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Sigma 19mm f/2.8 DN Lens for Sony NEX E-mount Cameras (Black)
Brand | Sigma |
Focal Length Description | 19 mm |
Lens Type | Standard |
Compatible Mountings | Sony E |
Camera Lens Description | 19 millimetres |
About this item
- Three glass mold aspherical lenses provide excellent correction for distortion, color aberration and field curvature
- Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even at the maximum aperture
- The superior telecentric optical design improves image quality throughout the frame
- Lens not zoomable
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Price | $149.00$149.00 | -6% $516.00$516.00 List: $549.00 | $158.00$158.00 | $59.00$59.00 | $324.95$324.95 | $278.14$278.14 |
Delivery | — | Get it as soon as Tuesday, Mar 26 | Get it as soon as Tuesday, Mar 26 | Get it as soon as Tuesday, Mar 26 | Get it Mar 27 - Apr 1 | Get it May 7 - Jul 10 |
Customer Ratings | ||||||
Picture quality | 4.3 | 4.8 | 4.6 | — | 4.5 | — |
Auto focus | 3.9 | 4.7 | 4.4 | — | 4.5 | — |
Quality of material | 4.4 | — | 4.5 | — | 3.6 | — |
Image stabilization | 3.4 | 3.2 | — | — | 4.6 | — |
Sold By | HOTOTRONICS | Pro Deals! | VILTROX Official Store | JYphoto-NA | 42nd Street Photo | Amazon Global Store UK |
lens type | Standard | Standard | Wide Angle | Wide Angle | Standard | Standard |
compatible mountings | Sony E | Sony E | Sony E, Sony FE | Sony E | Nikon F | Sony E |
lens design | Prime | Prime | Prime | Prime | Zoom | Prime |
focus type | Micromotor | Auto Focus | Auto/Manual | Manual Focus | Auto Focus | Auto Focus |
minimum focal length | 19 millimeters | — | 20 millimeters | 18 millimeters | 18 millimeters | 20 millimeters |
max focal length | 19 millimeters | — | 20 millimeters | 18 millimeters | 250 millimeters | 20 millimeters |
fixed focal length | 19 millimeters | 50 millimeters | 20 millimeters | 18 millimeters | 250 millimeters | 20 millimeters |
From the manufacturer
19mm F2.8 DN | A
Mirrorless Wide Angle Essential
This high-performance wide angle lens is designed exclusively for mirrorless interchangeable lens cameras and has the equivalent angle of view as a 38mm (35mm equivalent focal length) on the Micro Four Thirds systems and 28.5mm (35mm equivalent focal length) on the E-mount systems.
Three glass mold aspherical lenses provide excellent correction for distortion, color aberration and field curvature. The inner focusing system corrects the fluctuation of aberration to maintain image quality regardless of the focal distance. Sigma''s Super Multi-Layer Coating reduces flare and ghosting and provides sharp and high contrast images even at the maximum aperture. The superior telecentric optical design improves image quality throughout the frame. This lens benefits from a newly developed linear AF motor which moves the lens elements directly without the need for gears or the drive of other mechanical parts. This system ensures accurate and quiet autofocusing, making the lens suitable for video recording as well as still photos. The lens features a rounded 7 blade diaphragm creating an attractive blur to the out of focus areas of the image. This Sigma 19mm F2.8 EX DN has a minimum focusing distance of 20cm/7.9in and a maximum magnification ratio of 1:7.4.
Dimensions (Diameter x Length): 60.8x45.7mm/ 2.4x1.8in
Weight: 160g /5.6oz
About Sigma
Since 1961, and with the recent introduction of Sigma Global Vision, we have worked toward one single, simple goal: To hold ourselves to the highest standard of design & manufacturing of imaging products. Photography is all we do. And it’s all we’ve done. So you can rest assured that it’s something we know extensively and care deeply about. You have a vision. We’ve made it our mission.
- Fast and large aperture lens for mirrorless camera systems
- Choice of silver or black finish
- Front & rear lens caps & carrying case
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DPReview Sigma 19mm F2.8 DN Art Lens overview
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After 5 Years | Sigma 19mm f/2.8 DN Lens
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Product information
Product Dimensions | 60.6 x 2.4 x 1.7 inches |
---|---|
Item Weight | 5.6 ounces |
ASIN | B00BPZD0M4 |
Item model number | 40B965 |
Batteries | 1 Lithium Ion batteries required. |
Customer Reviews |
4.3 out of 5 stars |
Best Sellers Rank | #1,827 in Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | March 18, 2013 |
Manufacturer | SIGMA |
Warranty & Support
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Product Description
SIGMA 19MM LENS SONY NEX F/2.8 DN LENS BLK
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, value, sharpness, image quality and performance of the lens. For example, they mention it's an incredible value for money, it'll produce excellent results and it'd be great for landscapes and city architecture shots.
AI-generated from the text of customer reviews
Customers like the quality of the lens. They mention that the stills quality of this lens is impeccable, it comes with a lens hood and a very decent lens case, and is very well built. Some say that the high shine silver finish is unique and very premium feeling.
"...++ Inexpensive++ Good lens cap that stays in place, and is easy to get on and off (don't underestimate this)MINUSES..." Read more
"...The lens feels well made and comes with a lens hood and even a nice case, neither of which I would expect for the price...." Read more
"...but the bokeh in macro shots with the lens wide smooth and quite pleasant to view, much better than the kit lens...." Read more
"...It is a sweet little lens, feels a little more solid than my Sigma 30mm f2.8 EX DN (Sony E) but optical quality is similar...." Read more
Customers are satisfied with the value of the lens. They say it is an incredible value for money and well worth the price. Some customers also mention that the lens is super quiet and worth putting in your camera bag.
"...Right now (August 2018) it's on sale for $169, which is an absolutely terrific price. And I still marvel that it is made in Japan...." Read more
"...primes and this one performs very well, is light, not big and is very affordable...." Read more
"...At this price point this lens is definitely worth picking up, its just fun to take pictures with...." Read more
"...For me, this is very good lens for a reasonable price. I needed a prime lower light, wide-angel lens with for my sony a6000...." Read more
Customers are satisfied with the sharpness of the lens. They mention that it is extremely sharp, crisp, and focuses very close. The lens is well built and has a similar optical quality to other lenses in its price range. Overall, customers find it to be a really good lens.
"...There is a reason most people rave about it. The lens is extremely sharp, has very accurate color, and controls very well for pincushioning and..." Read more
"...lens tests are pretty much backyard comparisons, but clearly this lens is sharp and it carries its acuity quite a ways out from the center, where..." Read more
"...All in all I think this is a really good lens especially at this price and I am really enjoying it...." Read more
"...Its a bit sharper than the kit lens and feels more solid...." Read more
Customers are satisfied with the image quality of the lens. They mention that it produces crisp, detailed images with nice color. The lens is great for landscapes and city architecture shots, and is an ideal choice for landscape photography. The optics are excellent and the clarity is great, even towards the edges.
"...Five Stars.PLUSES++ Extremely sharp, accurate picture renditions++ Pretty wide aperture (F/2.8)..." Read more
"...This lens does the trick, with images that are crisp and detailed with nice color saturation...." Read more
"...It's not even priced like much. But the photos it takes are quite amazing.I did a comparison shoot with this and four other lenses...." Read more
"...I went with the 19mm crop lens for my Sony A6300. Photo quality turned out good, not as sharp as the 50mm but it's still a passing grade in my book...." Read more
Customers like the performance of the lens. They say that it works well enough, produces excellent results, and is a good lens for the low price. It works perfectly on their Sony a6000 and produces sharp and rich with detail images. Some mention that the autofocus is bad for video and the focus moves a lot. Overall, most are happy with the performance and recommend it to others.
"...++ Generally fast focusing++ Silent operation++ Excellent, neutral color output..." Read more
"...-18 is the better choice, many people prefer primes and this one performs very well, is light, not big and is very affordable...." Read more
"...It came with a hood that seems to work well. The lens is heavier than the kit lens which is actually nice as it helps reduce shutter shock a little...." Read more
"...It performs very well in low-lit situations, and it also focuses really fast. The motor is quiet...." Read more
Customers like the focus of the camera lens. They say it's fast, crisp, and has excellent optics. The focusing ring is nimble and easily moved. Overall, most are satisfied with the focus and range of vision of the lens.
"...++ Barrel/pincushion distortion very well controlled++ Generally fast focusing++ Silent operation..." Read more
"...It focuses automatically and works on a Nex just as a Sony lens would, but it does not have optical stabilization, less necessary on short lenses..." Read more
"...focus ring which adds some class from other lenses and it also focuses very fast...." Read more
"...I am not crazy about the focus ring as it can feel a bit slippery at times...." Read more
Customers like the color quality of the lens. They mention that it has great color rendition, accuracy, and is well built. Some say that the lens has little bias in the color palette. Overall, most are satisfied with the color performance of the product.
"...Colors are very accurate, with little "bias" in the color palette, too. Oh, and I can't refrain from saying this: IT COMES WITH A NICE CASE!..." Read more
"...does the trick, with images that are crisp and detailed with nice color saturation...." Read more
"...this Sigma prime lens for some time and I can say the color and contrast is excellent...." Read more
"...Great color and super sharp. 90% of my 1,500 photos were taken with this lens...." Read more
Customers like the distortion of the lens. They say it's a great wide angle lens with very little distortion. It's also wide enough to shoot family scenes indoors and landscapes outside. Customers also mention that the lens is at a good price and is especially useful for street photography.
"...++ Extremely sharp, accurate picture renditions++ Pretty wide aperture (F/2.8)++ Barrel/pincushion distortion very well controlled..." Read more
"...Image quality is nice and sharp! There is very little lens distortion or blur around the edges, making this an ideal choice for landscape photography..." Read more
"...It's not too wide but it's wide enough for most projects. Also @F2.8 you get good dof. Hope this helps...." Read more
"...It is a compact lens that pulls in landscapes very well with minimal distortion, unlike the kit lens. It is definitely worth the money." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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I purchased this lens because I was using the very nice Olympus 14-42mm EZ lens for museum photography. I got lots of great shots with that lens, also due to its characteristics, build, and its light weight. The Olympus 14-42 EZ, too, is a surprisingly sharp lens. But that Olympus lens does not control for barrel distortion very well, and when you are photographing a painting in a museum, you'll get some serious distortion at certain zoom lengths (it's also the kind of distortion that takes a lot of time and effort in post-processing to remove). This Sigma Art lens, however, has almost no distortion to speak of. And although this Sigma Art 19mm is physically longer than the Olympus 14-42 EZ lens (which is essentially a pancake lens, in spite of its nice 3x zoom factor), the Sigma 19mm weighs almost the same amount. And not having to spend nearly as much time in post-processing when shooting, say, in museums, really is what I was looking for.
At $200, this lens is a steal. Right now (August 2018) it's on sale for $169, which is an absolutely terrific price. And I still marvel that it is made in Japan. You can certainly feel it, and the images it produces echo that. (The manual focus ring, for example, is as smooth as lenses that are much, much more expensive, and certainly smoother than most Olympus lenses I've used.) Colors are very accurate, with little "bias" in the color palette, too. Oh, and I can't refrain from saying this: IT COMES WITH A NICE CASE! I've purchased lenses that cost over $1,000 and are supplied with no case whatsoever.
This is a real winner, and I, like the 200+ people before me, can HIGHLY recommend it. Five Stars.
PLUSES
++ Extremely sharp, accurate picture renditions
++ Pretty wide aperture (F/2.8)
++ Barrel/pincushion distortion very well controlled
++ Generally fast focusing
++ Silent operation
++ Excellent, neutral color output (so, when you shoot with a standard color setting it actually WILL be standard; if you shoot in a vivid color setting it will BE vivid without bizarre colors showing up)
++ Made in Japan with extremely high manufacturing quality
++ Lightweight
++ Case supplied (Incredible! I've seen no shortage of $1,000+ lenses that come with no case whatsoever!)
++ Inexpensive
++ Good lens cap that stays in place, and is easy to get on and off (don't underestimate this)
MINUSES
-- A small bit of rattle may be heard if you shake the lens. This is something that many people over the years report with Sigma Art lenses. There is argumentation as to the cause, but most people report no functional problems with their lens, and I haven't run into any, either, so I would not be concerned. Most people have settled on the theory that the rattle is present only when optical image stabilization is not being used. I have no idea if that is true, or not, but I have not run into problems, and it must be part of the specification of the lens' internal functions.
-- I'm trying to think of some others, but can't really find more. I'm sorry, I'm not trying to be biased, but when you look at what you get for the price, along with the lens' characteristics, I'm kind of at a loss to list a real minus. If I run into one over time, I'll return to this review and update it.
And, speaking of the ring, one of the complaints about the original version was that the ring felt flimsy and if you gripped it at all it would distort and bind, a cheap feeling for sure. The hidden part of the update is a more robust use of materials and construction. The ring will flex if you give it a grunt, it does not have that Leica hydraulic smoothness to it, but it is fine and not cheap feeling at all.
Sigma has decided to emphasize quality design and construction, to move up and away from its sort of low-end reputation. Amazingly, It is actually Made in Japan by a family owned company. Sigma tests each and every one of these Art lenses, not just one out of a batch. This verifies that each copy will not be one of the "bad" ones that people often seem to think they have, no matter which brand. Their website is interesting and discusses this change of focus (!) It is a company worth watching now.
The lens hood reverses for storage, but that feature doesn't save much space.
What Sigma has not evidently done is to actually change the optical design of the lens. People debate this, but Sigma has evidently not yet made any claims about improved optical performance. Perhaps the assembly controls are tighter, the lens elements perhaps being held to tighter tolerances, maybe an improved coating...that sort of thing. So, in the end the best lens of either design may be equal, but all the the new Art lenses are superior to some of of the earlier ones. Some people will have a better lens than what they had before, but some will not. It just decreased the chances of getting a bad example. And the new one should last longer and have a higher quality feel to it. Worth the non-discounted price of the Arts to me.
It focuses automatically and works on a Nex just as a Sony lens would, but it does not have optical stabilization, less necessary on short lenses than on long ones anyway. There is a floating lens assembly that will rattle if you shake the lens. This is a matter of design, not a fault.
The 19mm, along with the similar design 30mm, has received many great reviews for the optical performance. My lens tests are pretty much backyard comparisons, but clearly this lens is sharp and it carries its acuity quite a ways out from the center, where all lenses are pretty good these days. The corners are not as good, but so vastly better than the often derided Sony 16mm. It is just a far better lens.
There has been a lot of discussion about using wide angle lenses on the Nex-7, the flagship Nex with 24mps. The high mp count, among other things, makes it more difficult to use wide angle on this model than on the more entry level Nex's. There are color aberrations in the corners and also various distortions and vignetting when using wide angles on the 7, even when Leica and other high end wides are adapted. What Sony has done, and this is the trend, is to build in corrections within the camera that take into account the problems a lens might have at the extremes and take care of them in-camera. The cameral can then be thought of as simply an element of a lens, not separable if the best performance is to be expected.
This requires shooting in the JPEG format and when you do the results are generally pretty good. You still get some of that purple fringing out in the corners on dark silhouetted subjects, like tree branches for example, that can be seen when you enlarge the images way on up, but it is not noticeable in most cases and is clearly an improvement, makes the lens very useful even for us Nex-7 devotees.
If you shoot in RAW, the aberrations will be far more apparent and you will have to use imaging correction programs to remove it in post production. Now, this is not so awful as you are probably going to adjust other aspects of the photo any way and many people already have such software and use it daily.
Note that other lenses like Sony's 10-18 mm zoom, a very complex design, also depends on in-camera corrections and is by most accounts a very good lens when used in JPEG. It is easier for a tech giant like Sony to put ever increasing computer capabilities in their cameras in order to allow for good results from relatively affordable lenses. Certainly cheaper, although not as exciting, than making perfect $6000 lenses to fit on more basic cameras.
I have taken a lot of photos with my new Art 19 and really do like it. I have found that the subject, time of day and lighting and distance and on and on makes it completely impossible for really give a definitive answer to every aspect of this len's capabilities. It is clearly far better in every way, except that last little bit of wideness, than the Sony 16 and I do not think using even exotic and vastly more expensive lenses will result in a noticeably superior image (although I would use them if I had them!).
On a Nex this is a 28mm lens, not terribly wide but very useful for those of use who do not get into the extreme wide angles. While I think the Sony 10-18 is the better choice, many people prefer primes and this one performs very well, is light, not big and is very affordable.
I gave it all the stars because the overall value and utility has not been matched.
Top reviews from other countries
Lo uso principalmente para viajes y en situaciones donde no quiero llevar mucho peso.
Es tan compacto y ligero que nunca sale de mi maleta de cámara.
Para obtener un boke más borroso, asegúra que la distancia entre el sujeto y el fondo sea mayor que la distancia entre tu lente y el sujeto.
Reviewed in Mexico on December 4, 2018
Das Objektiv besticht zum einen durch seine Brennweite - 19mm (auf der A6000 entspricht das 28,5mm äquivalenter Brennweite) erfasst man einen sehr angenehmen Winkel bei Landschaften, aber auch in Innenräumen oder größeren Strukturen - Beispielsweise eine technische Anlage oder Kulissen.
Das Objektiv kommt gut verstaut mit einer eigenen Objektivtasche, die qualitativ überzeugt. Es kommt inkl Objektivdeckel und Rückdeckel - natürlich staubfrei. Es liegt relativ schwer in der Hand, ist dafür aber auch sehr wertig aus Metall gefertigt. Eine kleine abschraubbare Gegenlichtblende ist enthalten. Auf der Kamera selbst sieht das Objektiv sehr gut aus - die Qualität stimmt auf jeden Fall schon einmal. Es sitzt nichts locker, die Gegenlichtblende ist sehr stabil und lässt sich platzsparend auf dem Objektiv verstauen. Wenn man sie allerdings verkehrt herum montiert, lässt sich der Fokusring nicht bedienen - was allerdings kein Manko ist. Ein Manko hingegen ist der leicht rutschige Fokusring, sobald man feuchte Finger durch Regen oder Ähnliches hat. Das tut dem Ganzen allerdings keinen Abbruch, da der Ring sehr angenehm zu drehen ist und nicht schwergängig oder gar leichtgängig beweglich ist. Alle Male ist das Objektiv deutlich wertiger als das Kitobjektiv der A6000 (SELP 1650).
Die Abbildungsleistungen sind - so wie von Sigma erwartet - sehr gut. Die Randschärfe ist bei Blende 2.8 bei entsprechendem Fokus recht gut. Etwas offenblendiger, so wie das Sony SEL30F18 mit Blende 1.8 wäre natürlich wünschenswert, allerdings auch ein preistreibender Faktor. Mit Blende 2.8 macht man bei schwachem Licht oder gar Sternfotografie im Amateurbereich nichts falsch.
Der Autofokus ist recht leise, macht das typische leise Surren. Im ausgeschalteten Zustand "klappert" das Objektiv, was allerdings an der Technik liegt und keinen Fehler darstellt. An der A6000 liegt der Autofokus bei mir immer on point - manuelles fokussieren ist aufgrund der Technik nicht ganz so angenehm aber dennoch sehr gut möglich.
Die Blende ist recht laut - zumindest kommt es mir ab und zu so vor. Dafür hat das Objektiv ein angenehmes Bokeh (die Tiefenunschärfe). Die Schärfe bei geschlossener Blende ist sehr gut - die Schärfentiefe ebenfalls.
Rundum hat sich das Objektiv durchgekämpft und ist momentan mein einziges Objektiv. Es ist vielfältig einsetzbar und verleitet aufgrund der festen Brennweite zu neuen Methoden und bringt einen Fotografen dazu, sich mehr im Bild zu bewegen.
Reviewed in Germany on April 27, 2018
Das Objektiv besticht zum einen durch seine Brennweite - 19mm (auf der A6000 entspricht das 28,5mm äquivalenter Brennweite) erfasst man einen sehr angenehmen Winkel bei Landschaften, aber auch in Innenräumen oder größeren Strukturen - Beispielsweise eine technische Anlage oder Kulissen.
Das Objektiv kommt gut verstaut mit einer eigenen Objektivtasche, die qualitativ überzeugt. Es kommt inkl Objektivdeckel und Rückdeckel - natürlich staubfrei. Es liegt relativ schwer in der Hand, ist dafür aber auch sehr wertig aus Metall gefertigt. Eine kleine abschraubbare Gegenlichtblende ist enthalten. Auf der Kamera selbst sieht das Objektiv sehr gut aus - die Qualität stimmt auf jeden Fall schon einmal. Es sitzt nichts locker, die Gegenlichtblende ist sehr stabil und lässt sich platzsparend auf dem Objektiv verstauen. Wenn man sie allerdings verkehrt herum montiert, lässt sich der Fokusring nicht bedienen - was allerdings kein Manko ist. Ein Manko hingegen ist der leicht rutschige Fokusring, sobald man feuchte Finger durch Regen oder Ähnliches hat. Das tut dem Ganzen allerdings keinen Abbruch, da der Ring sehr angenehm zu drehen ist und nicht schwergängig oder gar leichtgängig beweglich ist. Alle Male ist das Objektiv deutlich wertiger als das Kitobjektiv der A6000 (SELP 1650).
Die Abbildungsleistungen sind - so wie von Sigma erwartet - sehr gut. Die Randschärfe ist bei Blende 2.8 bei entsprechendem Fokus recht gut. Etwas offenblendiger, so wie das Sony SEL30F18 mit Blende 1.8 wäre natürlich wünschenswert, allerdings auch ein preistreibender Faktor. Mit Blende 2.8 macht man bei schwachem Licht oder gar Sternfotografie im Amateurbereich nichts falsch.
Der Autofokus ist recht leise, macht das typische leise Surren. Im ausgeschalteten Zustand "klappert" das Objektiv, was allerdings an der Technik liegt und keinen Fehler darstellt. An der A6000 liegt der Autofokus bei mir immer on point - manuelles fokussieren ist aufgrund der Technik nicht ganz so angenehm aber dennoch sehr gut möglich.
Die Blende ist recht laut - zumindest kommt es mir ab und zu so vor. Dafür hat das Objektiv ein angenehmes Bokeh (die Tiefenunschärfe). Die Schärfe bei geschlossener Blende ist sehr gut - die Schärfentiefe ebenfalls.
Rundum hat sich das Objektiv durchgekämpft und ist momentan mein einziges Objektiv. Es ist vielfältig einsetzbar und verleitet aufgrund der festen Brennweite zu neuen Methoden und bringt einen Fotografen dazu, sich mehr im Bild zu bewegen.