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SIRUI 35mm F1.8 1.33X APS-C Anamorphic Lens Cinema Lens for MFT Mount, Blue Flare
Return this item for free
Free returns are available for the shipping address you chose. You can return the item for any reason in new and unused condition: no shipping charges
Learn more about free returns.- Go to your orders and start the return
- Select the return method
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Return this item for free
Free returns are available for the shipping address you chose. You can return the item for any reason in new and unused condition: no shipping charges
Learn more about free returns.- Go to your orders and start the return
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Purchase options and add-ons
Brand | Sirui |
Focal Length Description | 35 mm |
Lens Type | Standard |
Compatible Mountings | Micro Four Thirds |
Camera Lens Description | 35 millimetres |
About this item
- Solidly constructed with aircraft aluminum housing and precision copper focus components , the lens is compact and robust yet light enough to smoothly capture high quality images.
- This brand new anamorphic pro lens achieves the field of view of a 26.3mm camera lens by widening the horizontal FOV up to 33%. Meanwhile, The 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping.
- As users adjust the aperture, the unique light streaks and star burst will adapt to the aperture value for the optimum cinematic visual effect. Eye your scenes through the lens and revive their beauty by adjusting the light setting between the F/1.8 and F/16 apertures.
- Well-built with an innovative optical lens structure and German-manufactured Schott optical glass lens elements, the 35mm Anamorphic Lens is constructed with aircraft aluminum alloy and a precision CNC machining process.
- This portable lens also excels at controlling chromatic dispersion to produce unique visual characteristics and provide sharp, high resolution images.In addtion, the compact lens further optimizes focusing and aperture control systems using the two additional Gear Rings (0.8 Module).
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From the brand
Capturing Your Imagiantion
SIRUI insists on the concept of manufacturing high-quality products with superior craftsmanship and innovative technology.
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ABOUT US
SIRUI is an innovative optical company dedicated to the R&D and manufacturing of anamorphic lenses, cine lenses, and photographic equipment that actively responds to customers' needs.
For the past decades, SIRUI insisted on improving its ability for independent innovation and technology accumulation, winning great recoginition among filmmakers and photograhers around the world and changing people's imaging life with its aspring attitude.
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Compare with similar items
This Item SIRUI 35mm F1.8 1.33X APS-C Anamorphic Lens Cinema Lens for MFT Mount, Blue Flare | Recommendations | dummy | dummy | dummy | dummy | |
Try again! Added to Cart | Try again! Added to Cart | Try again! Added to Cart | Try again! Added to Cart | Try again! Added to Cart | Try again! Added to Cart | |
Price | $599.00$599.00 | $599.00$599.00 | -29% $499.00$499.00 List: $699.00 | -10% $449.00$449.00 List: $499.00 | -40% $299.00$299.00 List: $499.00 | $489.00$489.00 |
Delivery | Get it as soon as Monday, Apr 1 | Get it Mar 29 - Apr 2 | Get it as soon as Monday, Apr 1 | Get it as soon as Monday, Apr 1 | Get it as soon as Wednesday, Apr 3 | Get it as soon as Monday, Apr 1 |
Customer Ratings | ||||||
Sold By | Amazon.com | SIRUI USA | SIRUI USA | US.IMPEX | Cannon Online | SIRUI USA |
lens type | Standard | Standard | anamorphic | anamorphic | Anamorphotic | Standard |
compatible mountings | Micro Four Thirds | Sony E | Micro Four Thirds | Sony E | Fujifilm X | Olympus/Panasonic Micro 4/3, Micro Four Thirds |
lens design | Prime | Prime | 75mm Anamorphic | 75mm Anamorphic | 50mm Anamorphic | Zoom |
focus type | Manual Focus | Manual Focus | Manual Focus | Manual Focus | Manual Focus | Manual Focus |
minimum focal length | 35 millimeters | 35 millimeters | 75 millimeters | 75 millimeters | 50 millimeters | 24 millimeters |
max focal length | 35 millimeters | 35 millimeters | 75 millimeters | 75 millimeters | 50 millimeters | 24 millimeters |
fixed focal length | 35 millimeters | 35 millimeters | 75 millimeters | 75 millimeters | 50 millimeters | 24 millimeters |
model name | — | — | anamorphic lens | anamorphic lens | MEK7X | anamorphic lens |
max aperture | 1.8 f stop | 1.8 f stop | 1.8 f stop | 1.8 f stop | 16 millimeters | 2.8 f stop |
Product Description
SIRUI 35mm F1.8 1.33X APSC Anamorphic Lens | Game-Changer Anamorphic
Built according to the highest standards, this 35MM anamorphic pro lens achieves the FOV of a 26.3mm camera lens by widening the horizontal FOV up to 33%, offering you a ultra wide-screen flattering cinematic look as well as excellent anamorphic visual characteristics.
SIRUI 35mm F1.8 1.33X APSC Anamorphic Lens - Immersed In Widescreen Visual Feast
This 35mm Anamorphic is a game-changer, providing a wider 1.33x cinematic look, superb, silky depth of field, Sci-Fi lens flares and creamy oval bokeh.
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Wider Field of View
1.33x Cinematic Squeeze Factor
Featuring a 1.33x squeeze factor, this 35mm lens delivers an ultra-wide horizontal angle of view.
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Premium 35mm
Versatile Focus Length
Wide enough to capture background elements, but close enough to shoot more intimate details.
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Silky-Smooth&Stepless
Maximum F1.8 Wide Cine Aperture
Maximum F1.8 aperture enables cameras to take in more light in even low light conditions.
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Crisp&Natural Image
Sharp, High Resolution Image
Produce sharp, quality imaging with a smooth depth of field.
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Distinctive Cine Effect
Sci-Fi Cinematic Light Art
Produces unique blue light streaks and star burst for optimum cinematic visual effect.
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Breathtaking Aesthetic
Breathtaking Creamy Oval Bokeh
Enchanting oval bokeh couples with the foreground delivering an upgrade aesthetic look.
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Precise Control
Explore From 0.85m To Infinity
Focus breathing is well contained. Hard to find a zooming motion to the shot while racking focus.
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MFT/L/RF/E/EFM/Z
Wide Compatibility
Available in native MFT, L, FR mounts and E, EF-M.Z adapters.
How to choose the correct model for my cameras?
M4/3 mount is for Lumix GH5 Series, Lumix GH6, DC-BGH1, Z Cam, BMPCC4K. SIRUI USA is always at your service for pre-order consultation.
Why images is sharp in the center but soft on the edge?
Anamorphic lenses are responsible for the “cinematic” look, featuring the characteristic of crisp and clear center images with soft and blurred outer edges, which can lend a painterly, artistic quality to your footage.
Why the lens flares are excessive or insufficient?
The intensity of lens flares are deeply affected by the filming operation and light source.It can be controlled by filmmakers to an expected outcome.
Why images have distortion using anamorphic lenses?
All anamorphic lenses exhibit distortion, either pincushion or barrel distortion, which is a common characteristic among this certain optics. For those well-versed in post-production, addressing this slight distortion is a straightforward task.
How to make sure the subject is sharp and stay in focus using manual focus lens?
Aids like peaking and focus zoom make focus easier:
1.Menu->Setting->Peaking level (High), this visually outlines the edges of the most focus areas.
2. Press the magnification button, and digitally zoom into a specific area to fine-tune your focus.
SIRUI Cine Lenses | Premium and Affordable | Capturing Your Imagination
35mm Anamorphic Lens | 24mm Anamorphic Lens | 50mm Anamorphic Lens | 75mm Anamorphic Lens | |
Customer Reviews
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4.6 out of 5 stars
45
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4.7 out of 5 stars
77
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4.6 out of 5 stars
282
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4.7 out of 5 stars
41
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Focal Length
| 35mm | 24mm | 50mm | 75mm |
Aperture
| F1.8-F16 | F2.8-F16 | F1.8-F16 | F1.8-F16 |
Lens Structure
| 13 Elements in 9 Groups | 13 Elements in 10 Groups | 11 Elements in 8 Groups | 16 Elements in 12 Groups |
Aperture Blades
| 10 | 8 | 10 | 13 |
Support Frame
| APS-C / S35(L,RF mount) | APS-C / S35(L,RF mount) | APS-C / S35(L,RF mount) | APS-C / S35(L,RF mount) |
Shooting Distance
| 0.85m-∞ | 0.6m-∞ | 0.85m-∞ | 1.2m-∞ |
Focus Method
| Manual Focusing | Manual Focusing | Manual Focusing | Manual Focusing |
Maximum Magnification
| 1:10.63(V),13.83(H) | 1:21.99(V), 1:29.07 (H) | 1:15.38(V),1:20.17(H) | 1:14.47(V),1:18.45 (H) |
Filter Spec
| M67X0.75 | M72X0.75 | M67X0.75 | M67X0.75 |
Mount
| MFT/E/EFM/Z ,L/RF | E/X/EFM/Z/M43/X ,L/RF | E/X/MFT ,L/RF | E/X/EFM/Z/MFT ,L/RF |
Videos
Videos for this product
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SIRUI 35MM Anamorphic Lens
SIRUI USA
Videos for this product
1:01
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Sci-Fi Horizontal Blue Flares
SIRUI USA
Videos for this product
0:26
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What does SIRUI 35MM Anamorphic Lens Look Like?
SIRUI USA
Videos for this product
0:32
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30 Sec to Know What Makes SIRUI 35MM Anamorphic Glamorous
SIRUI USA
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Product information
Product Dimensions | 4.61 x 2.79 x 2.79 inches |
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Item Weight | 2.65 pounds |
ASIN | B08LKPHK3Q |
Item model number | SR35-M |
Customer Reviews |
4.6 out of 5 stars |
Best Sellers Rank | #556 in SLR Camera Lenses |
Date First Available | November 11, 2020 |
Manufacturer | SIRUI |
Country of Origin | China |
Warranty & Support
Feedback
What's in the box
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality and value of the camera lens. For example, they mention it's an incredible lens with beautiful characteristics, and well worth the price. That said, some complain about the limitations for full-frame cameras.
AI-generated from the text of customer reviews
Customers are satisfied with the quality of the lens. They mention it has beautiful characteristics, and works seamlessly with their BMPCC4K. Some say that the lens flares are gorgeous, and the picture quality is excellent. Overall, most are happy with their purchase and recommend it to others.
"I LOVE this lens. The 35mm is the perfect length. It truly has a Cinema look to it. Nothing cheap about this lens at all...." Read more
"...lot of info online, and I don't have much to add except that it's decently sharp, that was a question mark looking at samples...." Read more
"...it for my comedy show Good Guys Finish Last on YouTube the look is amazing very sharp and the lens flares is a plus in my book thanks siuri." Read more
"...which is unfortunate since I have a Sony A7C. But... it still looks great with minimal to zero vignetting when I crop in 1.4x with Clear Image Zoom..." Read more
Customers appreciate the value of the camera lens. They say it's well worth the price and the best budget anamorphic out there.
"...Nothing cheap about this lens at all. Well worth the price, which is not bad at all for the value it brings to your work...." Read more
"...It's definitely worth what it costs and I recommend it if, as long as you don't mind a manual focus lens." Read more
"This is the best anamorphic lens on a budget I use it for my comedy show Good Guys Finish Last on YouTube the look is amazing very sharp and the..." Read more
"This lens is fantastic for the price. There’s no comparably priced anamorphic lens on the market." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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Unpacked the Sirui 35/1.8 this morning. After a half day of testing, it looks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects.
I filmed the tests on the S6 in "open gate" to make full use of the 6K+ S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app.
I dropped the footy into PP into a standard 8K sequence. Yes, 8k from 6K open gate. Setting the image size to 93 percent, the image just touches the edges while leaving two narrow letterbox strips. Fine--you can add thicker black bars or zoom up to 102 percent to get 8K with no bars. It's all good. You can downsample, crop, whatever you want. Lots of choices.
My copy was shipped direct from the factory and I waited more than a month for it. Glass was perfect, exterior had a tiny scuff mark, no biggie.
You can manual focus very well at F1.8 and then I like to stop it down to F4, but it is certainly usuable wide open.
Clickless aperture and focus is very smooth and there are two rings included for gearing. No hood, which is cheesy for an $800 lens IMHO. :(
@theusualeditor re: thin air pixels--this lens allows me to film open gate on my Z Cam S6, so I'm not losing or cropping any pixels except some in the horizontal which unsqueezes a tiny bit wide. And, here, I'm not losing but cropping oversize. Ordinarily, a lot of these pixels would be unused, just like on most 4:3 or whatever cameras. So this lens get every drop of pixel juice out of the slightly oversized sensor.
So because of the open gate, it's like the extra resolution you get when you used film back in the olden days. And, in H265 I'm getting manageable file sizes.
But, beyond that, it looks cracking when you drop it into an 8K timeline.
(Yes, there are blue flares easy peasy.) P.S. It isn't light.
Reviewed in the United States on February 14, 2023
Top reviews from other countries
Lens is really fantastic, using it with my a6400 but nothing but pleased. with it has stabilization, but no need to be greedy :)
Lorsque vous filmez en full frame, vous devrez, en post production, en plus du DeSqueeze, zoomer dans votre image pour éliminer le vignettage (qui est dû au fait que l'objectif soit pensé pour être utilisé sur un APS-C/Super 35).
Sa distance de mise au point minimale est d'1 mètre, c'est qui juste, mais tout à fait normal compte tenu de la nature de cet objectif. Il est possible de corriger cela avec des filtres Dioptrie appelé aussi filtre "Close-up"
Reviewed in France on March 23, 2023
Lorsque vous filmez en full frame, vous devrez, en post production, en plus du DeSqueeze, zoomer dans votre image pour éliminer le vignettage (qui est dû au fait que l'objectif soit pensé pour être utilisé sur un APS-C/Super 35).
Sa distance de mise au point minimale est d'1 mètre, c'est qui juste, mais tout à fait normal compte tenu de la nature de cet objectif. Il est possible de corriger cela avec des filtres Dioptrie appelé aussi filtre "Close-up"