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The Fall: A Novel Paperback – February 9, 2004
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Simon Mawer skillfully unveils the delicate layers of history in the lives of a group of people connected over the years by camaraderie, love, competition, and lust. In the shadow of an old love triangle lies the story of another, and as we follow the characters from London during the Blitz to the mountain ranges of the Alps and back to present-day Wales, Mawer reveals how the agonies of the past impinge upon the present.
This is an intelligent, thought-provoking love story by a brilliant, masterful novelist.
- Print length400 pages
- LanguageEnglish
- Publication dateFebruary 9, 2004
- Dimensions5.5 x 1.01 x 8.5 inches
- ISBN-100316735590
- ISBN-13978-0316735599
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Product details
- Publisher : Back Bay Books (February 9, 2004)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 0316735590
- ISBN-13 : 978-0316735599
- Item Weight : 1.11 pounds
- Dimensions : 5.5 x 1.01 x 8.5 inches
- Best Sellers Rank: #2,052,299 in Books (See Top 100 in Books)
- #16,745 in Coming of Age Fiction (Books)
- #23,157 in Contemporary Literature & Fiction
- #83,506 in Literary Fiction (Books)
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About the author
Educated at Millfield School in Somerset and at Brasenose College, Oxford, I took a degree in biology and worked as a biology teacher for many years. My first novel, Chimera, was published by Hamish Hamilton in 1989, winning the McKitterick Prize for first novels. Mendel's Dwarf (1997), reached the last ten of the Booker Prize and was a New York Times "Book to Remember" for 1998. The Gospel of Judas, The Fall (winner of the 2003 Boardman Tasker Prize for Mountain Literature) and Swimming to Ithaca followed. In 2009 The Glass Room, my tenth book and eighth novel was shortlisted for the Man Booker Prize. My 2012 book The Girl Who Fell From The Sky and its sequel Tightrope (2015) both feature the female Special Operations Executive agent Marian Sutro. Tightrope won the 2016 Walter Scott Prize for historical fiction. In 2018, my eleventh novel, Prague Spring, signalled a return to a Czech setting following both Mendel's Dwarf and The Glass Room; in 2022 my latest novel ANCESTRY, an exploration of fiction and personal history, will be published in both the UK and the US.
I am married, with two children and four grandchildren. My wife and I have lived in Italy for over forty years but now split our time between our home near Rome and a house in England.
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The novel opens with a climber falling from an exposed face in Snowdonia, North Wales. It grabbed me immediately, for a personal reason. Virtually every mountain in Britain or the Alps that Mawer describes I have either climbed on or hiked around; there is a situation halfway through the book where one climber freezes on a difficult pitch and his second has to take over the lead; I have been in precisely the same situation, on what may well be the very same climb. My associations are of course irrelevant to the average reader, but they convince me that Mawer knows his stuff. Because I recognize the meticulous detail with which he describes the act of climbing itself, because I once knew the mixture of exhilaration and terror that he conjures as the lure of this dangerous sport, I trust him totally when he goes places where I would never dare. For example, the terrifying off-season ascent of the North Wall of the Eiger which forms the high point of the book (yet without any of the melodramatic excess found, say, in a book like the once-popular EIGER SANCTION by Trevanian). I am also convinced that Mawer can draw non-climbing readers just as effectively into his spell; good writers who have true knowledge of their material can captivate anyone.
The falling climber is Jim Matthewson, by then almost a household name in Britain. Robert Dewar, his former climbing partner, long since retired, drives to Wales to offer condolences to Matthewson's widow and his mother. From there, we are drawn backwards into two sets of relationships: one concerns Jim and Robert as young men, and their friendships with the women they eventually marry; the other focuses on their respective mothers, both of whom knew Jim's father, Guy, another famous mountaineer in his day. The mothers' story takes us back to 1940, and the chapters set in the London Blitz are as fine as Sara Waters' THE NIGHT WATCH , another magnificent romance that unfolds backwards in time. Mawer's gift for capturing the flavor of those wartime passions and his understanding of how the actions of one generation can affect the lives of the next put me in mind of another favorite author, Penelope Lively, in such books as MOON TIGER and CONSEQUENCES . I intend these comparisons as high praise.
THE GLASS ROOM traced the history of a major icon of European architecture through some of the most tumultuous decades of the last century, but it suffered from too much reliance on sex as punctuation for the unfolding story. For a while, I feared that Mawer might do this here too. But then I realized that, with the emphasis on mountaineering, he doesn't need to; the various climbs take their place as the perfect articulating moments in the drama -- intense, visceral things that (unlike sex) can be described objectively without losing the deep emotional connections that run through them. Physical love plays a part in this story too, but it is always central to the development of the characters, and never a titillation. THE FALL is a tighter, more controlled novel than THE GLASS ROOM; by setting his sights on a lower peak, Mawer succeeds in climbing even higher.
Put quite simply, The Fall may be the best book I have ever read. I may be a bit carried away as I just finished it last night--in 2 days--and at the moment it is terribly fresh in my mind. They say a good book needs good metaphors--there are some awful ones in so many books that I often wish they were not there at all--but Mr Mawer's are so good I almost filled the book with underlines.
The story is about 2 boys and their parents. There are a number of very intricate loves affairs and criss-crosses, but one way or another they all make sense and keep the reader fascinated. The other big part of the story is about mountain climbing, but don't let that put you off. I think they are crazy, but it surely makes for very exciting reading. To put it squarely, I had never heard of this writer until I read a review of his newest book--not publihed here yet--in the Finanial Times--He is British- and although maybe he isn't the super man that I think, he certainly should be talked about and reviewed more prolifically in the USA
When I finished The Fall, I made a chart to see if the characters' intertwined relationships--sex, marriage, and friendship--were as improbable and excessive as I thought, and, yes, I feel they were. I wasn't offended by these relationships in The Fall, but I think it took away from an otherwise very realistic book. I can't think of a story that better described the anxiety and horror of the London blitz. I was cold, hanging onto bare rock, and inching forward every step of the way with Jamie and Rob on every climb. Yet, as more and more tangled love affairs developed among the characters, I shook my head with disbelief. For this, I'll knock the rating down to four stars. Perhaps, though, this is what made this book unique and kept it from falling into the category of just another thwarted love/adventure story.
I read this on my Kindle, and, again, I found the Kindle's dictionary feature to be very helpful with terminology. In this case, many of the British and Welsh slang words and mountaineering terms were in the dictionary and right at my fingertips for quick reference.
The Fall was on the Amazon recommendation list for me, based on what I had previously read. I have found these lists to be interesting, and they have led me to enjoyable books that I might have otherwise missed, i.e. The Fall.
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On a purely practical level - if you suffer at all from vertigo (I do!) Mawer's masterly descriptions of climbing harsh and inhospitable mountain ranges will leave you feeling sick and swirly, even sitting down!
.....and I've just ordered my third Mawer.