℗ 2016 London Symphony Orchestra Ltd
| Released | October 14, 2016 |
| Duration | 5h 31m 08s |
| Record Label | Lso Live |
| Genre | Classical (Symphony) |
Sibelius: Symphonies Nos. 1-7, Kullervo, Pohjola's Daughter, The Oceanides
London Symphony Orchestra, Sir Colin Davis, London Symphony Chorus, Peter Mattei, Monica Groop
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Symphony No. 1 in E Minor, Op. 39
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1.1
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I. Andante, ma non troppo - Allegro energico
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
11:54 | |||
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1.2
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II. Andante (ma non troppo lento)
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
9:27 | |||
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1.3
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III. Scherzo (Allegro)
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
5:15 | |||
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1.4
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IV. Finale (Quasi una fantasia): Andante
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
12:59 | |||
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Symphony No. 4 in A Minor, Op. 63
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1.5
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I. Tempo molto moderato, quasi adagio
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
11:42 | |||
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1.6
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II. Allegro molto vivace
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
4:58 | |||
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1.7
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III. Il tempo largo
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
12:41 | |||
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1.8
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IV. Allegro
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
9:21 | |||
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1.9
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Pohjola's Daughter, Op. 49
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
14:24 | |||
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Symphony No. 2 in D Major, Op. 43
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1.10
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I. Allegretto
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
9:39 | |||
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1.11
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II. Tempo andante, ma rubato
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
14:49 | |||
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1.12
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III. Vivacissimo
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
6:06 | |||
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1.13
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IV. Finale (Allegro moderato)
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
14:00 | |||
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Symphony No. 3 in C Major, Op. 52
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1.14
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I. Allegro moderato
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
11:26 | |||
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1.15
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II. Andantino con moto, quasi allegretto
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
11:05 | |||
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1.16
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III. Moderato - Allegro ma non tanto
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
8:26 | |||
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2.1
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Symphony No. 7 in C Major, Op. 105
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
22:26 | |||
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2.2
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The Oceanides, Op. 73
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
11:58 | |||
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Symphony No. 5 in E-Flat Major, Op. 82
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2.3
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I. Tempo molto moderato - Allegro moderato
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
13:36 | |||
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2.4
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II. Andante mosso, quasi allegretto
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
8:07 | |||
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2.5
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III. Allegro molto
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
9:13 | |||
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Symphony No. 6 in D Minor, Op. 104
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2.6
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I. Allegro molto moderato
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
8:27 | |||
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2.7
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II. Allegro moderato
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
4:50 | |||
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2.8
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III. Poco vivace
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
3:41 | |||
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2.9
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IV. Allegro molto
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
8:49 | |||
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Kullervo, Op. 7
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2.10
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I. Introduction
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
14:20 | |||
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2.11
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II. Kullervo's Youth
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
14:04 | |||
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2.12
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III. Kullervo And His Sister
Jean Sibelius; London Symphony Orchestra; London Symphony Chorus; Sir Colin Davis; Monica Groop; Peter Mattei |
23:22 | |||
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2.13
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IV. Kullervo Goes to Battle
Jean Sibelius; London Symphony Orchestra; Sir Colin Davis |
10:17 | |||
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2.14
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V. Kullervo's Death
Jean Sibelius; London Symphony Orchestra; London Symphony Chorus; Sir Colin Davis |
9:46 | |||
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Digital Booklet
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"There is so much about these performances that is ear-opening - or just plain magnificent."
- BBC Music Magazine
"This might turn out to be the finest Sibelius cycle on disc ... superbly handled by these fine players under a master Sibelian."
- The Observer
Sibelius was one of the 20th century’s greatest and most innovative symphonists, reworking the traditional symphonic structure as radically as Beethoven did in his day. Though his early works show Russian and Italian influences (as a product of his country’s history and his travelling, respectively), his music gradually developed its own identity, characterised by beauty, mystery, colour and light, together with his strong love for his native Finnish homeland.
96 kHz / 24-bit PCM – Lso Live Studio Masters
Disc 2, Tracks 6, 7, 8, 9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Disc 2, Tracks 6, 7, 8, 9 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.67 -11.67 to -0.01 | -28.43 -34.97 to -23.41 | -24.01 -32.00 to -18.70 | 16 13 to 19 | |
| 1.1 | I. Andante, ma non troppo - Allegro energico | -0.30 | -24.56 | -19.7 | 15 |
| 1.2 | II. Andante (ma non troppo lento) | -1.12 | -26.29 | -21.2 | 16 |
| 1.3 | III. Scherzo (Allegro) | -1.60 | -28.03 | -24.1 | 16 |
| 1.4 | IV. Finale (Quasi una fantasia): Andante | -0.65 | -23.81 | -20.1 | 15 |
| 1.5 | I. Tempo molto moderato, quasi adagio | -2.72 | -33.02 | -28.4 | 18 |
| 1.6 | II. Allegro molto vivace | -9.83 | -34.93 | -31.5 | 15 |
| 1.7 | III. Il tempo largo | -2.93 | -33.50 | -28.5 | 19 |
| 1.8 | IV. Allegro | -2.70 | -29.72 | -24.5 | 17 |
| 1.9 | Pohjola's Daughter, Op. 49 | 0.00 | -26.13 | -20.8 | 16 |
| 1.10 | I. Allegretto | -2.05 | -28.43 | -24.2 | 17 |
| 1.11 | II. Tempo andante, ma rubato | -2.75 | -27.23 | -22.7 | 16 |
| 1.12 | III. Vivacissimo | -2.81 | -27.70 | -22.9 | 14 |
| 1.13 | IV. Finale (Allegro moderato) | -1.69 | -24.42 | -19.7 | 14 |
| 1.14 | I. Allegro moderato | -3.16 | -27.49 | -23.3 | 15 |
| 1.15 | II. Andantino con moto, quasi allegretto | -11.67 | -34.97 | -32.0 | 14 |
| 1.16 | III. Moderato - Allegro ma non tanto | -1.97 | -26.07 | -21.6 | 14 |
| 2.1 | Symphony No. 7 in C Major, Op. 105 | -0.71 | -27.42 | -23.6 | 17 |
| 2.2 | The Oceanides, Op. 73 | 0.00 | -29.44 | -25.0 | 18 |
| 2.3 | I. Tempo molto moderato - Allegro moderato | -0.92 | -28.61 | -23.4 | 16 |
| 2.4 | II. Andante mosso, quasi allegretto | -8.95 | -34.00 | -30.0 | 13 |
| 2.5 | III. Allegro molto | -0.12 | -26.27 | -21.5 | 17 |
| 2.6 | I. Allegro molto moderato | -1.23 | -28.98 | -24.7 | 17 |
| 2.7 | II. Allegro moderato | -4.45 | -31.94 | -27.8 | 14 |
| 2.8 | III. Poco vivace | -0.78 | -26.48 | -21.5 | 16 |
| 2.9 | IV. Allegro molto | -0.78 | -26.63 | -22.4 | 16 |
| 2.10 | I. Introduction | -5.08 | -28.26 | -23.9 | 14 |
| 2.11 | II. Kullervo's Youth | -2.09 | -30.51 | -25.9 | 17 |
| 2.12 | III. Kullervo And His Sister | -0.86 | -28.14 | -24.0 | 17 |
| 2.13 | IV. Kullervo Goes to Battle | -0.01 | -26.55 | -22.7 | 16 |
| 2.14 | V. Kullervo's Death | -0.81 | -23.41 | -18.7 | 14 |