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Redshirts: A Novel with Three Codas Paperback – January 15, 2013

4.2 4.2 out of 5 stars 11,477 ratings

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Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It's a prestige posting, with the chance to serve on "Away Missions" alongside the starship's famous senior officers.

Life couldn't be better...until Andrew begins to realize that 1) every Away Mission involves a lethal confrontation with alien forces, 2) the ship's senior officers always survive these confrontations, and 3) sadly, at least one low-ranking crew member is invariably killed. Unsurprisingly, the savvier crew members below decks avoid Away Missions at all costs.

Then Andrew stumbles on information that transforms his and his colleagues' understanding of what the starship
Intrepid really is...and offers them a crazy, high-risk chance to save their own lives.

Redshirts by John Scalzi is the winner of the 2013 Hugo Award for Best Novel.

Old Man's War Series
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Editorial Reviews

Review

“John Scalzi sets his imagination to STUN and scores a direct hit. Read on and prosper.” ―Joe Hill, New York Times bestselling author of Heart-Shaped Box

“I can honestly say I can't think of another book that ever made me laugh this much. Ever.” ―
Patrick Rothfuss, New York Times bestselling author of The Name of the Wind

“Scalzi takes apart the whole Star Trek universe and puts it back together far more plausibly--and a lot funnier too.” ―
Lev Grossman, New York Times bestselling author of The Magicians

“A real joy to read… It's hard to imagine a reader who wouldn't enjoy this one.” ―
Booklist, starred review

About the Author

JOHN SCALZI is one of the most popular SF authors of his generation. His debut Old Man's War won him the John W. Campbell Award for Best New Writer. His New York Times bestsellers include The Last Colony, Fuzzy Nation,and Redshirts (which won the 2013 Hugo Award for Best Novel), and 2020's The Last Emperox. Material from his blog, Whatever, has also earned him two other Hugo Awards. Scalzi also serves as critic-at-large for the Los Angeles Times. He lives in Ohio with his wife and daughter.

Product details

  • Publisher ‏ : ‎ Tor Books; First Edition (January 15, 2013)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 320 pages
  • ISBN-10 ‏ : ‎ 0765334798
  • ISBN-13 ‏ : ‎ 978-0765334794
  • Item Weight ‏ : ‎ 9.9 ounces
  • Dimensions ‏ : ‎ 5.5 x 0.88 x 8.17 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 11,477 ratings

About the author

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John Scalzi
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John Scalzi writes books, which, considering where you're reading this, makes perfect sense. He's best known for writing science fiction, including the New York Times bestseller "Redshirts," which won the Hugo Award for Best Novel. He also writes non-fiction, on subjects ranging from personal finance to astronomy to film, was the Creative Consultant for the Stargate: Universe television series. He enjoys pie, as should all right thinking people. You can get to his blog by typing the word "Whatever" into Google. No, seriously, try it.

Customer reviews

4.2 out of 5 stars
4.2 out of 5
11,477 global ratings
Fun trek of sci-fi tropes!
5 Stars
Fun trek of sci-fi tropes!
I love the novel, having read it before in hardback. Once I found out that Wil Wheaton preforms the audio version, I knew I had to buy a physical copy with the intention of having him sign it one day at a convention.
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Top reviews from the United States

Reviewed in the United States on April 24, 2013
It's a familiar meme: don't wear a red shirt on the deck of the U.S.S. Enterprise; if you do, you're likely to be killed before the first commercial break.

This not-so-inside Trekkie joke became the basis for novel of the same name by John Scalzi. Heck, there's even a Redshirt song by Jonathan Coulton (of Code Monkey fame; speaking of which, there's a graphic novel Kickstarter project and a related album of Coulton's). Clearly, Mr. Scalzi is jumping onto a fairly main-stream meme (hey, even I heard about it).

So, I hunkered down, ready for some inside Trekkie references and some serious fun. Redshirts does not disappoint on that score. It begins as expected with funny, light banter about junior officer life in space and fodder for various life forms they encounter; away missions and survival tend to be mutually exclusive for the junior officers. Soon, however, it dives a bit deeper - the senior officers go from normal to cliché in 7.6 seconds and then, flip back. Even Star Fleet officers typically don't do that. You get the picture; to say more, I'll need to leak some of the story. Before I continue on to the spoiler version of the review below, let me say a few things I'll attempt to substantiate below:

- Mr. Scalzi does a good job building the relationships and defining the characters in the first half of the book. Those characters grow considerably in the second half of the book.

- Speaking of the second part of the book, a relatively surprising shift takes place that moves the dialog onto a bit more speculative and less comical ground.

- The three Codas at the end of the book are a non-trivial; they address some very interesting and often overlooked issues and perspectives. Do not blow by these. My view is that they take a really good book to the next level of excellence.

- I believe that you could enjoy the book without being a Star Trek (or even SciFi) fan. Most who read it will be both, but it's not necessary to lock in.

- I went between listening to the Audible book, ably read by Will Wheaton of Wesley Crusher fame on Star Trek: The Next Generation (TNG) and the Kindle edition. Mr. Wheaton is able to convey both the humor, the action and the issues equally well. (If you don't already, follow him on Twitter @wilw. He's both funny and has some interesting insights; mostly funny. Pet Peave timeout - my dear developer friends at Audible, please get Whispersync for Voice working on Windows Phone 8 so that I can pick up where I left off on my Kindle Paperwhite. It's a fabulous feature. Overall, I love the app, but it could stand that improvement. Thanks. Now, back to our regularly scheduled program.

- My one disappointment: while I understand that Mr. Scalzi is reflecting military life (and that this isn't his father's Star Trek), the language was overly foul. All that needed to be accomplished could have been done so with brief forays into foul language land, instead, we move in and occupy it.

****SPOILER ALERT****

It turns out that our intrepid crew, yes pun intended, of the U.U. Intrepid, were really part of a future show that used Star Trek as its basis; a sort of Star Trek remix. The writers often used cheap dramatic tricks of death, destruction and mayhem to keep their audience interested; the tricks were typically played on the Redshirts. The book goes from mere fun to interesting when the junior officers, led by Ensign Andrew Dahl, figure out that they are part of a show. Now, not only do they know the challenges of going on away missions in red, they are cognitive of the fact that they're bit players in a show. Mr. Scalzi handles this awareness very well, and he takes it head on. He has Dahl and friends meet the show's producers; they come into contact with their doppelgängers and attempt to right many wrongs and make the alternate universe safe(r) for democracy. This is adroitly done with no over-long back-story; rather Mr. Scalzi takes you from what you think will be the main, light fun meat of the book and uses it to build the characters and relationships so that, by the time awareness dawns and producers are met, we know the characters, care about them and their relationships and are ready to walk with our new friends in unexpected directions.

The characters now become involved with the lives of the "real world" folks; albeit some involuntarily like Lt. Kerensky and some more intimately like Jasper Hester. I do want you to read it, so I won't say anything more other than, it works. That's saying a lot. A character meeting themselves in the real world when they were a bit part the "real" person nearly forgot they played is nearly the embodiment of "awkward". Yet they meet and move on.
Some of the most interesting parts comes in the codas - what would you do if, as a script writer, you discovered people actually died, in some alternate world, when you killed your characters off? You couldn't very well continue knocking them off. Now what? You still need tension and story. But wait, what if even angst over this question is covering up a deeper issue. Now, we're talking. Yes, John Scalzi goes there.

What if your characters meet and, for the first time, you receive "tough love" feedback from someone you can trust, your other self. He goes there too.

Finally, what if the "story" dead spouse of an unhinged husband has a counterpart who drifts because she knows there something else, a sense of loss or missing connection?

All of these are examined in the context of story, not simply self-reflected dialog.

So, while I thought Redshirts would be fun, and it was, it was also thought provoking, had some drama going down and some characters growing up. Well done Mr. Scalzi.
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Reviewed in the United States on April 17, 2024
Winks to Star Trek..but so much more. Really cool story.
Reviewed in the United States on April 18, 2024
I love science fiction and this is such a mind-bending book. So not what I was expecting.
absolutely brilliant I can't describe it you just have to read it
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Reviewed in the United States on June 8, 2016
Redshirts, which could have been called Rosencrantz and Guildenstern Hijack the Ship to Cuba, features an endearing premise that Scalzi admits (in these same pages) has been visited before by other authors in a variety of media, that a character in a work of fiction gains awareness of the "Narrative" dictating their actions, and tries to understand or change their fate.

If that isn't meta enough for you, the later sections of the book only take this to excess. This book was published by Tor. Will Scalzi mention the anonymous browsing network Tor in his books by Tor? You bet he does. It's that kind of book.

It should have been a good match for me, since I enjoy Scalzi, heady SF, and Star Trek (which is not so heady SF)... but it was an uneven read and I can see how the bad can easily outweigh the good for some.

By way of clarification I should first retract "bad". Redshirts is not bad, not even parts of Redshirts is bad. Scalzi spends the entirety of Coda I expressing the difference between good, bad and just uninspired, which I partially agree with, but which unfortunately is an awkward meta conversation to have in a book that has some of the same issues it brings up. Bad is the show the characters are in. A large part of Redshirts is just uninspired.

Many of the other 3-star reviews here have got it right. If the book consists of a main novel with three acts, followed by three extended codas (really just connected short stories), and if I were appraising these each separately, I would have to put it like this: First act is great, everything working together from humor to tempo. Second act, really pretty competant, but not satisfying, if only because it is here that you see everything that is going to happen in the last third of the book and how that's going to resolve, and that is the weakest section of the entire thing (including the last three stories). The pacing is perfect in the first part, drags in the second, and is rushed in the third. Even the humor seems to work better in the beginning than the end. The only thing that's constant is the quality of the dialogue. It is a quick read, though. If you enjoyed at least the first part, you'll likely finish it in a single sitting.

The codas are even more uneven, but the most problematic thing about them is each follows characters introduced in the last third of the book, some of them only having a couple of lines. It is awkward for characters like that to each have their own short story - and really these are all the codas of their stories. It isn't "a novel with three codas" as in codas to the novel, the codas are caps on the ends of three individual but interconnected stories whose first parts are either present in the novel proper or merely inferred.

Coda I is separate from the others because it doesn't exist to give us closure or detail about its principal character. It exists to discuss the bad name SF has acquired for itself in television over the last fifty years or so. It is an especially unfortunate problem to have since we live in an age where smarter, tighter audiences are starting to go looking to television for quality and films and books are becoming broader and dumber (something I believe is equal fault viewers, exec groupthink, and because challenging scripts play poorly when subbed in Southeast Asia, but that's getting off the point). In fact all of Coda I is off the point, other than being conceived as a humor piece, and I really think should have been omitted. It is neither the complex discussion it should have been about where SF is going and why, nor does it give us anything useful or new about its principal character. I would have been much happier if Scalzi had left the character out of it and written an updated multimedia counterpart to Michael Swanwick's A User's Guide to the Postmoderns. Definitely the most 'meta' of the sections (yes, I use Scrivener, too, man, probably shouldn't have compiled this part).

Coda II was my least favorite. It has nothing much to say, and what it does have to say I really don't think is worth saying. In keeping with the meta-theme, Coda II actually tells you it has nothing to say that you haven't already heard from overbearing relatives, in almost those words, no less.

The plot of Coda III, which has the most minor character in the entire book as its subject, is the most nonsensical and belief-unsuspending section, and this beats out even a fictional unvierse co-existing with a fictional universe co-existing with a 'real'-er one, flying a ship into a black hole, wishing bits of a narrative into place, and living like a yeti in a tunnel for years with a portable potty as your only friend. The end wraps up nicely. It is a bittersweet, satisfying conclusion that makes you go "Awww." But the character's motivation to do any of the things she does still makes zero sense to me.

This book is so short, that it's honestly still a fine introduction to the author. The central idea and novel proper work well enough that I don't see how it will really turn anyone away who would be interested in his more well-received titles.
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Reviewed in the United States on January 18, 2024
I read my first Scalzi book at the end of next year and immediately knew I had to read more. A neighbor recommended this one and I'm officially a fan. His books are completely absurd and out there and they're hilarious and I love them.
Redshirts is set on a starship in the future. If you've watched Star Trek or really just know pop culture, you'll know that the redshirts always die. And in this story, they start noticing and decide to do something about it.
It's a fun time. I'll admit I liked Starter Villain better, but that one had spy cats, so you know... This one is a good silly time too. Recommend.
Reviewed in the United States on April 22, 2024
If you are a Star Trek fan you must read this book.

Top reviews from other countries

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rajit
5.0 out of 5 stars Love the repartee between characters!
Reviewed in Canada on March 20, 2024
As a SC fan who loves ST, Redshirts made my inner geek happy!
Karina
5.0 out of 5 stars amazing
Reviewed in Brazil on January 30, 2022
Amei cada parágrafo desse livro e qualquer pessoa que goste de ficção científica deveria lê-lo.
Precisa ter visto algo de Star Trek tbm pra não ficar perdido nas referências.
Jonathan Corradine
5.0 out of 5 stars Absolutely Brilliant!
Reviewed in the United Kingdom on April 3, 2024
A joy to read (almost reads itself).

Especially recommended for Star Trek fans.

Also very funny within itself (so probably good
for others as well).
Aniket
3.0 out of 5 stars He’s good with premises but gets too self righteous
Reviewed in India on February 2, 2024
He had a good idea and a decent plot, upto a point. You can really feel when the story runs out.
I picked up another book of his and it’s written in the same voice. The same “catcher in the rye” voice that gets grating after a while.
Remember to respond with compassion instead of useless frustration at an injustice.
Amazon Customer
5.0 out of 5 stars Great tongue in cheek SIFI
Reviewed in Germany on November 23, 2018
John Scalzi takes a known phenomena (red shhirts) from a well known SIFI TV series and turns it into a fast paced Story of its own. Great read and kept the reader on their toes all the time.