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Midwinter Nightingale Paperback – January 11, 2005
From the Hardcover edition.
- Reading age10 years and up
- Print length256 pages
- LanguageEnglish
- Grade level5 - 4
- Dimensions5.1 x 0.65 x 7.62 inches
- PublisherYearling
- Publication dateJanuary 11, 2005
- ISBN-10044041928X
- ISBN-13978-0440419280
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Review
From the Hardcover edition.
About the Author
From the Hardcover Library Binding edition.
Excerpt. © Reprinted by permission. All rights reserved.
The Wetlands Express was notorious for running well behind schedule, and today the passengers could see that it was going to be even later than usual by the time it reached Distance Edge Junction. Here the train was due to divide in half, a passenger coach and four freight cars turning south to Windfall Clumps, while the main part continued westward toward the Combe country, the mountains and the sea.
Simon, looking out the rain-streaked window into the creeping landscape, began to fear that dark would have fallen by the time he reached his destination. He was bound for a solitary manor house situated in a wilderness known as the Devil’s Playground because its thickets and swampy woods and overgrown hedgerows were so tangled and mazelike that travelers had been known to get lost among them and wander in circles for days on end.
Rain splashed down the dirty glass, blurring the view of soggy meadows and waterlogged woodlands. Then—quite unexpectedly—the train jerked to a stop. Peering out, Simon saw that they had come to a tiny wayside halt; he could just make out the words FROG MERE on the single signboard. In the long pause that followed, nothing could be heard but the slap of rain on the roof and a deep sigh from the engine, as if the train were expressing its intention of never moving again.
But then the silence was broken by the slam of a door. Somebody—astonishingly in such a godforsaken spot—somebody had entered or left the train. Now footsteps came clacking in a purposeful way along the corridor, and the door to Simon’s compartment was vigorously slid open.
Simon sighed, almost as deeply as the train. He was not at all anxious for company.
The girl who came in gave him an intent, considering look, half frowning, half friendly, before settling herself in the diagonal corner with a swish and flounce of dark brown velvet skirts and a twitch of her long fur driving coat. She neatly aligned her feet in well-polished boots and then, when she had made herself thoroughly comfortable, gave Simon another long, shrewd scrutiny.
“You look human, anyway!” she remarked. “Really, when a person travels across this country, they hardly know what to expect. I’ve been told there’s still marsh men with webbed feet! So I do like to pick a compartment where there’s somebody who at least looks as if he would know what to do if the train broke down.”
Simon was doubtful whether he deserved this compliment. And he was not at all flattered by her wish to join him. The errand that brought him to this wild secluded country was a particularly private one and he wanted no hint of its nature to leak out. But he had a kind heart and did not like to snub the girl who had chosen his company.
He had to admit that she looked inoffensive enough. Her hair was dark and short and curved close about her head under a fur cap. Her round freckled face was not pretty—her pink cheeks were too plump, her nose and mouth too big—but she looked lively and keen, dimples showed in her cheeks and a pair of dark gray eyes laughed at Simon as she settled a foreign-looking cat in a cage on the seat beside her.
“I won’t eat you, I promise! And nor will Malkin here, will you, puss? I can see that you are wishing me at the world’s end. But I swear that I am really very harmless. I’ll even guarantee not to talk at all if you prefer silence. But if you like to talk—as I do—my name is Jorinda.”
“Mine is Simon.”
As soon as he had said this, Simon wished he had held his tongue. But the name did not seem to strike any chord in Jorinda, who, taking this as an acceptance of her offer to chat, went on doing so in a low husky confiding voice with a hint of a chuckle in it.
“You see, it is like this: My brother has finished school—at least, he was dismissed for bad behavior—if the truth be told—so I decided that I might as well quit my own abode of instruction in Bath (where they quite washed their hands of me in any case; they say I am incapable of grasping anything beyond ABC) so as to be back at Granda’s manor before news about my brother reaches him—and so cushion the blow for the old boy. Don’t you think that is best? Don’t you think it a sensible plan?”
“Will your grandfather be very angry with your brother?”
“Oh, yes! Prodigiously! The last time Lot was expelled, Granda had a seizure, and foamed at the mouth, and Dr. Fribble had to bleed him and cauterize and phlebotomize him and put him to bed for three weeks with cold compresses and antiphlogistine and nettle gin—that was after Granda had chased Lot round the stable with a walrus tusk and knocked out two of Lot’s front teeth. One trouble is, you see, that Lot is only my half brother; he isn’t Granda’s grandson. Granda never really wanted to have us wished on him. He was only persuaded by Lord Hatchery, who is our cousin and Master of Foxhounds.”
“Is your brother younger than you?”
She shook her head.
Simon thought she looked rather old to be still at school. Seventeen or eighteen, perhaps? He wondered why she spoke of her grandfather and not her father or mother—where were they? But he was not really interested in her confidences and decided that this would be a good moment, while the train was at a standstill, to walk along to the horse box and check on the well-being of his mare, Magpie.
“I’m just going to visit my mare,” he said to the girl. “I’ll be back in a few minutes.” He stood up.
But Jorinda had already plunged into an account of how her brother, who was the cleverest person she knew, had been sent to school at Fogrum Hall after being thrown out of Harrow.
From the Hardcover edition.
Product details
- Publisher : Yearling (January 11, 2005)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 044041928X
- ISBN-13 : 978-0440419280
- Reading age : 10 years and up
- Grade level : 5 - 4
- Item Weight : 6.4 ounces
- Dimensions : 5.1 x 0.65 x 7.62 inches
- Best Sellers Rank: #3,478,550 in Books (See Top 100 in Books)
- #32,050 in Children's Fantasy & Magic Books
- #99,262 in Children's Literature (Books)
- Customer Reviews:
About the author

JOAN AIKEN - Now celebrating her 99th Anniversary this much loved author is still finding new fans! Find NEW EDITIONS and KINDLE COPIES HERE - NEW EBOOK STORY COLLECTIONS ARE COMING OUT READY FOR for next year's CENTENARY.
NEW Paperbacks of Aiken's Austen sequels and Regency Romances are coming from Pan Macmillan
VISIT the Website at www.joanaiken.com OR Twitter https://twitter.com/LizzaAiken FOR ALL THE LATEST NEWS
ALL TWELVE of her celebrated WOLVES CHRONICLES are NOW IN PRINT IN US & UK - ARABEL & MORTIMER ARE BACK! in TWO bumper collections from Puffin Books + ALL the original Quentin Blake ILLUSTRATIONS -THE WHISPERING MOUNTAIN - Prize winning WOLVES PREQUEL returns to PUFFIN BOOKS -FAVOURITE AIKEN STORIES - 'THE GIFT GIVING' THE SERIAL GARDEN -The Armitage Family Stories PLUS Aiken's delightful first CHILDREN'S NOVEL THE KINGDOM AND THE CAVE - ALL out now as Virago Modern Classics
PLUS MODERN GOTHIC THRILLERS now ON AUDIO "Don't miss - guaranteed un-putdownable"
Follow The JOAN AIKEN Facebook Page https://www.facebook.com/JoanAikenOfficial
and much more at http://joanaiken.wordpress.com/
Customer reviews
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- Reviewed in the United States on June 13, 2003Who needs Harry Potter when you can thrill to the adventures of Dido Twite, the indefatigable Cockney heroine of Joan Aiken's Wolves Chronicles?
In this latest installment, Dido is back in England during the (fictional) reign of King Richard IV, just in time to help save the throne from the loutish son of a werewolf baron. Yes, the plot sounds outrageous, and perhaps it is--but the story is so fast-paced, the narrative so vivid and yet so concise, and the characters so charismatic that even the most literal-minded reader (youngster or adult) is unlikely to care.
For fans of Aiken's entire series, which begins with "The Wolves of Willoughby Chase" and includes "Black Hearts in Battersea," "Nightbirds on Nantucket," and "The Cuckoo Tree" (one of my favorites), one of the most rewarding aspects of "Midwinter Nightingale" is Dido's reunion with her mate Simon--and the bittersweet yet open-ended way Aiken closes the book. Surely another episode is in the works?
- Reviewed in the United States on January 13, 2012Wolves of Willoughby Chase won a newbery honor or medal. The series continued in Nightbirds off Nantucket, with a trip to America. I must admit I never knowbwho Aiken was writing for--children or for grownups who will venture into the Children's Room and brave the children's librarians. The "Wolves" series centers on two characters: Simon,who enters as a goose boy dwelling in cave near an English mansion called Willoughby Chase, which is the setting for part of only the first book in the series. Black Hearts over Battersea is actually the second, which introduces Dido Twite, A late-born sprite. Dido travels the world, meeting and saving people from awful fates. Dido and Simon become a romantic diad, tied by fate and parted by fate just as frequently. Aiken shifted history in her books, to put technology and politics where they made good drama. enjoy the ride. Nightingale, one of the last books in this series that was published over a period of decades, includes magic, fate, evil relatives, kings, islands, cellars, and Dido and Simon. Aiken won't be writing any more. She died a few years ago. If you have to get her books from your local library and from inter-library loan, you won't be sorry.
- Reviewed in the United States on March 21, 2013Sadly, I think this is pretty awful, with very little of the incredible charm that makes the earlier books in the series so wonderful. It differs from them in a couple of unpleasant ways: For one, there is quite a lot of violence in this book -- characters get hurled over cliffs; stabbed in the throat; tossed to ravenous, man-eating fish; and more, and all without any of the series characters (Dido in particular) registering much surprise or regret. The horror element, courtesy of one character's status as a werewolf, is also both new to the series and badly done: It's neither scary nor specific, and the ultimate impression is of sloppiness, as if one of the particularly badly conceived demons from "Buffy" had fetched up in the world of Willoughby Chase, but without the wit or the Scooby Gang. And finally, Aiken's traditionally fabulous touch with historical language deserted her with this book. One character describes another as "dyslexic" -- a term that didn't exist outside of the clinical world until the late 20th century, and is in any case much too technical a term for the character who uses it to know. Dialect is so overused that a couple of the characters are literally incomprehensible.
All in all, I'm very sad to say that this book is a mess, and a poor follow-up to one of the best childrens' series ever written. I give it two stars rather than one because at least Dido can be counted on to say "Croopus," and because I liked the description of Granda's four-course breakfast, complete with flaming brandy.
- Reviewed in the United States on August 30, 2021I really like Joan's writing, generally speaking... but this book was a huge disappointment. The plot was a haphazard mess. Characters got killed off really violently, in droves and for no particular reason... Just to get them out of the author's way, I think.
And in fact, much of what happened in the book felt like it was thought up on the spur of the moment, just to keep going, just to get to the end. The writing felt very rough, sketchy, almost like notes, sometimes. There are also tons of typos and missing punctuation marks, etc. Simon and Dido are mere cartoons of their usual selves, seemingly without much to do but worry and wonder... And the book ends with Dido crying her eyes out, because the king died. But then, he spent the entire book dying... and miserable. Poor King Dick... Poor Dido and Simon... Poor loyal readers! :(
I will read "The Witch of Clatteringshaws", just to finish the series... and because the author, and the other books, have been important to me. But I will never read this one again, nor can I recommend it.
Top reviews from other countries
- Shirl Al MawreReviewed in the United Kingdom on May 9, 2014
5.0 out of 5 stars Very good
We really enjoyed this wonderful series of stories. Joan Aiken is a very gifted storyteller. Strongly recommend this book to anyone who has read all or at least some of the series.
-
おびReviewed in Japan on June 19, 2003
3.0 out of 5 stars 期待が大きかったので…
IsUndergroundではアメリカに遊びにでかけていたダイドーが、
ちょうど帰国するあたりから話が始まります。
Dido and Paからは、2年くらい経っていると思われます。
ハノーヴァー党に代わって、ブルグンド人という敵役が出てきたり、
世の中にも大きな変動が見られますが、
その辺の話がかなりごちゃごちゃしています。
世界地図と年表と王室家系図がないと、
どんな世の中なのか想像もつきません。
しかも狼男が出て来るなど、ますます突拍子もなくなっていて
思いがけないところで人が殺されてしまうような残酷さは、
Dido and Pa、Is Undergroundなどと同様です。
後半でバタバタっと話が片付いてしまうところも無理があって
やはり作者が歳を取ってしまったからかなあ…
と思うと残念ですし、この先が気がかりです。
それでも、ダイドーはますます魅力的だし、
サイモンも相変らずダイドーひとすじのようなので、
次こそは収まるところに収まって欲しいなあ。
これまでの作品と比べると本当は★1か2というところですが
やはり好きなので3つにしてしまいました。