. No 7, The Market at Limoges (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
2:02 | |||
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1.16
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XII. No 8, Catacombae (Sepulchrum Romanum / Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
1:17 | |||
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1.17
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XIII. Cum mortuis in lingua mortua (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
2:01 | |||
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1.18
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XIV. No 9, The Hut on Fowl's Legs (Baba-Yaga / Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
3:14 | |||
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1.19
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XV. No 10, The Great Gate of Kiev (Orch. Ravel)
Modest Mussorgsky; Gianandrea Noseda; London Symphony Orchestra |
5:32 | |||
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Digital Booklet
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Widley recognised as one of the leading conductors of his generation, LSO Principal Guest Conductor Gianandrea Noseda presents a work of concentrated emotional intensity in the first of a new series exploring Tchaikovsky's final three symphonies. Urgent, supercharged and violent in places, Tchaikovsky's Fourth is said to reflect the turmoil he found himself in while composing: a disastrous marriage, struggles with his sexuality and severe depression. Yet, despite the gloomy outlook, the symphony proves undoubtedly that Tchaikovsky knew how to fill his works withmemorable melodies. Known for his mastery of Russian repertoire, for this album Noseda pairs Tchaikovsky with a masterpiece by his fellow countryman, Mussorgsky's Pictures at an Exhibition, performed here in Ravel's iconic orchestration.
96 kHz / 24-bit PCM – Lso Live Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.43 -24.86 to -0.32 | -30.37 -42.75 to -21.10 | -26.35 -40.00 to -16.80 | 12 9 to 18 | |
| 1 | I. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo | -3.48 | -22.29 | -17.4 | 10 |
| 2 | II. Andantino in modo di canzona | -4.15 | -28.34 | -23.0 | 15 |
| 3 | III. Scherzo. Pizzicato ostinato - Allegro | -5.74 | -33.09 | -28.4 | 17 |
| 4 | IV. Finale. Allegro con fuoco | -3.28 | -21.10 | -16.8 | 10 |
| 5 | I. Promenade (Orch. Ravel) | -6.77 | -26.67 | -23.1 | 12 |
| 6 | II. No 1, Gnomus (Orch. Ravel) | -0.32 | -28.31 | -24.6 | 18 |
| 7 | III. Interlude, Promenade II (Orch. Ravel) | -24.85 | -40.85 | -37.9 | 10 |
| 8 | IV. No 2, Il vecchio castello (Orch. Ravel) | -13.72 | -37.37 | -34.2 | 13 |
| 9 | V. Interlude, Promenade III (Orch. Ravel) | -11.38 | -28.40 | -24.6 | 9 |
| 10 | VI. No 3, Tuileries (Orch. Ravel) | -11.26 | -36.57 | -33.0 | 13 |
| 11 | VII. No 4, Bydlo (Orch. Ravel) | -5.39 | -27.39 | -23.9 | 12 |
| 12 | VIII. Interlude, Promenade IV (Orch. Ravel) | -12.84 | -33.16 | -29.2 | 10 |
| 13 | IX. No 5, The Ballet of Unhatched Chicks in their Shells (Orch. Ravel) | -16.76 | -37.41 | -33.9 | 11 |
| 14 | X. No 6, Samuel Goldenberg und Schmuyle (Orch. Ravel) | -9.24 | -29.23 | -25.6 | 12 |
| 15 | XI. No 7, The Market at Limoges (Orch. Ravel) | -7.55 | -28.70 | -24.5 | 13 |
| 16 | XII. No 8, Catacombae (Sepulchrum Romanum / Orch. Ravel) | -6.20 | -28.78 | -23.0 | 12 |
| 17 | XIII. Cum mortuis in lingua mortua (Orch. Ravel) | -24.86 | -42.75 | -40.0 | 10 |
| 18 | XIV. No 9, The Hut on Fowl's Legs (Baba-Yaga / Orch. Ravel) | -1.91 | -24.89 | -20.5 | 13 |
| 19 | XV. No 10, The Great Gate of Kiev (Orch. Ravel) | 0.00 | -21.65 | -17.1 | 14 |