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The Secret of High Eldersham (British Library Crime Classics) Paperback – June 7, 2016
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Mystery crime fiction written in the Golden Age of Murder
"First published in 1930, this entry in the British Library Crime Classics series evokes a time when stouthearted chaps did their duty for king and country, and the village had only one telephone." ―Publishers Weekly
'They're terrible mistrustful of strangers in these parts.'
Samuel Whitehead, landlord of the Rose and Crown, is a stranger in the lonely East Anglian village of High Eldersham. When the newcomer is stabbed to death in his pub, and Scotland Yard is called to the scene, it seems that the veil dividing High Eldersham from the outside world is about to be lifted.
Detective-Inspector Young forms a theory about the case so utterly impossible that merely entertaining the suspicion makes him doubt his own sanity. Surrounded by sinister forces beyond his understanding, and feeling the need of rational assistance, he calls on a brilliant amateur and 'living encyclopedia', Desmond Merrion. Soon Merrion falls for the charms of a young woman in the village, Mavis Owerton. But does Mavis know more about the secrets of the village than she is willing to admit?
Burton's best novels are fast-paced and crisply told, and The Secret of High Eldersham―which uncovers ancient secrets in sleepy rural England―is among the most entertaining of all his crime stories.
- Print length288 pages
- LanguageEnglish
- PublisherPoisoned Pen Press
- Publication dateJune 7, 2016
- Dimensions5.25 x 0.72 x 8 inches
- ISBN-101464205833
- ISBN-13978-1464205835
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Editorial Reviews
Review
"Surprisingly (to me, at least), this is the first of something like SIXTY titles featuring the character Desmond Merrion written over a thirty year span. I've already scoured my usual places for unusual titles and now I'm just left sitting here hoping that PPP decides to re-release all of them ... and quickly." (Karen Quick NetGalley)
"A classic mystery which is interestingly plotted, the people aren't as they seem. All kinds of machinations make for a captivating read." (Virginia Holsten NetGalley)
About the Author
MILES BURTON was a pseudonym of Cecil Street (1884-1964), a British soldier who became a prolific novelist in the 1920s. He was the author of approximately 140 detective novels, of which the most highly regarded were published under the names Miles Burton and John Rhode.
Excerpt. © Reprinted by permission. All rights reserved.
The Secret of High Eldersham
By Miles BurtonPoisoned Pen Press
Copyright © 2016 The Estate of Cecil Street 2016All rights reserved.
ISBN: 978-1-4642-0583-5
CHAPTER 1
Nobody knew better than Mr. George Thorold, the senior partner of Thorold and Son, the well-known Gippingford brewers, that in these days of highly-taxed beer it would not be an easy matter to find a tenant for the Rose and Crown. Consequently, when Hugh Dunsford called to see him and announced his intention of giving up the house, Mr. Thorold listened to him with a slight frown upon his handsome features.
"It's like this, you see, sir," explained Dunsford, an elderly man, short of stature, and with that curious furtive, half-mistrustful air not uncommon among the natives of East Anglia. "There's not a decent living to be made at the Rose and Crown, and that's a fact. I'm not saying that the place wasn't a little gold-mine before the war, but those times are gone. A chap can't afford his couple of pints of an evening with beer at the price it is, leastways the chaps about High Eldersham can't. I might hold on if I was a single man, sir, but you see there's the missus and the family to think of."
"Yes, I know how difficult things are for the tenants of the smaller houses," replied Mr. Thorold. "You know that we would do everything we could to keep you. What do you think of doing when you give up the Rose and Crown?"
Dunsford coughed awkwardly. "Well, sir, I did hear that old Hawkins, of the Tower of London in this town, was going to retire. And I was going to make so bold as to ask you, seeing that it's one of your houses, if you'd consider me in his place. There's a fine trade to be done there, and I could manage it proper, with my boy Dick and the missus to help me."
Mr. Thorold picked up a pencil that was lying on his desk, and began to trace a series of complicated geometrical figures on a piece of paper that lay before him. It was true that Hawkins intended to retire in the following September, and it was certain that Dunsford, whose father before him had been a tenant of the brewery, would make an excellent landlord for the Tower of London. But the problem of the Rose and Crown presented itselfwith all its manifold difficulties. It stood in an isolated spot, and customers were few and far between. There was nothing about the house to tempt a man who wanted to earn money by the trade. And besides, it would take a stranger — a foreigner, as High Eldersham dubbed any one not born in the immediate neighbourhood — months, perhaps years, to establish that confidence so essential between a landlord and his local customers.
"Well, Dunsford," said Mr. Thorold after a long pause, "you and your parents have been friends of the brewery far too long for me to stand in your way, even if I wanted to. Of course you can have the Tower of London if you want the house, and I shall be very glad to know that it is in such good hands, and to have you here in Gippingford. But I'm sure I don't know who I shall get to take your place at the Rose and Crown. You don't happen to know of anybody out your way who would like it, do you?"
Dunsford shook his head, "No, sir, that I don't," he replied. "'Tisn't as if the place had a bit o' land with it, so as a chap could pick up a bit with a few cows or something o' that. There isn't nobody round High Eldersham way as could do any good with the Rose and Crown, trade being what it is. Why, as I tell you, sir, I can't myself."
"Then I'm sure nobody else could," remarked Mr. Thorold, with a smile. "Well, I shall have to see what can be done, that's all. Since you are here, we may as well go into the matter of your tenancy of the Tower of London."
Product details
- Publisher : Poisoned Pen Press; Reprint edition (June 7, 2016)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1464205833
- ISBN-13 : 978-1464205835
- Item Weight : 9.6 ounces
- Dimensions : 5.25 x 0.72 x 8 inches
- Best Sellers Rank: #1,276,689 in Books (See Top 100 in Books)
- #8,894 in Traditional Detective Mysteries (Books)
- #12,137 in Historical Mystery
- #16,593 in Murder Thrillers
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Street/Burton/Rhode is best known for his Dr. Priestly and Desmond Merrion mystery novels. Dr. Priestly solved mysteries using a scientific perspective; Desmond Merrion is more of the classic amateur detective (usually of independent means) who is called upon by the police for help in difficult cases.
“The Secret of High Eldersham,” originally published in 1930 and now republished by the British Library Crime Classics series, is the story that introduced Merrion. Don’t think this is just another mystery of the Golden Age of mystery novels; the philosopher and educator Jacques Barzun raved about the book and called it on of the best mystery novels of the 20th century.
It’s a classic in the genre, and a classic in the Golden Age. The story is set in the village of High Eldersham near the coast of East Anglia, where the manager of a pub is stabbed to death one night, with no suspects and no motive in sight. A Scotland Yard detective is called in, and keeps running into brick walls. But odd doings are afoot in the village, and it is those doings, including the appearance of what we would today call a voodoo doll, that begin the process of solving the mystery.
The detective brings in a friend, Desmond Merrion, to help him learn what people might not necessarily tell the police. Merrion discovers a wartime friend living nearby, and he discovers a beautiful young woman, daughter of the local magistrate, with a penchant for piloting speedboats very fast.
It’s a fast-paced, action-packed, and well written story. The solution gradually unfolds, and involves elements of old pagan religious practices, drug smuggling, and old scores being settled. Something is always happening in this story, including a bit of romance. Mystery writer Martin Edwards provides a solid introduction to the book, as he does with all of the Crime Classics series.
“The Secret of High Eldersham” is a fun read, with the additional benefit of being an extremely well-crafted story. The real mystery may be how Street (or Burton) was able to be as prolific as he was, starting his writing career after the age of 40.
It is indeed a fine period piece and provides insights into the life and times of small village in rural, coastal England at a period of relative peace between the 2 big wars. It was the age of great respect for policing and policemen. The law-enforcement folks in this story are seen to be without blemish.
It’s not so fine as a story, however, since a primary focus of the narrative is on a revival of witchcraft with burgeoning ensuing weirdness. Witchcraft in and of itself is hardly a topic of deep interest any more (never for me), and I doubt it was in 1931 Britain. In fact I found the main story substantially bizarre.
The characters are the usual: a Scotland yard detective and his pal (Young and recurring character Merrion). There’s a damsel in distress, who is adored by everyone, (including the author it seems), a witchcraft rite or two, illegal drug dealing, and, of course, a murder to solve, along with the typical rich landed estate English old guys and 2 or 3 pretty terrible bad guys.
The story is well written and the dialogue (of which there is a great amount) more-or-less realistic. The episodes on the water along the coast and on the river are very well done, but the love story is a bit sappy. There is a modicum of suspense after about 80% through the book. In the end, the good guys win, naturally, with the very clever sleuths outwitting the error-prone bad guys rather decisively. There is a well-done, lengthy denouement, and all threads of the far-flung story line are neatly tied up in the final pages.
As a period piece it’s a 4+; as a crime novel it’s a 2+; for writing a 4+; for obscure subject matter, a 2; for readability a solid 3. All-in-all, and out of respect for Mr. Burton’s body of work, I give it a 2.75, rounded up to a 3. Not great, not awful, very British, and rather a middle-of-the-road read.
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This isn’t really a mystery novel in the traditional sense – it’s much more of a thriller. Though there is the question of who murdered the landlord, the real bulk of the story is about the mysterious goings-on in the village, and what nefarious crimes they’re being used to cover. In truth, with my twenty-first century eyes, it seemed pretty obvious what the fundamental criminal enterprise was, but I suspect it wouldn’t have been quite so obvious back when the book was first published in 1930. This, of course, is a common difficulty for vintage crime novels – subsequent writers have reused and recycled the plots so often, it’s quite hard to know when they were first original.
But having a good idea of the underlying crime didn’t in any way diminish my liking for the book. The fun is in seeing how it plays out, and in the thrills and adventures provided along the way. Desmond Merrion apparently became a popular recurring character in later books and I can see why – he’s knowledgable without being insufferable, an action man without being Superman, susceptible to love without being a womaniser. He achieved that rare feat for Golden Age characters of not annoying me by his outdated attitudes – he’d work just as well in a modern context, I think. Merrion had served in the war first as a combatant then, after an injury, moving into intelligence work. His servant, Newport, served alongside him, and now works as his butler-come-sidekick. And a jolly good sidekick he is too, with skills of his own, and happily Merrion treats him as an equal – often the patronising way these ex-servicemen sidekicks are portrayed in the Golden Age puts me off the books, like Campion’s Lugg or Wimsey’s Bunter. Newport however is only devoted to his master to an acceptable degree and doesn’t speak with a “comedy” working-class dialect. And he’s perfectly capable of using his own initiative when need be.
The book builds its tension mainly through the dark activities of the villagers, activities rooted in a more superstitious past. There are hints of the supernatural, but the story remains firmly within the rational world, while showing chillingly how bad people can use old traditions to achieve their wicked ends. There are occasional moments of melodrama, some fortunate coincidences, and stock situations like the woman-in-peril, but it’s all done very well and kept me turning pages. And I did like the woman in question – no shrinking miss, the lovely Mavis owns her own speedboat and is the rescuer as often as the rescued. A couple of the scenes are genuinely creepy and Burton manages to get across the real evils that are going on without ever feeling the need to be graphic or voyeuristic – a lesson that I’d be grateful if many a modern writer could learn.
It’s all a matter of taste, of course, but I think this one deserves more praise than it has received. Martin Edwards lists it under his Serpents of Eden category in his Story of Classic Crime in 100 Books, and I think that’s a perfect place for it – wickedness and true evil going on underneath the outwardly quiet life of an English village. Edwards tells us too that, although this is only the second book published under this name, Burton also wrote under other pseudonyms, most notably John Rhodes, and was therefore already a practised and successful writer, and I think this shows in the quality of the writing. Good stuff – I shall certainly be looking out for more in this series.
Dieses 1930 erschienene Buch ist das erste in dieser Serie, die für den Verfasser ein neuer Beginn sein Karriere als Schriftsteller insoweit war, dass er sich als den Schriftsteller Miles Burton neu erfunden hatte. Tatsächlich hieß er Cecil Street und hatte bereits eine Militärkarriere hinter sich, in der er auch Fachbücher geschrieben hatte, als er 40-jährig unter dem Namen John Rhode begann, Krimis zu schreiben. In den Jahren 1925 bis 1930 war er so fruchtbar, dass er neun Bücher in einer Serie veröffentlichte und 4 allein stehende und seine Verkäufe zurückgingen - die Leute sind wohl einfach nicht mehr hinterhergekommen.
Mit diesem Buch begann er 1930 auf Empfehlung seines Verlegers eine neue Serie unter einem neuen Namen; "Death in the Tunnel" war 1936 bereits das 15. in dieser Serie. Insgesamt hat Cecil Street ungefähr 140 Krimis geschrieben, bis er 1964 im Alter von achtzig Jahren starb. Dabei konnte er bis zu seinen Tod das Geheimnis um seine Pseudonyme wahren.
"Secret of High Eldersham" zeigt einige Anfangsschwächen. Es liest sich gut, aber die Sprache ist nicht so flüssig wie beim "Tunnel", der sich fast von allein liest.
Die Story ist noch nicht ganz rund und ist von allerlei Popanz umgeben, dessen Sinn sich nicht zwingend erschließt. Gleichwohl macht es Spaß dieses Buch zu lesen, aber an "Death in the Tunnel" reicht es nicht heran.
Weitere Angaben zum Inhalt des Buches zu machen, wäre nicht sinnvoll, weil das, was Amazon dazu mitteilt, genug ist, mehr würde schnell zu einem Spoiler führen.
Das Buch ist also empfehlenswert, aber nicht so hervorragend wie das spätere. Hoffentlich wird noch viel von diesem Verfasser wieder veröffentlich.