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Connie Willis

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To Say Nothing of the Dog Mass Market Paperback – December 1, 1998

by Connie Willis (Author)

4.3 3,879 ratings

Part of: Oxford Time Travel (2 books)

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Locus AwardWinner, 1999
Hugo AwardWinner, 1999

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“Willis effortlessly juggles comedy of manners, chaos theory and a wide range of literary allusions [with a] near flawlessness of plot, character and prose.”—Publishers Weekly (starred review)

From Connie Willis, winner of multiple Hugo and Nebula Awards, comes a comedic romp through an unpredictable world of mystery, love, and time travel.

Ned Henry is badly in need of a rest. He’s been shuttling between the twenty-first century and the 1940s in search of a hideous Victorian vase called “the bishop’s bird stump” as part of a project to restore the famed Coventry Cathedral, destroyed in a Nazi air raid.

But then Verity Kindle, a fellow time traveler, inadvertently brings back something from the past. Now Ned must jump to the Victorian era to help Verity put things right—not only to save the project but also to prevent altering history itself.

Part of series

Oxford Time Travel
Print length

512 pages
Language

English
Publisher

Bantam
Publication date

December 1, 1998
Dimensions

4.1 x 1.1 x 6.8 inches
ISBN-10

0553575384
ISBN-13

978-0553575385
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Editorial Reviews

Review

“How can a modern American capture so perfectly the lyrical beauty, the tumult of thought, the arrogance, prejudice and charm, the sheer Englishness of Oxford in 1888? . . . It is all a journey of wit, humor, love and the sheer joy of life.”—Anne Perry, The Wall Street Journal

“Swiftly paced and full of laughter, Willis’ comedy of manners (and errors) is the most hilarious book of its kind since John Irving’s The Water-Method Man and A Confederacy of Dunces by John Kennedy Toole.”—Des Moines Sunday Register

“I have long thought that Jerome K. Jerome's Three Men In A Boat is one of the highest points of Inimitable British Humor. I chuckle; I gurgle; I know those three men—to say nothing of the dog. And now I am convinced there was a woman concealed in that boat, too: Connie Willis.”—Laurie R. King

From the Inside Flap

From Connie Willis, winner of multiple Hugo and Nebula Awards, comes a comedic romp through an unpredictable world of mystery, love, and time travel...

Ned Henry is badly in need of a rest. He's been shuttling between the 21st century and the 1940s searching for a Victorian atrocity called the bishop's bird stump. It's part of a project to restore the famed Coventry Cathedral, destroyed in a Nazi air raid over a hundred years earlier.

But then Verity Kindle, a fellow time traveler, inadvertently brings back something from the past. Now Ned must jump back to the Victorian era to help Verity put things right--not only to save the project but to prevent altering history itself.

From the Back Cover

From Connie Willis, winner of multiple Hugo and Nebula Awards, comes a comedic romp through an unpredictable world of mystery, love, and time travel...
Ned Henry is badly in need of a rest. He's been shuttling between the 21st century and the 1940s searching for a Victorian atrocity called the bishop's bird stump. It's part of a project to restore the famed Coventry Cathedral, destroyed in a Nazi air raid over a hundred years earlier.
But then Verity Kindle, a fellow time traveler, inadvertently brings back something from the past. Now Ned must jump back to the Victorian era to help Verity put things right--not only to save the project but to prevent altering history itself.

About the Author

Connie Willis has won six Nebula and Six Hugo Awards (more than any other science fiction writer) and the John W. Campbell Memorial Award for her first novel, Lincoln’s Dreams. Her novel Doomsday Book won both the Nebula and Hugo Awards, and her first short-story collection, Fire Watch, was a New York Times Notable Book. Her other works include Bellwether, Impossible Things, Remake, and Uncharted Territory. Ms. Willis lives in Greeley, Colorado, with her family.

Excerpt. © Reprinted by permission. All rights reserved.

"We must join hands," the Count said to Tossie, taking her hand in his. "Like this . . ."

"Yes, yes, we must all join hands," Mrs. Mering said.  "Why, Madame Iritosky!"

Madame Iritosky was standing in the doorway, draped in a flowing purple robe with wide sleeves.  "I have been summoned by the spirits to serve as your guide this evening in the parting of the veil."  She touched the back of her hand to her forehead.  "It is my duty, no matter what the cost to me."

"How wonderful!"  Mrs.  Mering said.  "Do come sit down.  Baine, pull up a chair for Madame Iritosky."

"No, no," Madame Iritosky said, indicating Professor Peddick's chair.  "It is here that the teleplasmic vibrations converge."  Professor Peddick obligingly changed chairs.

At least she hadn't sat down next to Verity, but she was next to Count de Vecchio, which meant she'd have one hand free.  And next to me, which meant I was going to have an even harder time lifting tables.

"There is too much light," she said.  "There must be dark—"  She looked round the parlor.  "Where is my cabinet?"

"Yes, Baine," Mrs.  Mering said.  "I told you to put it in here."

"Yes, madam," he said bowing.  "One of the doors was broken, so that it would not lock properly, and I removed it to the kitchen for repairs.  I have repaired it.  Would you like me to bring it in now?"

"No!"  Madame Iritosky said.  "That will not be necessary."

"As you wish," Baine said.

"I feel that there will not be manifestations tonight," she said.  "The spirits wish to speak to us only.  Join hands," she ordered, draping her voluminous purple sleeves over the table.

I grabbed her right hand and grasped it firmly.

"No!" she said, wrenching it away.  "Lightly."

"So sorry," I said.  "I'm new at this sort of thing."

She laid her hand back in mine.  "Baine, turn down the lights," she said.  "The spirits can only come to us in candlelight.  Bring a candle.  Here."  She indicated a flower-stand near her elbow.

Baine lit the candle and turned the lights down.

"Do not turn the lights up on any account," she ordered.  "Or attempt to touch the spirits or the medium.  It could be dangerous."

Tossie giggled, and Madame Iritosky began to cough.  Her hand let go of mine.  I took the opportunity to extend the wires from my wrists and hook them under the table.

"I beg your pardon.  My throat," Madame Iritosky said, and slipped her hand in mine again.  And if Baine had turned up the lights, it would have been dangerous, all right.  I would have bet anything it would have revealed Count de Vecchio's hand in mine.  Not to mention my own hanky-panky.

There was a faint rustling on my right.  Verity, moving her garter into position.

"I've never been at a seance before," I said loudly to cover it.  "We shan't hear bad news, shall we?"

"The spirits speak as they will," Madame Iritosky said.

"Isn't this exciting?"  Mrs.  Mering said.

"Silence," Madame Iritosky said in a sepulchral tone.  "Spirits, we call you from the Other Side.  Come to us and tell us of our fate."

The candle blew out.

Mrs.  Mering screamed.

"Silence," Madame Iritosky said.  "They are coming."

There was a long pause during which several people coughed, and then Verity kicked me on the shin.  I let go of her hand and reached onto my lap, and lifted the lid off the basket.

"I felt something," Verity said, which wasn't true, because Princess Arjumand was brushing against my legs.

"I felt it, too," the Reverend Mr. Arbitage said after a moment.  "It was like a cold wind."

"Oh!"  Tossie said.  "I felt it just now."

"Is there a spirit there?"  Madame Iritosky said, and I leaned forward and lifted up with my wrists.

Amazingly, the table actually moved.  Only a little, but enough to make Tossie and Mrs.  Mering both give their little screamlets and Terence to exclaim, "I say!"

"If you are there, spirit," Madame Iritosky said, sounding irritated, "speak to us.  Rap once for yes, twice for no.  Are you a friendly spirit?"

I held my breath.

Clack went the sugared violets box, and restored my faith in mystery novels.

"Are you Gitcheewatha?"  Madame Iritosky asked.

"That's her spirit control," Mrs.  Mering explained.  "He's a Red Indian chief."

Clack, clack.

"Are you the spirit that I saw the other night?"  Mrs.  Mering said.

Clack.

"I knew it," Mrs.  Mering said.

"Who are you?"  Madame Iritosky said coldly.

There was a silence.  "She wants us to use the alphabet," Verity said, and even in the dark I could sense Madame Iritosky glaring at her.

"Do you wish to communicate by means of the alphabet?"  Mrs.  Mering said excitedly.

Clack. And then a second clack, a different sound, like someone cracking a knuckle.

"You don't wish to communicate by alphabet?"  Mrs.  Mering said, confusedly.

Clack, and a sharp kick on the shins.

"She does," I said hastily.  "A B C—"

Clack.

"C," Tossie said.  "O, Madame Iritosky, you told me to beware of the sea."

"What else?"  Mrs.  Mering said.  "Do go on, Mr. Henry."

Not while there was a foot loose in here.  I slid forward in my chair, stretching my left leg till it touched Madame Iritosky's skirt and pressed my foot hard against hers.  "ABCDEFGHIJK," I said rapidly, my foot held tight against hers, "LMNO—"

Clack.

She pulled her leg back, and I wondered what would happen if I clamped my hand down hard on her knee.

It was too late.  "ABCD—" Mrs.  Mering said, and the rapping sounded again.

"COD?"  Mrs.  Mering said.

"Cod," Professor Peddick said.  "Gaddus callerias, of which the most interesting variety is the Welsh whiting."

"'Will you walk a little faster,'" Terence quoted, "'said a whiting to a—'"

"Cod, coddle, cody," the Reverend Mr. Arbitage said.  "Are you the ghost of Buffalo Bill Cody?"

"No!"  I shouted before anyone could rap an answer.  "l know what it is.  It's not a C, it's a G.  C and G look nearly alike," I said, hoping no one would notice the letters had been spoken, not written, and that they were nowhere near each other in the called-out alphabet.  "G-O-D.  She's trying to spell Godiva.  Are you the spirit of Lady Godiva?"

A very decisive clack and we were, thankfully, back on track.

"Lady Godiva?"  Mrs.  Mering said uncertainly.

Tossie said, "Is she the one who rode a horse without any—?"

"Tossie!"  Mrs.  Mering said.

"Lady Godiva was a very holy woman," Verity said.  "She had only her people's best interests at heart.  Her message must be very urgent."

"Yes," I said, pressing hard against Madame Iritosky's leg.  "What are you trying to tell us, Lady Godiva?  ABC—"

Clack.

I rattled through the alphabet again, determined not to leave any spaces this time for Madame Iritosky to insert a rap.  "ABCDEFGHIJK—"

I made it as far as M.  There was a sharp rap, like a very annoyed toe being cracked.  I ignored it and pressed on to O, but to no avail.

"M," Mrs.  Mering said.  "CM."

"What sort of word begins with CM?"  Terence said.

"Could she be saying 'come'?"  Tossie said.

"Yes, of course," Mrs.  Mering said.  "But where does she wish us to come?  ABC—" and Verity clacked on cue, but I didn't see what good it was going to do us.  We'd never make it to "o," let alone "v."

"A—" Mrs.  Mering said.

I stamped down hard on Madame Iritosky's foot, but it was too late. Rap. There was no mistaking the fury behind the rap this time.  It sounded like she'd broken a toe.

"C-A—" Mrs.  Mering said.

"Cat," Madame Iritosky pronounced.  "The spirit is trying to communicate news of Miss Mering's cat."  Her voice abruptly changed.  "I bring you word of Princess Arjumand," she said in a low husky growl.  "She is here with us on the Other Side—"

"Princess Arjumand?"  On the Other Side?"  Tossie said.  "But she can't be!  She—"

"Do not grieve that she has passed over.  She is happy here."

Product details

Publisher ‏ : ‎ Bantam; Reissue edition (December 1, 1998)
Language ‏ : ‎ English
Mass Market Paperback ‏ : ‎ 512 pages
ISBN-10 ‏ : ‎ 0553575384
ISBN-13 ‏ : ‎ 978-0553575385
Item Weight ‏ : ‎ 2.31 pounds
Dimensions ‏ : ‎ 4.1 x 1.1 x 6.8 inches

Best Sellers Rank: #148,473 in Books (See Top 100 in Books)
- #731 in Time Travel Fiction
- #1,370 in Contemporary Literature & Fiction
- #9,795 in Literary Fiction (Books)

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4.3 3,879 ratings

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Connie Willis

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Constance Elaine Trimmer Willis has won, among other accolades, ten HUGO Awards and six NEBULA Awards for her writing, and was recently named an SFWA Grand Master. She lives in Greeley, Colorado with her husband Courtney Willis, a professor of physics at the University of Northern Colorado.

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R. Miller

4.96 stars: To Say Nothing of the Dog by Connie Willis

Reviewed in the United States on February 11, 2021

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Time-traveling historian Ned is sent to 1888 for a bit of R&R, but is too time-lagged to realize he's also given an important job to do while there; he joins Verity in trying to make sure events happen the way history says they should, while also hunting for an artifact that went missing during a WWII air raid.

Notes from January 2019:

Plot and Setting: 5 -- Complex, funny, and brilliant. Love the mix of time travel, mystery, and romance, enlivened by the humor found in the timeless foibles of humanity. Masterful use of subtle foreshadowing and one of my favorite visions of time travel. Handles multiple time periods and a complicated series of events with skill and ease.

Characters: 5 -- Every character has such a distinct personality in this book, and they all tend to be slightly ridiculous, though mostly in a sort of loveable way. So many wonderful personalities, from Professor Peddick's historical rantings and obsession with fish, to Mrs. Mering's domineering-yet-gullible nature, to Finch's poised proficiency in multiple eras, to Tossie's spoiled, ruffle-covered self, to Terence's dramatic eagerness for romance, to Warder's seraphic fierceness as she skillfully juggles multiple jobs. To say nothing of the dog, or the cat! And I love both Verity and Ned as they throw themselves into trying to solve a problem they don't really understand. Ned's befuddlement is one of my favorite things, but then so is his delighted brilliance when the pieces of the mystery finally start clicking together.

Mechanics and Writing: 4.5 -- Actually quite a few errors in the e-book version, but all the sort that come from turning a print book into a digital one: punctuation flaws, like dropped periods and lingering mid-word hyphens, plus a few visually-similar typos and some words that are randomly italicized. The writing itself is excellent.

Redeeming Value: 4.8 -- No sexual scenes or direct, interpersonal violence, though war is both discussed frequently in the abstract, historical sense and experienced in the form of the Nazi bombing raid that caused much damage in Coventry. This is more an attack on land, buildings, and morale than on human life, though we do get a taste for both the panic and the dazed numbness that people experience in such situations. Lessons on both the potentially far-reaching impact of our actions and the possibility of correcting our mistakes. Pokes fun at Victorian spiritualism and con-artist mediums and mentions the decline of organized religion in England (churches become "nonessential" in the future) -- but there's still an overall sense of a greater power at work, a "Grand Design" that expresses itself most clearly through the space-time continuum, which is almost referred to as a self-aware entity that makes decisions to preserve a specific future.

Personal Enjoyment: 5.5 -- One of my enduring favorites, one I've read probably a dozen or more times since I was a teenager.

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Clark Hallman

A very good yarn about the Oxford historians from 2057

Reviewed in the United States on April 18, 2013

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To Say Nothing of the Dog (1998) by Connie Willis is the third work in Willis' time-travel series, all following the exploits of the "historians," i.e., University of Oxford history students from the future. Her first Oxford time-travel work was a short story entitled Fire Watch (1982), followed by the novels: Doomsday Book (1992), To Say Nothing of the Dog (1998), Blackout and All Clear (both 2010). All four of the novels won Hugo Awards, and all but To Say Nothing of the Dog also won Nebula Awards. I must say immediately that I have read all four of these time-travel novels and I liked all of them very much. To Say Nothing of the Dog is a very good yarn that focuses on two Oxford "historians" from 2057. Ned Henry travels back to the site of Coventry Cathedral (England) just prior to and after it was destroyed by Nazi bombs in 1940. Ned is researching, trying to get a look at, and to determine the current status (whereabouts) of a flower container from the cathedral called "The Bishop's Bird Stump." If located, it (or a facsimile) will be used in a newly built recreation of the old cathedral. Unfortunately, the bird stump is not found in the cathedral, requiring Ned to go further back in time attempting to find it. Verity Kindle, who is researching another time and place in Victorian England accidently brings something from 1888 back to 2057, which may cause potentially serious incongruities in the flow of time, i.e., history could change. It is feared that these incongruities might result in different outcomes for British and German troops during WWII. Ned and Verity eventually work together in Victorian England to try to resolve the time incongruities and to stabilize the course of history. Like Willis' other time travel novels, the reader is immersed in other times and cultures, meets many interesting characters, and tours English locales. In addition, the reader enjoys many twists of plot and shares the characters' frustrations, hardships, and dangers in addition to their joy and happiness. Willis also includes humor in this novel, and I must say that I could have done without most of it, although I found it mildly amusing at times. I also found the Victorian English society portrayed in this book to be irritatingly pompous and silly. However, I plowed through those lengthy chapters and was rewarded during the compelling last 25% of the book. I enjoyed the way Willis enmeshed the time incongruities and the search for the "Bishop's Bird Stump." Overall, I thought it was another very well-written and enjoyable time-travel book by Connie Willis. BTW: The title of this book comes from the subtitle of Jerome K. Jerome's Three Men in a Boat, To Say Nothing of the Dog (1889).

6 people found this helpful

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Michael J. O'Donnell

Connie Willis at Her Joyful Best

Reviewed in the United States on June 11, 2023

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If you enjoy zany comedy, razor-sharp wit, and time travel -- then this book for you.

I have read this book at least half a dozen times. Just finished it again, in fact. It has become a welcome "friend of the family". (So says my kiddo, a GenZer, who has read the book and considers it a welcome addition to the family library.)

But how can you tell if this book is the "right book" for you?

Spoiler Alert: God is mentioned quite a lot as the story unfolds. Now, to enjoy this book, it is not strictly necessary to believe in Him/Her/It. On the other hand, it would help enormously if you considered the idea that "God is in the details" a useful regulatory principle.

In any case, "Bon Appetit!"

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Clare Vancouver

both lighthearted and exceedingly clever

Reviewed in Canada on September 10, 2023

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I have read this author is more serious works last year, and this was such a delight to read. It really surprised me, and it was clever and funny at every turn. It is well worth the five stars.

Stern

Eine humorvolle Zeitreise voller Charme und Witz

Reviewed in Germany on April 16, 2024

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Connie Willis’ “To Say Nothing of the Dog” ist ein wahrer Genuss für Liebhaber von Zeitreisen und historischen Abenteuern. Dieses Buch, das den Hugo-Preis gewonnen hat, ist eine perfekte Mischung aus Wissenschaft, Romantik und einem Hauch von viktorianischer Eleganz.

Wie immer wenn es ums Zeitreisen geht, ist es hilfreich, wenn man den Roman nicht zu ernst nimmt und die chaotischen Begebenheit einfach nur genießt, statt die Logik des Zeitreisens verstehen zu wollen.

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constance

Unexpectedly good

Reviewed in France on December 11, 2017

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I thought this would be a generic time traveler story, but the wit and charm bowled me over. I really loved the characters, the language, the dialogues. Very satisfying, on many levels. And very superior writing.

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Sarah J

Loved it!

Reviewed in Australia on July 6, 2018

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Connie Willis is the best. Be sure to check out her other books. Blackout and All Clear are my favourites.

One person found this helpful

Sheena

Brilliant and entertaining

Reviewed in the United Kingdom on December 31, 2014

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I can understand why not everyone might love this book as much as I do. It happens that I love Three Men in a Boat, and have read it twice; I also love science fiction, especially the thoughtful sort that doesn't just deal with technology and isn't just a commonplace story in a space setting. On TV, I like to watch Red Dwarf and Big Bang Theory. I also enjoy reading Douglas Adams. Therefore, my mind is probably primed to enjoy a book like this one.
Some reviewers have complained that the characters are not well developed. To me they seemed at least as well developed as might be expected in a thriller, as well as being more varied. This is a book primarily about the philosophy of time travel, chaos theory and of history. It is amazing how the feel of each English era is induced so well, especially since the author is American. (I did find once that the use of the word 'gotten' gave me a jolt.)
Maybe those who didn't like the book are reading something that is outside of their preferred genre. As an example of though-provoking science fiction, in my opinion, it would be very difficult to better this work.

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