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The Rose and the Thorn (The Riyria Chronicles, 2) Paperback – September 17, 2013
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For more than a year Royce Melborn has tried to forget Gwen DeLancy, the woman who saved him and his partner Hadrian Blackwater from certain death. Unable to get her out of his mind, Royce returns to Medford with Hadrian but the two receive a very different reception -- Gwen refuses to see them. The victim of abuse by a powerful noble, she suspects that Royce will ignore any danger in his desire for revenge. By turning the thieves away, Gwen hopes to once more protect them. What she doesn't realize is what the two are capable of -- but she's about to find out.
- Print length384 pages
- LanguageEnglish
- PublisherOrbit
- Publication dateSeptember 17, 2013
- Dimensions5.5 x 1 x 8.25 inches
- ISBN-100316243728
- ISBN-13978-0316243728
"All the Little Raindrops: A Novel" by Mia Sheridan for $10.39
The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more
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Editorial Reviews
Review
"Hair-raising escapes, flashy sword fights, and faithful friendship complete the formula for good old-fashioned escapist fun."―Publishers Weekly on Theft of Swords
"A whirlwind of twists, earth-shattering surprises and deadly betrayal."―Literary Magic on Theft of Swords
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Rose and the Thorn
By Michael J. SullivanOrbit
Copyright © 2013 Michael J. SullivanAll rights reserved.
ISBN: 978-0-316-24372-8
CHAPTER 1
The Battle of Gateway Bridge
Reuben should have run the moment the squires came out of the castle keep. Hecould have easily reached the sanctuary of the stable, limiting their harassmentto throwing apples and insults, but their smiles confused him. They lookedfriendly—almost reasonable.
"Reuben! Hey, Reuben!"
Reuben? Not Muckraker? Not Troll-Boy?
The squires all had nicknames for him. None were flattering, but then he hadnames for them too—at least in his head. "The Song of Man," one ofReuben's favorite poems, mentioned age, disease, and hunger as the ThreeCruelties of Humanity. Fat Horace was clearly hunger. Pasty-faced, pockmarkedWillard was disease, and age was given to Dills, who at seventeen was theoldest.
Spotting Reuben, the trio had whirled his way like a small flock of predatorygeese. Dills had a dented knight's helmet in his hands, the visor slapping upand down as it swung with his arm. Willard carried combat padding. Horace waseating an apple—big surprise.
He could still make it to the stable ahead of them. Only Dills had any chance ofwinning in a footrace. Reuben shifted his weight but hesitated.
"This is my old trainer," Dills said pleasantly, as if the last three years hadnever happened, as if he were a fox who'd forgotten what to do with a rabbit."My father sent a whole new set for my trials. We've been having fun with this."
They closed in—too late to run now. They circled around, but still thesmiles remained.
Dills held out the helmet, which caught and reflected the autumn sun, leatherstraps dangling. "Ever worn one? Try it."
Reuben stared at the helm, baffled. This is so odd. Why are they beingnice?
"I don't think he knows what to do with it," Horace said.
"Go ahead." Dills pushed the helmet at him. "You join the castle guards soon,right?"
They're talking to me? Since when?
Reuben didn't answer right away. "Ah ... yeah."
Dills's smile widened. "Thought so. You don't get much combat practice, do you?"
"Who would spar with the stableboy?" Horace slurred while chewing.
"Exactly," Dills said, and glanced up at the clear sky. "Beautiful fall day.Stupid to be inside. Thought you'd like to learn a few maneuvers."
Each of them wore wooden practice swords and Horace had an extra.
Is this real? Reuben studied their faces for signs of deceit. Dillsappeared hurt by his lack of faith, and Willard rolled his eyes. "We thoughtyou'd like to try on a knight's helmet, seeing as how you never get to wear one.Thought you'd appreciate it."
Beyond them, Reuben saw Squire Prefect Ellison coming from the castle and takinga seat on the edge of the well to watch.
"It's fun. We've all taken turns." Dills shoved the helm against Reuben's chestagain. "With the pads and helm you can't get hurt."
Willard scowled. "Look, we're trying to be nice here—don't be a git."
As bizarre as it all was, Reuben didn't see any malice in their eyes. They allsmiled like he'd seen them look at one another—sloppy, unguarded grins.The whole thing made a kind of sense in Reuben's head. After three years thenovelty of bullying him had finally worn off. Being the only one their age whowasn't noble had made him a natural target, but times had changed and everyonegrew up. This was a peace offering, and given that Reuben hadn't made a singlefriend since his arrival, he couldn't afford to be picky.
He lifted the helm, which was stuffed with rags, and slipped it on. Despite thewads of cloth, the helmet was too big, hung loose. He suspected something wasn'tright but didn't know for sure. He had never worn armor of any kind. SinceReuben was destined to be a castle soldier, his father had been expected totrain him but never had time. That deficiency was part of the allure of thesquires' offer; the enticement outweighed his suspicions. This was his chance tolearn about fighting and swordplay. His birthday was only a week away, and oncehe turned sixteen he would enter the ranks of the castle guard. With littlecombat training he'd be relegated to the worst posts. If the squires wereserious, he might learn something—anything.
The trio trussed him up in the heavy layers of padding that restricted hismovement; then Horace handed him the extra wooden sword.
That's when the beating began.
Without warning, all three squires' swords struck Reuben in the head. The metaland wadding of the helmet absorbed most, but not all, of the blows. The insideof the helmet had rough, exposed metal edges that jabbed, piercing his forehead,cheek, and ear. He raised his sword in a feeble attempt to defend but could seelittle through the narrow visor. His ears packed with linen, he could justbarely make out muffled laughter. One blow knocked the sword from his hands andanother struck his back, collapsing him to his knees. After that, the strikescame in earnest. They rained on his metal-caged head as he cowered in a ball.
Finally the blows slowed, then stopped. Reuben heard heavy breathing, panting,and more laughter.
"You were right, Dills," Willard said. "The Muckraker is a much better trainingdummy."
"For a while—but the dummy doesn't curl up in a ball like a girl." The olddisdain was back in Dills's voice.
"But there is the added bonus of him squealing when hit."
"Anyone else thirsty?" Horace asked, still panting.
Hearing them move away, Reuben allowed himself to breathe and his muscles torelax. His jaw was stiff from clenching his teeth, and everything else achedfrom the pounding. He lay for a moment longer, waiting, listening. With thehelmet on, the world was shut out, muted, but he feared taking it off. Afterseveral minutes, even the muffled laughter and insults faded. Peering up throughthe slit, all he could see was the canopy of orange and yellow leaves waving inthe afternoon breeze. Reuben tilted his head and spotted the Three Cruelties inthe center of the courtyard filling cups from the well as they took seats on theapple cart. One was rubbing his sword arm, swinging it in wide circles.
It must be exhausting beating me senseless.
Reuben pulled the helmet off and felt the cool air kiss the sweat on his brow.He realized now that it wasn't Dills's helm at all. They must have found itdiscarded somewhere. He should have known Dills would never let him wearanything of his. Reuben wiped his face and was not surprised when his hand cameaway with blood.
Hearing someone's approach, he raised his arms to protect his head.
"That was pathetic." Ellison stood over Reuben, eating an apple that he hadstolen from the merchant's cart. No one would say a word againsthim—certainly not the merchant. Ellison was the prefect of squires, thesenior boy with the most influential father. He should have been the one toprevent such a beating.
Reuben didn't reply.
"Wadding wasn't tight enough," Ellison went on. "Of course, the idea is not toget hit in the first place." He took another bite of apple, chewing with hismouth open. Bits of dribble fell to his chest, staining his squire's tunic. Heand the Cruelties all wore the same uniform, blue with the burgundy and goldfalcon of House Essendon. With the stain of apple juice, it looked like thefalcon was crying.
"It's hard to see in that helm." Reuben noticed the wadded cloth that had fallenon the grass was bright with his blood.
"You think knights can see better?" Ellison asked around a mouthful of apple."They ride horses while fighting. You just had a helm and a touch of padding.Knights wear fifty pounds of steel, so don't give me your excuses. That's theproblem with your kind—you always have excuses. Bad enough we have tosuffer the indignity of working alongside you as pages, but we also have tolisten to you complain about everything too." Ellison raised the pitch of hisvoice to mimic a girl. "I need shoes to haul water in the winter. I can'tsplit all the wood by myself." Returning to his normal tone, he continued,"Why they still insist on forcing young men of breeding to endure thehumiliation of cleaning stables before becoming proper squires is beyond me, buthaving the added insult of being forced to labor alongside someone like you, apeasant and a bastard, was just—"
"I'm no bastard," Reuben said. "I have a father. I have a last name."
Ellison laughed and some of the apple flew out. "You have two —hisand hers. Reuben Hilfred, the son of Rose Reuben and RichardHilfred. Your parents never married. That makes you a bastard. And who knows howmany soldiers your mother entertained before she died. Chambermaids do a lot ofthat, you know. Whores every one. Your father was just dumb enough to believeher when she said you were his. That right there shows you the man's stupidity.So assuming she wasn't lying, you're the son of an idiot and a—"
Reuben slammed into Ellison with every ounce of his body, driving the older boyto his back. He sat up swinging, hitting Ellison in the chest and face. WhenEllison got an arm free, Reuben felt pain burst across his cheek. Now he was onhis back and the world spun. Ellison kicked him in the side hard enough to breaka rib, but Reuben barely felt it. He still wore his padding.
Ellison's face was red, flushed with anger. Reuben had never fought any of thembefore, certainly not Ellison. His father was a baron of East March; even theothers didn't touch him.
Ellison drew his sword. The metal left the sheath with a heavy ring. Reuben justbarely grabbed the practice wood, which had been left lying in the grass. Hebrought it up in time to prevent losing his head, but Ellison's steel cut it inhalf.
Reuben ran.
That was the one advantage he had over them. He did more work and ran everywherewhile they did little. Even weighed down by the padding, he was faster and hadthe stamina of a pack of hounds. He could run for days if needed. Even so, hewasn't fast enough, and Ellison got one last blow across Reuben's back. Theslice only served to drive him forward, but when he was safely away, hediscovered a deep cut through all four layers of padding, his tunic, and a bitof skin.
Ellison had tried to kill him.
Reuben hid in the stables the rest of the day. Ellison and the others never wentthere. Horse Master Hubert had a tendency to put any castle boy to work, failingto notice the difference between the son of an earl, a baron, or a sergeant atarms. One day they might be lords, but right now they were pages and squires,and as far as Hubert was concerned, they were all just backs and hands to liftshovels. As expected, Reuben was put to mucking out the stalls, which was betterthan confronting Ellison's blade. His back hurt, as did his face and head, butthe bleeding had stopped. Given that he could have died, he wasn't about tocomplain.
Ellison was just angry. Once he calmed down, the prefect would find another wayto demonstrate his displeasure. He and the squires would trap and beathim—with the woods most likely, but without the padding or helmet.
Reuben paused after dumping a shovelful of manure into the wagon and sniffed theair. Wood smoke. Kitchens burned wood all year, but it smelled different in thefall—sweeter. Planting the shovel's head, he stretched, looking up at thecastle. Decorations for the autumn gala were almost complete. Celebration flagsand streamers flew from poles, and colored lanterns hung from trees. Though thegala was held every year, this time would be a double celebration in honor ofthe new chancellor. That meant it had to be bigger and better, so they adornedthe castle inside and out with pumpkins, gourds, and tied stalks of corn. Whenthe question of too few chairs arose, bundles of straw were hauled in to lineevery room. For the last week, farmers had been dropping off wagons full. Theplace did look festive, and even if Reuben wasn't invited, he knew it would be awonderful party.
His sight drifted to the high tower, which had lately become his obsession. Theroyal family resided in the upper floors of the castle, where few were allowedwithout invitation. The tallest point of the castle held its title by only a fewfeet, but it soared in Reuben's imagination. He squinted, thinking he might seemovement, someone passing by the window. He didn't, but then nothing everhappened in the daylight.
With a sigh, he returned to the dimness of the stable. Reuben actually enjoyedshoveling for the horses. In the cooler weather there were few flies and most ofthe manure was dry, mixed with straw to the consistency of stale bread or cake,and it barely smelled. The simple, mindless work granted him a sense ofaccomplishment. He also enjoyed being with the horses. They didn't care who hewas, the color of his blood, or if his mother had married his father. Theyalways greeted him with a nicker and rubbed their noses against his chest whenhe came near. He couldn't think of anyone he'd rather spend the autumn afternoonwith, except one. Then, as if thoughts could grant wishes, he caught the flashof a burgundy gown.
Seeing the princess through the stable's door, Reuben found it hard to breathe.He froze up whenever he saw her, and when he could move, he was clumsy—hisfingers turned stupid, unable to perform the simplest of tasks. Luckily he'dnever been called on to speak in her presence. He could only imagine how histongue would make his fingers appear deft. He'd watched her for years, catchinga glimpse as she climbed into a carriage or greeted visitors. Reuben had likedher from first sight. There was something about the way she smiled, the laughterin her voice, and the often serious look on her face, as if she were older thanher years. He imagined she wasn't human but some fairy—a spirit of naturalgrace and beauty. Spotting her was rare and that made it special, a moment ofexcitement, like seeing a fawn on a still morning. When she appeared, hecouldn't take his eyes off her. Nearly thirteen, she was as tall as her mother.But there was something in the way she walked and how her hips shifted when shestood too long in one place that showed she was more lady than girl now. Stillthin, still small, but different. Reuben fantasized of being at the well one daywhen she appeared in the courtyard alone and thirsty. He pictured himselfdrawing water to fill her cup. She would smile and perhaps thank him. As shebrought the empty cup back, their fingers would meet briefly and for that onemoment he would feel the warmth of her skin, and for the first time in his lifeknow joy.
"Reuben!" Ian, the groom, struck him on the shoulder with a riding crop. Itstung enough to leave a mark. "Quit your daydreaming—get to work."
Reuben resumed shoveling the manure, saying nothing. He had learned his lessonfor the day and kept his head down while scooping the strata of dirt cakes. Shecould not see him in the stalls, but with each toss of manure he caught aglimpse of her through the door. The princess wore a burgundy dress, the new oneof Calian silk that she had received for her birthday along with the horse. ToReuben, Calis was just a mythical place, somewhere far away to the south filledwith jungles, goblins, and pirates. It had to be a magical land because thematerial of the dress shimmered as she walked, the color complementing her hair.Being the newest, it fit well. More than that, the other dresses were for agirl—this was a woman's gown.
"You'll be wanting Tamarisk, Your Highness?" Ian asked from somewhere in thestable's main entry.
"Of course. It's a beautiful day for a ride, isn't it? Tamarisk likes the coolerweather. He can run."
"Your mother has asked you not to run Tamarisk."
"Trotting is uncomfortable."
Ian gave her a dubious look. "Tamarisk is a Maranon palfrey, Your Highness. Hedoesn't trot—he ambles."
"I like the wind in my hair." There was a certain flair in her voice, awillfulness that made Reuben smile.
"Your mother would prefer—"
"Are you the royal groom or a nursemaid? Because I should tell Nora that herservices are no longer needed."
"Forgive me, Your Highness, but your mother would—"
She pushed past the groom and entered the barn. "You there—boy!" theprincess called.
Reuben paused in his scraping. She was looking right at him.
"Can you saddle a horse?"
He managed a nod.
"Saddle Tamarisk for me. Use the sidesaddle with the suede seat. You know theone?"
Reuben nodded again and jumped to the task. His hands shook as he lifted thesaddle from the rack.
Tamarisk was a beautiful chestnut, imported from the kingdom of Maranon. Thesehorses were famed for their breeding and exquisite training, which made forexceptionally smooth rides. Reuben imagined this was how the king explained thegift to his wife. Maranon mounts were also known for their speed, which waslikely how the king explained the gift to his daughter.
"Where will you be going?" Ian asked.
(Continues...)Excerpted from The Rose and the Thorn by Michael J. Sullivan. Copyright © 2013 Michael J. Sullivan. Excerpted by permission of Orbit.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Orbit (September 17, 2013)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 0316243728
- ISBN-13 : 978-0316243728
- Item Weight : 12 ounces
- Dimensions : 5.5 x 1 x 8.25 inches
- Best Sellers Rank: #113,658 in Books (See Top 100 in Books)
- #1,121 in Historical Fantasy (Books)
- #2,299 in Sword & Sorcery Fantasy (Books)
- #5,703 in Epic Fantasy (Books)
- Customer Reviews:
About the author

Michael J. Sullivan is a New York Times, USA Today, and Washington Post bestselling author, and no one is more surprised by those facts than he. When just a boy, Michael found a typewriter in the basement of a friend's house, inserted a blank piece of paper, and typed, "It was a dark and stormy night." He was just ten years old and mimicking the only writer he knew at the time: Snoopy. That spark ignited a flame, and Michael's desire to fill blank pages became a life-long obsession. As an adult, Michael spent more than ten years developing his craft by studying authors such as Stephen King, Ernest Hemingway, and John Steinbeck. During that time, he wrote thirteen novels but found no interest from the publishing industry. Since insanity is repeating the same action while expecting a different result, he made the rational choice and quit, vowing never to write creatively again.
Never turned out to be too long for Michael, and after a decade, he returned to the keyboard in his forties, but with one condition: He wouldn't seek publication. Instead, he wrote a series of books that had been building in his head during his hiatus. His first reading love was fantasy, and he hoped to foster a similar reaction in his then thirteen-year-old daughter who struggled due to dyslexia. After reading the third book of this series, his wife insisted that the novels had to "get out there." When Michael refused to jump back onto the query-go-round, Robin took over the publication tasks, and she has run the business side of his writing ever since.
Currently, Michael has released eighteen novels (and written twenty): The Riyria Revelations (6 books in 3 two-book omnibus editions from Orbit), The Riyria Chronicles (2 books from Orbit and 2 indie-published), Legends of the First Empire (3 books from Del Rey and 3 indie-published), Rise and Fall (Nolyn (2021, Farilane (coming 2022), Esrhadon (coming 2023) and a standalone science fiction thriller called Hollow World (from Tachyon Publications).
The next Riyria novel, Drumindor, has been green-lighted, but no publication date has been released.
Michael is one of the few authors who has successfully published through all three routes: small press, self, and big five. Some key accomplishments of his career include:
* New York Times, USA Today, and Washington Post bestselling author
* 9 Goodreads Choice Award Nominations
* Named to io9's Most Successful Self-Published Sci-Fi and Fantasy authors
* Sold more than 2 Million English copies
* Been translated into 15 foreign language
* Spent more than 6 years on Amazon's Bestselling Fantasy Author's list
* His books have been named to more than 250 best-of or most-anticipated lists including those compiled by Library Journal, Barnes and Noble, Amazon, Goodreads.com, and Audible.com
Contact Info:
* email: michael @ michaelsullivan-author.com
* Twitter: @ author_sullivan
* Goodreads: https://www.goodreads.com/author/show/2063919.Michael_J_Sullivan
* Facebook: https://www.facebook.com/michael.james.sullivan
Sign up for Michael's Newsletter at: http://bit.ly/36P5GUs
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The Crown Tower (The Riyria Chronicles)
The Rose and the Thorn (The Riyria Chronicles)
The Death of Dulgath (The Riyria Chronicles)
Theft of Swords (Riyria Revelations)
Rise of Empire (Riyria Revelations)
Heir of Novron (Riyria Revelations)
Author Michael J. Sullivan has a gift. After 20 years I have a new favorite series and Michael J. Sullivan has another dedicated reader and fan. This series, and the writing style, takes me back to the old school days of Robert E. Howard in way… Each book stands on its own. It is a very clear story/adventure that starts and concludes in a single volume so it can be read one at a time or binged all at once. The thing that differentiates it is that the series, in its entirety, is also a single epic adventure that starts in The Crown Tower and concludes in Heir of Novron. So taken individually each book is excellent and as a complete epic it more than satisfies. Like others have stated as well I was sad to read the end of it simply knowing that this particular tale was ending while at the same time that ending had enough adventure, emotion, humanity, and twists and turns that I was also happy to read the final pages. As an example the end of Glen Cook’s The Black Company ended poetically and perfectly so too does the story of Riyria.
What I took away from this series was a story following the two main characters, Hadrian and Royce, and was about humanity, morality, pain and loss, redemption, family and brotherhood. The two main protagonists and nearly opposite sides of the same coin but that coin is an old tarnished, beaten, and used coin with its faces faded from the wear of life in a medieval fantasy world. There is no typical heroes journey, no larger than life heroics, no immortality of characters that often plagues the genre. These are characters who are nuanced and believable, so much so that some have complained it is not realistic that the two protagonists would be together at all. To any who thought that I say just read on… there is no mystical fate forcing them together or any overused fantasy tropes, there is just strong character design and development, written by an author with a gift for bringing his imagination to the printed page.
The author starts the seeds of the story in the first book and nothing is wasted or filler. Small scenes in one book, with characters you may or may not think to ever see again, but can have an impact further down the road. This is like real life. If you help someone on the street or donating to charity, you may just be doing something that will change the world someday. You will meet an excellent cast of secondary and supporting characters who may come and go in the story but while they are there they are real characters and create real moments in time. Whether you see the impact or the characters again I will not say anything to spoil the story but as far as the characters development and the story itself Michael J. Sullivan did not waste your time with stand-in or generic stereotypical filler roles.
The individual stories each touched upon different adventures… breaking into an impregnable tower, a high seas adventure, a dungeon crawl, etc, giving each book its own unique feel and never a retread. This works well with the overall storyline for the entire series as well and in the end the payoff is well worth your time and money spent.
In regards to reading order, the author suggests publishing order, and I can understand why, but I hate prequels. I do not like knowing where the end is before I read something, so I read in chronological order and I am glad that I did. Seeing the beginning gave me, personally, a better feel for where the characters came from to where they were when the final volume concluded. I am sure these books can be enjoyed either order so use your personal preference when choosing. I cannot rate these books in any kind of order of enjoyment because overall I have come to look at it as one volume or one story. There were no weak books or weak stories to my taste so I will not try to critique it down to arbitrary ratings based on personal preferences… you cannot judge the arts technically… only how they impact you and your enjoyment.
Give this series a try if you are looking for something a little different from the glut of current fantasy out there today.
The first in the series as he wrote, you can see a guy who had thought about his characters a lot and already loved them. I think some of that would feel smoother to readers like me who got the back-story of the prequels prior to the official start. But the man has a readership so he is quite obviously doing something right.
I have recommended the series to friends and now to strangers. It is a lot of fun. Read it.
An inspiring tale of the oppressed fighting for their dignity and freedom.
Spoilers (general theme only)
This book relates a tale of Royce and Hadrian after they've been partnered together for about a year. This particular episode in set in the city of Medford where our heroes find themselves caught up in some clandestine plotting involving the attempted murder of King Amrath.
In addition there is a side-story of a stable boy (Reuben) that has ties to the main plot.
End Spoilers
Some thoughts on "The Rose and the Thorn...
The Pros:
1.) well written using easy to read prose that gave the entire tale a nice flow.
2.) it had a great sense of pace and timing with a near perfect ratio of action vs. drama.
3.) I liked the slow and carefully gauged transformation that the author has used in his approach to the development of the relationship between Royce and Hadrian. In this book we see early signs of their kibitzing style and the camaraderie that was the true nature of their association as seen in the original 'Riyria Revelation' series. It would have been so easy to make this fledgling partnership of one year seem like it had been in place for 10 years... but to his credit, the author opted to going with a slowly developing (and realistic) bond between the two. Bravo!
4.) I loved the intriguing side story of Reuben and Rose. The perfect complimentary balance to Royce and Hadrian's tale.
5.) main characters that can be severely injured or killed... added realism and a sense of believability within the context of the setting.
6.) map... a terrific map with names of places, a sense of direction and distances, and shaded to reflect topography. It's even enlargeable on the Kindle app (up to now enlarging on Kindle (for Ipad) just made small objects/print more indistinct).
7.) 'Glossary of Terms and Names'... found at the end. Giving a brief description of the people and places within the book. Just another touch of quality found in this series.
The Cons: (minor)
1.) there were a couple of typos.
2.) I didn't really like the cover (nor the last one)... the image looked like a couple of dressed up models. Somehow my image of Royce and Hadrian was different... I envisioned the pair more rugged with a touch of grungy... and semi good-looking rather than stunningly handsome, i.e. just not quite runway model quality. Not that my opinion matters of course, but that's just my impression. Wonder if anyone else has the same feelings about this cover art.
Impression:
Overall a great addition to the Riyria series. Michael J. Sullivan has created two characters that readers have adopted as their personal favorites. True blue to each other and friends, reliable, fearless, and as opposite in personalities as you could find, but yet somehow compliment each other's shortcoming like the perfect meshing of two jigsaw puzzle pieces.
And although you kind of know the ending (I mean, is there really anything better than a story where you know that the bad guys are in for a really bad day... lol) there is enough mayhem, chaos and uncertainty (even for some of the good guys) that it simply makes for a compelling read.
Brilliant! One of the best books yet.
As it is... 5 Stars.
Ray Nicholson
raynicholsonsreviews@hotmail.com
@ralannicholson
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On retrouve le plaisir enfantin d'une Fantasy classique avec bagarres, combats d'épée, morceaux de bravoure et complots à la Cour. Et l'auteur nous rappelle que même si Royce s'est un peu assagi au contact d'Hadrian, il reste un homme excessivement dangereux, et gare à ceux qui osent toucher à ses amis : Royce va le faire payer cher. Très cher...

Firstly, you can tell that something has changed Royce and Hadrian's partnership. Although their bond is not as strong as the one they will have much later, you can see how things have improved and it's pleasantly surprisingly. After a year, Hadrian is able to understand Royce to a certain extent, observing that the man only smiles and wears his hood up if someone is going to suffer, and even learns from his partner how to move with a little more stealth and awareness of his surroundings. What I found particularly impressive was the observations of Wintertide through Hadrian's perspective and how differently he thinks from the way he did in the previous novel. While things are more toned down with regards to Gwen in the story, you can see just how wonderfully the connection between herself and Royce forms, delicately presented in a way that is not eye-rolling at all or boringly derivative - it is genuinely enhancing.
In addition to Gwen and Royce, there is the unrequited love that Hilfred has for Arista and also King Amrath's restrained affection towards the queen. Tellingly, the romance here is somewhat melancholic, hesitant, and self-conscious. Neither man knows how the other person feels, despite being united by duty and marriage, and they each endure what feels like a mortal blow to their hearts when events come to pass. It was good to see where Hilfred had come from in terms of being employed in Essendon Castle and how he slowly worked his way up from an errand boy to a bodyguard to the royal family. I thought the suspense and portentous atmosphere of Richard Hilfred's actions were especially good, given that we know little about Hilfred's childhood, and though we knew what was essentially coming, the villainy wasn't too heavy-handed or annoyingly obvious - "The Crown Tower" seeks to expand on what has already happened in Revelations and it does so without a sense of repetition.
I honestly hope there is more to come from Riyria Chronicles. I want to know what mistake Royce made to land him and Hadrian in prison, as well as the build-up to King Amrath's demise. And I'd love to see how Viscount Albert Winslow grows into his role as a middle man for two professional thieves!