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The War of the Worlds Murder (Disaster) Paperback – Unabridged, December 11, 2012
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Orson Welles is the bombastic wonder boy of radio and stage. But is he also a murderer?
Walter Gibson―creator of pulp superhero the Shadow―travels to New York City to collaborate on a script with Welles, star of the radio show The Mercury Theatre on the Air. The young Welles is a charming but difficult taskmaster who relishes dramatic blowouts with friends, lovers, and colleagues. So when a dead body is found in the studio minutes before the live broadcast of The War of the Worlds, Gibson knows Welles will be the New York Police Department’s number one suspect. Gibson has exactly one hour―while Welles is on the air enacting the infamous hoax story of a Martian invasion―to find the real murderer and clear the radio star’s name. With its brilliant reconstruction of the broadcast that hoodwinked the nation, The War of the Worlds Murder is a paean to radio’s golden age.
- Print length270 pages
- LanguageEnglish
- Publication dateDecember 11, 2012
- Dimensions5.5 x 1 x 8.25 inches
- ISBN-101612185150
- ISBN-13978-1612185156
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About the Author
Max Allan Collins is the New York Times bestselling author of Road to Perdition and multiple award-winning novels, screenplays, comic books, comic strips, trading cards, short stories, movie novelizations, and historical fiction. He has scripted the Dick Tracy comic strip, Batman comic books, and written tie-in novels based on the CSI, Bones, and Dark Angel TV series; collaborated with legendary mystery author Mickey Spillane; and authored numerous mystery series including Quarry, Nolan, Mallory, Eliot Ness, and the bestselling Nathan Heller historical thrillers. His additional Disaster series mystery novels include The Titanic Murders, The Hindenburg Murders, The Pearl Harbor Murders, The Lusitania Murders, and The London Blitz Murders.
Product details
- Publisher : Thomas & Mercer; Unabridged edition (December 11, 2012)
- Language : English
- Paperback : 270 pages
- ISBN-10 : 1612185150
- ISBN-13 : 978-1612185156
- Item Weight : 12.8 ounces
- Dimensions : 5.5 x 1 x 8.25 inches
- Best Sellers Rank: #3,037,035 in Books (See Top 100 in Books)
- #17,414 in Historical Thrillers (Books)
- #22,063 in Historical Mystery
- #114,964 in Literary Fiction (Books)
- Customer Reviews:
About the author
Max Allan Collins is a New York Times bestselling author of original mysteries, a Shamus award winner and an experienced author of movie adaptions and tie-in novels. His graphic novel ROAD TO PERDITION was made into a major motion picture by Tom Hanks's production company, Playtone.
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These wonderful stories are packed with historical facts and draw the reader in to a time and place that no longer exist. THE WAR OF THE WORLDS MURDER is one of the best - including a marvelous sketch of Walter Gibson, the writer who created The Shadow - which provided Orson Welles with his most famous role on radio. Gibson was apparently a prolific writer, so prolific that according to Collins in this book, in the first 10 months of 1938 he wrote TWENTY-SIX 50,000-word Shadow novels.
When I read this I had to lie down with a cold cloth on my head. What writer today needs to know this kind of stuff?
But Collins manages to present a picture of both Gibson's life and work AND the famous work of The Mercury Theater On the Air - on the night of its most famous broadcast, The War of the Worlds. He manages to record the reactions of the participants, various listeners, and Gibson himself, as the broadcast unfolds. And yes, that part of the book really is gripping.
At the same time, we see Welles, the gigantic personality and talent, through Gibson's relatively unprejudiced eyes - along with his impressions of John Houseman (who was Welles' dearest friend and then his most dire enemy), the other members of the Mercury ensemble, and a gofer who turns out to be - who knew? - the very young Judy Holliday. Gibson is our window on this extraordinary world, and his point of view becomes ours.
I would recommend this book without reservation to anyone looking for a good read; Collins is a riveting storyteller who keeps the pace moving and never disappoints. I have followed him through several Nate Heller novels - STOLEN AWAY, FLYING BLIND, ANGEL IN BLACK, CHICAGO CONFIDENTIAL, among others -- plus a couple of Eliot Ness novels and the entire disaster series. I don't know about his contemporary stuff, but his historical books are outstanding.
If you enjoy mystery, history and hard-boiled fiction, don't pass him by. You'd be missing a treasure trove.
Max Allan Collins obviously shared this fascination and his extensive research paid off well. One can see and hear the boy wonder at the microphone, and the dialog Collins puts in his mouth sounds such that a Wells fan can almost hear him speaking it.
The "murder" mystery itself is only a small part of the book -- more than anything as excuse for writing it. But that is not put forth as a negative -- the book is what it is and for anyone with an interest in the broadcast, the psychology behind it, or in Wells himself this book is highly recommended.
This is, so far at least, the last in Collins' "Disaster" series of books featuring real life mystery authors involved in some of histories biggest shenanigans. I have loved them all and this was no exception though I have to question it's inclusion in this "Disaster" series. The hoax played on all of America by a young, ambitious Orson Welles was certainly an appalling pre-Halloween prank, if of incredible proportion. Yet unlike the other books in this series there was no actual murder involved so in and of itself that is a sort of hoax as well.
Despite these shortcomings and for the fact that because of them it was somewhat lacking in the energy and excitement of the other books in the series, I still liked it. It was a bit slow at time with more accent on the accents of the surroundings that on the grist of the story and it took half the book to get us up to the actual broadcast date of the program that changed the way America listened to the radio.
The remainder of the book was pure Collins storytelling mastery at it's best however and he kept the reader on his toes figuring out whodummit. Oh yes, there was a perpetrator of a "murder" but as usual I will give no more spoilers than that and I must apologize for giving away that fact in this review but then Collins telegraphs that info to his readers long before the end so it's not exactly a spoiler anyway. It was worth the price of admission and I will still buy another book in this series if he writes any more that is. The long windedness of the first half is why it only gets 4 stars out of me this time instead of the 5 I gave the other stories in this series.