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My California: Journeys by Great Writers Paperback – June 4, 2004
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My California: Journeys by Great Writers is a collaboration between Angel City Press and CaliforniaAuthors.com.
All publishing proceeds benefit the California Arts Council, an agency which was forced to suspend school writing, arts education programs and other grants in 2003 because of state budget cutbacks. Since its publication, more than $100,000 from sale of this book has been donated to literary programs in California schools.
To make the project possible, all of the writers donated their work. Malloy Incorporated generously donated the first printing of the book. The CaliforniaAuthors.com editor and creative director and the team at Angel City Press―including the sales manager and representatives who work with Angel City Press―are also contributing their services and talents.
In addition, world-renown artist David Hockney and the J. Paul Getty Museum have contributed use of Hockney's "Pearblossom Hwy (11-18th April 1986―second version)" on the cover.
Contributed essays include:
- • Introduction ― Pico Iyer
- • The Big Valley ― Mark Arax
- • Transients in Paradise ― Aimee Liu
- • Showing Off the Owens ― T. Jefferson Parker
- • The Distant Cataract About Which We Do Not Speak ― Mary Mackey
- • Ode to CalTrans ― Héctor Tobar
- • Montalvo, Myths and Dreams of Home ― Thomas Steinbeck
- • The Last Little Beach Town ― Edward Humes
- • Surfacing ― Matt Warshaw
- • Bienvenidos a Newport Beach ― Firoozeh Dumas
- • Cotton Candy Mirrors ― devorah major
- • Berkeley ― Michael Chabon
- • California Honky-tonk ― Kathi Kamen Goldmark
- • 909 ― Percival Everett
- • The Line ― Rubén Martínez
- • Flirting with Urbanismo ― Patt Morrison
- • Waters of Tranquility ― Carolyn See
- • An Ordinary Place ― D.J. Waldie
- • Almost Home ― Gerald Haslam
- • My Little Saigon ― Anh Do
- • The Nicest Person in San Francisco ― Derek M. Powazek
- • The Un-California ― Daniel Weintraub
- • Rocks in the Shape of Billy Martin ― Deanne Stillman
- • How Many Angels ― David Kipen
- • Centered ― Veronique de Turenne
- • Returning After Fire ― Chryss Yost
- • On Being a California Poet ― Dana Gioia
- Print length208 pages
- LanguageEnglish
- PublisherAngel City Press
- Publication dateJune 4, 2004
- Dimensions6 x 0.75 x 9 inches
- ISBN-101883318432
- ISBN-13978-1883318437
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Editorial Reviews
Review
"Here are views of this singular place from a dazzling roster of writers...by turns quirky and passionate and argumentative." -- David Freeman, author, It's All True: A Novel of Hollywood
"My California is both a good book and a good idea." -- Santa Barbara News-Press, July 4,2004
"These 27 essays prove once again that California is the Golden State." -- Author Ray Bradbury
"This extraordinary gesture is a display of kindness, civic responsibility, and a great concern for...funding of the arts." -- California Arts Council website
From the Publisher
So writes Thomas Steinbeck in "Montalvo, Myths and Dreams of Home," one of twenty-seven stories featured in MY CALIFORNIA, an extraordinary creative outpouring from the states literary community in support of the California Arts Council. MY CALIFORNIA is a collaboration between Angel City Press in Santa Monica and CaliforniaAuthors.com.
Excerpt. © Reprinted by permission. All rights reserved.
To those of us who came to California from far away as so many of us do the place we imagine (and so find) seems located somewhere around the day after tomorrow. Ever since Hernando Cortez named this stretch of land, by some accounts, after a fictional island of the Amazons (fashioned in a fifteenth-century Spanish novel), California, more than anywhere, has been a province of the imagination that confounds most of us who confront it in reality. A state of consciousness, you could say, on which outsiders, who soon become honorary Californians, famously project their hopes and frustrations. It has always seemed apt to me that the home of physical and metaphysical gold rushes the "Great Western Paradise," as the Chinese called it is also the place, some say, where the fortune cookie was invented. Fortunes, futures, gimcrack versions of futures: They re all mixed together here, drawing us from afar, potential consumers, potential producers of a dream that we come to see too late can best be appreciated from afar.
"It s a state of mind," Robert Redford once said of California s fictional capital, Hollywood, passing on the conventional wisdom, and it s an actual location. The location is scarred, scary and full of those who ve lost their way; but as a state of mind, in Redford s words, "it s transporting and unique: the end of the rainbow, the melting pot, the edge of the continent." Or, to put it another way, Hollywood Boulevard has long been a slum, but the Hollywood sign shines in the world s imagination.
This all has become part of the received wisdom of the place, the first cliché for the newcomer to see through; but what the Californian veteran often loses sight of is that the place really has managed to remain one step, one thought, ahead of the rest of us.
Product details
- Publisher : Angel City Press; First Edition (June 4, 2004)
- Language : English
- Paperback : 208 pages
- ISBN-10 : 1883318432
- ISBN-13 : 978-1883318437
- Item Weight : 11.7 ounces
- Dimensions : 6 x 0.75 x 9 inches
- Best Sellers Rank: #896,818 in Books (See Top 100 in Books)
- #289 in Historical Essays (Books)
- #1,161 in American Fiction Anthologies
- #3,135 in Essays (Books)
- Customer Reviews:
About the authors
I'm a journalist and book editor who specializes in nonfiction books (among them the bestselling MY CALIFORNIA anthology) and a writer who turned my love of travel into paying work (my SANTA BARBARA AND CALIFORNIA'S CENTRAL COAST is published in winter 2011 and GREAT ESCAPES: SOUTHERN CALIFORNIA was published in 2008). My book projects also include THE WONDER YEARS: PORTRAITS OF ATHLETES WHO NEVER SLOW DOWN, a stunning collection featuring the photographs of Pulitzer Prize-winning photographer Rick Rickman and stories by me.
I've worked at the Los Angeles Times, Orange County Register, and Miami Herald, and taught at California State University, Long Beach. I live in Southern California.
For the full picture, please visit my website (cut and paste this link)
https://aimeeliu.net/
For my newsletter, please visit (cut and paste this link)
https://aimeeliu.substack.com/
For my latest stories on Medium, visit (cut and paste this link)
https://authoraimeeliu.medium.com/
For now, here's my personal story:
Although I was born in Connecticut, my earliest memories are of India - the crisp feel of baked grass during the heat of summer, the primary colors of the tents that formed the classrooms of my nursery school, the taste of candied fennel seeds, and the faces of children peering, crying, playing, and begging from the fusty arcades of Connaught Circus to the alleys of Chandni Chowk. My father was born in Shanghai and my mother in Milwaukee, but India was the first home of my heart.
During my family's two years in New Delhi, my father traveled throughout Asia on business for the United Nations. My mother worked with the Indian Government, developing cottage industries, and adored South Asia. Expatriate life was full of everyday surprises, cultural challenges, and many Indian friends. My father, however, preferred China - at least until the Communist takeover in 1949.
Growing up with this quiet divide, I gave it little thought until, as an adult, I realized that it had contributed to my own overlapping loyalties. Though one quarter Chinese, I owed an allegiance to India, and although I was born and mostly raised in the U.S., my father's career with the United Nations gave me a stamp of internationality that made me more inclusive than exclusive about my cultural identity. As a result, I have always been partial to stories and images of people with mixed heritage.
When I began to write fiction, these same stories and images informed my novels, from FACE, about a young quarter-Chinese photographer coming to terms with her childhood in New York's Chinatown, to CLOUD MOUNTAIN, based on the marriage of my white American grandmother and Chinese revolutionary grandfather. My third novel, FLASH HOUSE, centers on an American social worker whose quest to rescue her missing husband produces an unlikely bond with a native child of mysterious origins in India and western China in 1949. These novels have been published in more than a dozen languages.
My new novel, GLORIOUS BOY, also is set in India, but in a remote corner, the Andaman Islands, which was the farthest western flank of Japanese occupation during WWII. This novel is a family drama that weaves this extraordinary history together with the archipelago's fascinating anthropological secrets. It is a story of mysterious minds, familial devotion, and heroic sacrifice.
Between India and fiction, of course, I did strike off in a few other directions. I spent my later childhood in suburban Connecticut, worked as a fashion model in New York, and graduated as a painting major from Yale University. My first book, SOLITAIRE, chronicled my passage through anorexia nervosa as a teenager. Released when I was just twenty-five, it was America's first anorexia memoir. In 2007, I returned to the subject of eating disorders in GAINING: THE TRUTH ABOUT LIFE AFTER EATING DISORDERS, which explores the many ways that eating disorders are NOT about eating and do not simply end with recovery of a healthy weight.
I have also co-authored more than seven books on psychology and medical topics, edited business and trade publications, and worked as a flight attendant and as associate producer for NBC's TODAY show.
For many years I taught in Goddard College's low-residency MFA in Creative Writing Program at Port Townsend, WA.
I live in Los Angeles with my husband. We have two grown sons.
QUICK STORY: Pulitzer Prize-winning author and journalist Edward Humes writes stories about criminal justice, social justice, and the environment. His latest book is the nonfiction thriller, THE FOREVER WITNESS: How DNA and Genealogy Solved a Cold Case Double Murder. His other works include the bestseller MISSISSIPPI MUD: Southern Justice and the Dixie Mafia, GARBOLOGY: Our Dirty Love Affair With Trash, BURNED, which helped free a woman imprisoned for life because of flawed forensic science, and the PEN Award-winning NO MATTER HOW LOUD I SHOUT: A Year In the Life of Juvenile Court.
BACK STORY: When I was six I decided I wanted to be a writer, and I've been at it ever since (though I initially thought storytelling would be a fun hobby, not a living, as I was planning on supporting myself by becoming a marine biologist and the next Jacque Cousteau).
I started my writing career in newspapers while still in college, and I think I probably would have paid them, instead of the other way around, for the thrill of seeing my first byline in print. As a newspaper reporter, I gravitated toward assignments that allowed me to dig behind the scenes and beneath the surface, looking for questions others hadn't asked or imagined about stories ranging from the cause of an airline disaster to exploring why our child welfare system saves some kids while destroying others. For me, the job amounted to this: license to find out the things I had always wanted to know, about anything and everything that interested, touched or outraged me. Then, within the space and time limitations of a daily newspaper, I had the chance to mold it all into a story to pass onto others. I loved that work.
When I left newspapers to write nonfiction books, I suddenly had weeks or months, rather than hours or days, to immerse myself in the inner workings of the places, characters and events I seek to understand and write about. I had found the greatest job I can imagine.
In my books, I try to take readers inside worlds most don't get to visit or see close up on their own: the corrupt worlds of the Dixie Mafia and the dirtiest cop in L.A; the California high school that went from worst to best in the state; the harrowing but surprisingly humane world of a neonatal intensive care unit where babies the size of your palm survive and thrive; and the astonishing and vital truths we can learn from the contents of our garbage cans, landfills and waste. Most recently I've been enthralled by the remarkable world of genetic genealogy. It's the ultimate secret revealer and cold-case solution machine, powered by the tens of millions of us who have spit in a tube and taken a mail-order ancestry DNA test, and by a band of self-taught citizen-scientists who discovered the immense investigative power those tests have unintentionally unleashed.
When I'm not writing (and sometimes while I am writing) I take long walks every day. Along with the rest of my family, I'm active in the greyhound rescue community. We've got two wonderful, quirky, loving retired racing hounds, Valiant and Dottie, who've left the track behind them to become professional couch potatoes.
Other stuff:
BORN: Philadelphia.
EDUCATION: Hampshire College, Amherst, Mass.
CURRENT WHEREABOUTS: Southern California
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I'm not sure I'd call all the authors "great writers" but most of them were comfortable with words.
Jessica Shaver Renshaw,
Author, Compelling Interests,
Gianna: Aborted and Lived to Tell About It
This book flows very quickly, and before you know it, you've finished it and wish there were more!
This book is a good read and you will feel very good about your deed!