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Debbie Doesn't Do It Anymore: A Novel Hardcover – May 13, 2014
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Millions of men (and no doubt many women) have watched famed black porn queen Debbie Dare—she of the blond wig and blue contacts-"do it" on television and computer screens every which way with every combination of partners the mind of man can imagine. But one day an unexpected and thunderous on-set orgasm catches Debbie unawares, and when she returns to the mansion she shares with her husband, insatiable former porn star and "film producer" Theon Pinkney, she discovers that he's died in a case of hot tub electrocution, "auditioning" an aspiring "starlet." Burdened with massive debts that her husband incurred, and which various L.A. heavies want to collect on, Debbie must reckon with a life spent in the peculiar subculture of the pornography industry and her estrangement from her family and the child she had to give up. She's done with porn, but her options for what might come next include the possibility of suicide. Debbie . . . is a portrait of a ransacked but resilient soul in search of salvation and a cure for grief.
- Print length272 pages
- LanguageEnglish
- PublisherDoubleday
- Publication dateMay 13, 2014
- Dimensions5.76 x 1.16 x 8.63 inches
- ISBN-109780385526180
- ISBN-13978-0385526180
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Editorial Reviews
From Booklist
Review
"In most of his 42 books, the much-admired Mosley has given us desperate characters constantly tested by circumstances and fate. Until now, none of his other series or stand-alones have come close to matching the kudos that have been showered on the Rawlins series. But Debbie's on stage now, and her brutally elegant story and its shocking conclusion will stun you."
—Chicago Tribune
"This could be the best thing Mosley has written in years, a deeply affecting story of a woman whose determination to pull herself out of one life and into another is tested almost to its limits by things she can't control—until she finds a way to control them...[Mosley is] back at the top of his game here."
—Booklist, starred review
"The premise is jarring, yet Mosley is able to pain a picture of ordinary people. He shows the humanity of the characters despite their flaws."
—Library Journal
"Prolific novelist Mosley (Little Green, 2013, etc.) fielded his fair share of criticism for his X-rated one-two punch of Killing Johnny Fry (2006) and Diablerie (2007), and readers attracted to the equally explicit nature of this novel might be expecting more of the same. In truth, readers are likely to be more surprised by the depth of protagonist Sandra Peel, whom the author treats with tremendous compassion... A well-told redemption song about the most unlikely of heroines."
—Kirkus
"... Debbie is an elemental creation in Mosely’s canon, a strong female character with an impeccable voice."
—Publishers Weekly
About the Author
Product details
- ASIN : 0385526180
- Publisher : Doubleday; First Edition (May 13, 2014)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 9780385526180
- ISBN-13 : 978-0385526180
- Item Weight : 14.4 ounces
- Dimensions : 5.76 x 1.16 x 8.63 inches
- Best Sellers Rank: #1,659,673 in Books (See Top 100 in Books)
- #6,259 in Fiction Urban Life
- #18,304 in Women's Domestic Life Fiction
- #69,884 in Literary Fiction (Books)
- Customer Reviews:
About the author
Walter Mosley is one of America's most celebrated and beloved writers. His books have won numerous awards and have been translated into more than twenty languages.
Mosley is the author of the acclaimed Easy Rawlins series of mysteries, including national bestsellers Cinnamon Kiss, Little Scarlet, and Bad Boy Brawly Brown; the Fearless Jones series, including Fearless Jones, Fear Itself, and Fear of the Dark; the novels Blue Light and RL's Dream; and two collections of stories featuring Socrates Fortlow, Always Outnumbered, Always Outgunned, for which he received the Anisfield-Wolf Award, and Walkin' the Dog. He lives in New York City.
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Debbie, is a porn star who fell into the business at an early age and after having the big O on the set of one of her movies, she decides to quit the business. She intimates that she hadn’t had an orgasm in 10 years and this one was so intense it just really transformed something inside her. After that shoot she arrives home to find that her husband has died in the tub with a young girl on top of him. Apparently the video camera fell into the tub as he was trying to tape their romp. Although this is a tragic event, Debbie doesn’t really show much emotion surrounding the death of her husband. She just seems numb to everything including life itself.
From the middle of the book on, the novel becomes a meditation on the merits of suicide. Debbie thinks about the various ways she could die. So, the reader is pulled along this sad depressing journey and Debbie is not a very sympathetic character, not one who is easy to root for and frankly I didn’t care if she executed the suicide or not. The surprising thing about this is Debbie is a well-developed character, and yet for 2/3 of the book, the suspense is to die or not to die. At some point the reader will scream do something already.
There are other characters orbiting Debbie’s space and some work for the good of the novel, but others are head scratchers. I appreciate that Mosley keeps switching up and exploring various subjects. This one just didn’t seem to have a lot of support built around the foundation. Prudish beware, there is some strong sexual language that may disturb some readers. The thing I found most disturbing was the foolish suicide precipice. Recommendation. Read if you love Mosley, otherwise pass it by.
This effort by Mosley to write from a female perspective failed this reader. The voice of this first person narrative didn't ring true. For one thing, Mosley's maleness kept asserting itself, from physical descriptions of Debbie herself rife with the male gaze to the flat affect of the character. For another, there wasn't much evolving over the arc of the story. I get that the main character was numbed by the demands of her business, but there was a flatness in the telling that made it close to impossible for this reader to feel much more than annoyed with Debbie. She wasn't unsympathetic, she just wasn't there. Clothing and food descriptions are not sufficient stand ins for character development. If this choice was deliberate, then I walk away baffled.
For a story in which little actually happened, character development would have seemed an important counterpoint. However, beyond numb and suicidal, it is hard to see Debbie clearly. The fairly abrupt resolution doesn't help. I could feel the writer's maleness struggling with emotional articulation, and not succeeding very well.