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The Book of Strange New Things: A Novel Paperback – June 30, 2015
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It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea’s faith, once the guiding light of their lives, begins to falter.
Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us.
Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.
- Print length528 pages
- LanguageEnglish
- PublisherHogarth
- Publication dateJune 30, 2015
- Dimensions5.16 x 1.32 x 7.97 inches
- ISBN-100553418866
- ISBN-13978-0553418866
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Editorial Reviews
Review
An NPR Great Read of 2014
A New York Times 100 Notable Books of 2014
Selected as one of the Independent’s Books of the Year 2014
An io9.com Best Science Fiction and Fantasy Book of 2014
An ABA Indie Next Pick
A Fresno Bee Favorite Book of 2014
A Guardian Writers Pick of 2014, Selected by Jackie Kay
Selected as one of Kansas City Star’s 100 Best Books of 2014
Selected by Financial Times’ David Mitchell as a Favorite Book of 2014
A Book Riot Best Book of 2014
A BookBrowse Top Book of 2014
Goodreads.com Best Book of the Month
A Kirkus Must-reads
A Barnes & Noble Fiction Selection, Top Books for the Holiday Season
A ShelfAwareness Best Books of 2014 Honorable Mention A Minnesota Public Radio Best Books of 2014 Selection Publishers Lunch news editor Sarah Weinman’s best of the year list, honorable mention
A Rick Riordan Favorite Read of 2014
A PopMatters Best Books of 2014
“Defiantly unclassifiable. . . . The Book of Strange New Things squeezes its genre ingredients to yield a meditation on suffering, love and the origins of religious faith. . . . Faber reminds us there is a literature of enchantment, which invites the reader to participate in the not-real in order to wake from a dream of reality to the ineffability, strangeness, and brevity of life on Earth.” —Marcel Theroux, The New York Times Book Review (cover review)
“Provocative, unsettling.” —People
“Profoundly moving. . . . . A vivid portrait of a distant galaxy, reinforced by a narrative that is deeply, emotionally evocative.” —USA Today
“Elegant. . . . A lovely, thought-provoking meditation on love and faith and the never-ending mysteries of the natural world.” —Entertainment Weekly
“Eerie and ambitious. . . . Faber is a genuinely gifted storyteller and his novel gains resonance and tidal force in its final third.” —The New York Times
“Faber illustrates, movingly, the impossibility of adequate communication in the face of life-changing experience. . . . Rich and memorable.” —The New Yorker
“The Book of Strange New Things will blow you away…Powerful… Even beyond its power as a story of cross-cultural encounters, and the questions it makes you ask about the place of humanity in the universe, Book of Strange New Things is also worth reading as a great personal story of a man and his wife, as their relationship faces the ultimate test..Fantastic.”—io9.com
“Fascinating…Poignant…Remarkable… Despite its bizarre setting and all the elements of an interplanetary opera, this is a novel of profound spiritual intimacy…. I relished every chance to cloister myself away with “The Book of Strange New Things”…[It] offers exactly what I crave: a state of mingled familiarity and alienness that leaves us with questions we can’t answer — or forget.”—Ron Charles, Washington Post
“One of the best books I’ve ever read. . . . It’s a love story, and the last line destroyed me.” —Emily St. John Mandel, The Millions
“Faber's great strength, trotted out right from the opening pages — this ability to write believable, lovely, flawed and inept characters. To animate his creations by exposing their great loves and human frailties, and to make us want, somehow, to follow along behind them…Faber tells a beautifully human story of love, loss, faith and the sometimes uncrossable distances between people.”—NPR.org, “All Things Considered”
“Harrowing, wrenching. . . . A bold and unexpected work of beauty. . . . Faber’s sincerity keeps The Book of Strange New Things honest, and his talent steers him away from cliché.” —The New Republic
“A wonderful adventure story, a quasi-science fiction tale and a probing examination of a marriage. . . . A truly strange and wonderful novel. . . . Please read Michel Faber’s The Book of Strange New Things. You won't regret it.”—Cleveland Plain-Dealer
“[A] masterpiece” —Cosmopolitan
“I would almost like to say, ‘Read this book,’ and leave it with that. Because its charms, and they are considerable, are so tied with discovering what the heck is going on. That challenges a reviewer, because almost anything I tell you will spoil a moment of discovery…the writing is such a pleasure.”—Dallas Morning News
“A bracing, rewarding read.”—Kansas City Star
“[Faber] approaches this interplanetary saga as an expert genre traveler. . . . [His] potent new amalgam of sci-fi and spirituality puts him within rocket range of David Mitchell.” —New York
“Intergalactic in scope.” —Reuters
“This is a big novel . . . but the reader is pulled through it at some pace by the gothic sense of anxiety that pervades and taints every element. . . . Astonishing and deeply affecting.” —The Guardian
“A novel so full of ideas, so charged by plot, so odd and wonderful, and written with astonishing emotional precision. There are some novels that come along every now and again, when writing a review seems superfluous and all one wants to do is to grab someone by the shoulders and say: “Look, just read the damn thing!” This is one of them. Michel Faber always has had an astonishing ability to make the strange believable and the alien real, but in this thoughtful, deeply moving page-turner, he excels himself.” —The Scotsman
“A hugely serious story about the testing of religious faith. . . . When [Peter’s] spiritual crisis does indeed hit it is as gripping as any thriller. . . . A work of originality and insight.” —The Times
“A moving human drama disguised as a gripping science fiction tale. . . . Magnificently bold and addictive. . . . A book quite unlike any other I've ever read.” —The Sunday Times
“Faber’s new novel grapples with [what it means to be human] in unusually direct terms. . . . The fascination of [his] prose style is its lack of sensationalism. His voice on the page is serene and oddly innocent. . . . One might call The Book of Strange New Things sci-fi, speculative fiction, literary fiction—or maybe just welcome it, thankfully, with a ‘Never before now.’” —The Independent (UK)
“Contemporary literary fiction rarely provides a Victorian-length magical mystery tour along the trail of breathtaking narrative…[yet] Michel Faber’s vast new storytelling extravaganza, The Book of Strange New Things, is that kind of novel. It embodies a wondrous and sorrowful experience you don’t just read, but live.”—Toronto Star
“Spellbinding, heartbreaking and mind-bending. . . . This is very much a book that rewards re-reading; its subtle echoes and wisps of allusion reverberate across the text. . . . The Book Of Strange New Things is Faber’s strongest, most plangent and most intellectually gleeful novel. It is affecting as much as it is challenging. . . . Bold, brave, brilliant. . . . It’s also, by the way, the most wonderful love story.” —Scottish Review of Books
“Brilliant, and disquieting. . . . Faber’s novel is entirely true to itself and wonderfully original. It makes a fine update to Walter M. Miller Jr.’s Canticle for Leibowitz, with some Marilynne Robinson-like homespun theology thrown in for good measure. . . . A profoundly religious exploration of inner turmoil.” —Kirkus (starred review)
“A marvelously creative and intricate novel, thought-provoking and arresting.” —Booklist
“A monumental, genre-defying novel over ten years in the making, Michel Faber’s The Book of Strange New Things is a masterwork from a writer in full command of his many talents.”—Book Browse, Selected as a Top Book of 2014
“The book wears its strong premise and mixture of Biblical and SF tropes extremely well.”—Publishers Weekly
“At the heart of The Book of Strange New Things is one question: Whom—or what—do you love, and what are you willing to do for that love (or not willing)? The result is a novel of marvel and wonderment with a narrative engine like a locomotive.” —Yann Martel
“In my opinion The Book of Strange New Things is Michel Faber’s second masterpiece, quite different to The Crimson Petal and the White but every bit as luminescent and memorable. It is a portrait of a living, breathing relationship, frayed by distance. It is an enquiry into the mountains faith can move and the mountains faith can’t move. It is maniacally gripping. It is vibrant with wit and overcast with prescience and social commentary. Like all superlative science fiction, its real subject is that most mystifying of alien species, humanity. I didn’t so much read The Book of Strange New Things as inhabit it, the way you inhabited that handful of books which, as a kid, first got you hooked on this wonderful drug known as reading.” —David Mitchell
“Michel Faber’s The Book of Strange New Things certainly lives up to its title. Faber, as he showed in Under the Skin, does strangeness brilliantly. I can’t remember being so continually and unfailingly surprised by any book for a long time, and part of the surprise is the tenderness and delicacy with which he shows an emotional relationship developing in one direction while withering in another. I found it completely compelling and believable, and admired it enormously.” —Philip Pullman
“Weird and disturbing, like any work of genius, this novel haunted me for the seven nights I spent reading it, and haunts me still. A story of faith that will mesmerize believers and non-believers alike, a story of love in the face of the Apocalypse, a story of humanity set in an alien world—The Book of Strange New Things is desperately beautiful, sad, and unforgettable.” —David Benioff
“Intriguing…both painful and compelling. And when you find out the answers to some of the novel's central mysteries . . . Well, I won't give anything away, but the answers pack a punch.”—Rick Riordan
About the Author
Product details
- Publisher : Hogarth; Reprint edition (June 30, 2015)
- Language : English
- Paperback : 528 pages
- ISBN-10 : 0553418866
- ISBN-13 : 978-0553418866
- Item Weight : 1.06 pounds
- Dimensions : 5.16 x 1.32 x 7.97 inches
- Best Sellers Rank: #98,653 in Books (See Top 100 in Books)
- #588 in Alien Invasion Science Fiction
- #925 in First Contact Science Fiction (Books)
- #7,122 in Literary Fiction (Books)
- Customer Reviews:
About the author
Michel Faber (born 13 April 1960) is a Dutch-born writer of English-language fiction, including his 2002 novel The Crimson Petal and the White.
Bio from Wikipedia, the free encyclopedia.
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Officially labeled “science fiction” this might be more aptly labeled “theological fiction” or “philosophical fiction” as it is more the world of beliefs and ideas that is his focus of attention than a futuristic vision of the kind of world that science might create. The science is at best merely hinted at. One doesn’t know where the planet on which most of the action takes place is at in relationship to earth (it isn’t even given a name) or how long the “Jump” journey, which requires some form of suspended animation, takes (though the impression given all this takes place in a matter of months, not years). Enough descriptions of the environment, the plant life, and the lack of familiar facial features of the planet’s inhabitants are provided to give it a sense of strangeness, but not all of it makes sense (where, for example, does the frequent rain showers come from if there are no lakes and oceans and all the rain sinks into the soil?). All of the challenges of interpersonal relationship, however, with their misunderstandings, unintended hurts, unclear motives, temptations, and unspoken desires are realistically portrayed and could easily be transposed from this “science fiction” setting to nearly any place on earth today. And through it all, the tension between the desire to do something “great” with one’s life, whether that entails being a missionary to an alien population or making possible the establishment of a colony on an alien planet, all require a certain detachment from the rest of humanity and the sacrifice of certain values, about which one must eventually ask, “Is it worth it?”
I do, though, have one quibble with the way Peter is portrayed. There is often a great divide in Christianity today between Biblical literalists, who use a lot of “Jesus” talk, see others as merely targets for conversion, and see God as intervening in everyday life, and those who emphasize social justice, tolerance, and are patient with doubt. Both of these strands seem to be conflated in Peter. He loves the King James version, yet tries to come up with a Bible paraphrase that his new converts could at least pronounce if not understand---something that would be anathema to most Biblical literalists. He attempts to be non-judgmental and tolerant, yet always seems to be looking for a way to turn a conversation into a religious sale. It wasn’t clear whether Faber was joining these two strands together for some purpose or whether he was ignorant of the sensitivities that exist in Christian circles which usually causes one to be quickly placed into one of those two categories.
Despite these quibbles, I found this book to be utterly captivating. The plot I would call meandering. It is gripping in the way it takes unexpected turns, hints at one thing then darts in another direction. The conclusions it reaches are mostly satisfying, though, like life itself, it leaves many things unanswered (like, what really do the SLM do with the medicine they exchange for food?).
Also, the author never truly explains how the human residents of the colony on Oasis could live sexless and (mostly) substance-free lives with only superficial human communication. (I was speculating that maybe the "corporation" added SSRI drugs to the colony's water supply--which, however, is not part of the real plot.) The selection process of the "corporation" couldn't be that damned effective in stamping out the wellsprings--both bad and good--of human nature.
If I have one gripe/complaint about this book, it is that it seemed scientifically naive and sometimes almost illiterate to me. The planet Oasis is oddly barren in terms of its ecosystem--which seems to me to be exceedingly implausible if the planet produced sentient life forms. I suspect the barrenness reflects Faber's lack of biological imagination more than the requirements of the story. Also, it seemed EXCEEDINGLY implausible to me that humans could eat food produced from native plants on a distant and foreign planet, and that the native "aliens" who live on the planet could make use of human drugs (e.g., analgesics and antibiotics). That alien bodies would "work" similarly enough to human bodies to make use of human drugs seems, to me, in the realm of fantasy, not science fiction. Also, the natives' heads are described as being soft and "fetus-like." There's a good reason animals on earth evolved to have hard bony protection of the heads/brains, and evolution would have to work in similar ways on other planets.
I don't want to include a "spoiler" here, but a major revelation, toward the end of the book, about how the natives' bodies work (or don't work), compared to human bodies, also seemed very implausible to me, in terms of what we know about biological evolution. Biological plausibility is not a strong suit of the book. Nor is linguistic probability. That the "aliens" could learn an understandable version of English so readily also seems quite unlikely to me. But, what the hell, the book wouldn't work without this conceit.
Also, Oasis is described as having no oceans. Must be a damned big planet, and it seems to me implausible that on a planet where it rains all the time, there would not be free-standing water somewhere. Given the amazing geological and climatic diversity found here on planet earth, I would suspect that such diversity would be true on Oasis as well. The reader is not given even the slightest hint of what occurs on the rest of Oasis--e.g., Is there biological and climatic diversity? Do the indigenous people populate the entire planet? In this regard (i.e., in terms of the overall science and the creation of a realistic planet), the novel has a cartoon-like quality.
A final complaint: The psychological developments in the novel (e.g., Peter's personal evolution after coming to Oasis) and the sociopolitical upheavals going on back on old yucky planet earth seemed too rapid and the time scale too compressed to be plausible to me.
I would recommend this book most highly as a novel that presents an intriguing "science fictiony" story (but with, as I said, shaky scientific underpinnings) and that combines real psychological depth and development of its characters. Floating in the background are deep philosophical (but unresolved) questions about the nature of love, religious belief (and, perhaps, religious fanaticism), human delusion and self-deception, relationships, and human empathy and human perversity.
If the "corporation" ever decided to colonize Oasis in a large scale way, one suspects it would not come to a good end, either for the humans or the indigenous "people" of Oasis.