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The Hallowed Hunt (Chalion series, 3) Mass Market Paperback – May 30, 2006

4.5 4.5 out of 5 stars 2,021 ratings

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A magnificent epic tale of devotion, possession, obsession, and strange destiny from the author of the Hugo Award-winning

Paladin of Souls

Lois McMaster Bujold

The half-mad Prince Boleso has been slain by a noblewoman he had intended to defile -- and Lord Ingrey kin Wilfcliff must transport the body to its burial place and the accused killer, the Lady Ijada, to judgment. With the death of the old Hallow King imminent and the crown in play, the road they must travel together is a dangerous one. And though he is duty-bound to deliver his prisoner to an almost certain death, Ijada may be the only one Ingrey dares trust. For a monstrous malevolence holds the haunted lord in its sway -- and a great and terrible destiny has been bestowed upon him by the gods, the damned, and the dead.

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Editorial Reviews

Review

“An unusual kind of ghost story that transcends the usual intimate form by several degrees of magnitude.” — Locus

“Well worth exploring, offering a new twist on Bujold’s addictive mix of suspense, romance, heroism, politics, and unconventional religion.” — Mythprint

About the Author

One of the most respected writers in the field of speculative fiction, Lois McMaster Bujold burst onto the scene in 1986 with Shards of Honor, the first of her tremendously popular Vorkosigan Saga novels. She has received numerous accolades and prizes, including two Nebula Awards for best novel (Falling Free and Paladin of Souls), four Hugo Awards for Best Novel (Paladin of Souls, The Vor Game, Barrayar, and Mirror Dance), as well as the Hugo and Nebula Awards for her novella The Mountains of Mourning. Her work has been translated into twenty-one languages. The mother of two, Bujold lives in Minneapolis, Minnesota.

Product details

  • Publisher ‏ : ‎ Harper Voyager (May 30, 2006)
  • Language ‏ : ‎ English
  • Mass Market Paperback ‏ : ‎ 448 pages
  • ISBN-10 ‏ : ‎ 0060574747
  • ISBN-13 ‏ : ‎ 978-0060574741
  • Item Weight ‏ : ‎ 8 ounces
  • Dimensions ‏ : ‎ 4.19 x 1.12 x 6.75 inches
  • Customer Reviews:
    4.5 4.5 out of 5 stars 2,021 ratings

About the author

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Lois McMaster Bujold
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A science fiction legend, Lois McMaster Bujold is one of the most highly regarded speculative fiction writers of all time. She has won three Nebula Awards and six Hugo Awards, four for best novel, which matches Robert A. Heinlein's record. Bujold's Miles Vorkosigan saga is a massively popular science fiction mainstay. The mother of two, Ms. Bujold lives in Minneapolis.

Customer reviews

4.5 out of 5 stars
4.5 out of 5
2,021 global ratings

Top reviews from the United States

Reviewed in the United States on January 17, 2014
I've read all three books of the "Chalion" series by Bujold. And I often have trouble deciding which one is my favorite because it always seems to be the one I'm re-reading at the moment! However, as I am re-reading The Hallowed Hunt, that is where my thoughts are flowing and focused in the trilogy at this time. Which led me to meandering in the reviews of The Wild Hunt here on Amazon. In this, my "review", I will do a review of the book itself, and then I mean to respond to themes that have emerged from other reviews of this book.
The Wild Hunt takes us out of Chalion altogether into a new land in the same "world" - the Weald, a conquered land that overthrew its conquers, but has lost its indigenous culture. Its main character, Ingrey, is a rough bravo, with hidden depths who is sent to investigate a murder of the youngest scion of the high royalty of the Weald, and told to, in the name of political expediency, cover up the crime. Ingrey, upon encountering the young woman, Ijada accused of the thoroughly mad Boleso's murder, discovers not only that he cannot abide the miscarriage of justice he is sent to perpetuate, but that he is suddenly become the focal point of the gods and the lost shamanic culture of the old Weald that is rising to correct a hideous destruction of souls in his country's distant past. The culture is complex both in its "modern" and "ancient" portrayals, the characters are vivid, and the plot twists genuinely surprise the reader. This makes The Hallowed Hunt yet again Lois McMaster Bujold writing at the very top of her form and power as an author and the book does not disappoint.

Response to emerging themes and criticisms in many reviews of The Hallowed Hunt:
Where and when is The Wild Hunt set. This seems to be a running point in the more negatively critical reviews. Bujold takes a great leap out of the setting of the first two novels, and introduces an entirely new country, its customs and culture, all fully formed, very different, and above all, NOT set in Chalion. That seems to throw a fair amount of people for a loop.
The first two books, The Curse of Chalion and Paladin of Souls, have a singular setting in the country of Chalion, continuity and time through characters seen in the same setting/ (For instance, in Paladin of Souls, Ista, a secondary character in the first book, The Curse of Chalion, is the primary character of the second, events in the second book are set in Chalion only three years after the events of the first book and so forth).
The Hallowed Hunt seems to yank many readers up short by shifting altogether to some far country with all new characters and a very different scenario politically and theologically (though the Five Gods remain as the spiritual force of the books). Chalion exists in a brief mention in the Hallowed Hunt as the country that one of the main character's father comes from. Some people have stated that they don't understand where the country in the novel - the Weald - is geographically located, others assume its centuries in the past of Chalion. I disagree.
If we do some research, we find that Bujold based the original book and the original creation of Chalion on the historical unification of Castile and Leon into Spain, with loose associations with pertinent historical figures for her characters. In passing, it is noted that Darthaca, mentioned as a great kingdom beyond the bounds of Chalion, is loosely based on France. The Hallowed Hunt is set in a country that lies further beyond Darthaca, called The Weald. In the course of the story, we find that Darthaca invaded the Weald, conquered it and then the Weald over centuries of battle, throws the Darthacan invaders back out...all to no avail, as the invasion has destroyed the Wealdan culture forever. To me it feels that maybe, there is a hint of the Roman invasion of Gaul (loosely ancient France), which entailed the destruction of Gallic Celtic culture and the overlay of Roman culture that persisted thereafter. The ancient Weald which we see vividly through the eyes of a character,Wencel, the despairing last hallowed King of the Weald, feels very much like glimpses of ancient Gaul, perhaps with a touch of Briton thrown in, before Rome swept in. So to the recurring question of where did the Weald come from that seems to rise in reviews of the Hallowed Hunt, that is what I suspect Bujold used as a very loose basis for this book. (interestingly enough, a favorite secondary character, Jokul, a "pirate poet" and cheerful madman in The Wild Hunt is clearly based on Norse Viking Culture, right down to the "Viking" boat, and the skaldic poetry. Bujold knows her history!)
Then there is the question of the time frame of The Hallowed Hunt within the Chalion milieu, which also seems to cause confusion. The setting in time is vague, but it could easily be concurrent with the first two books, or not. The bare mention of Chalion, twice, only shows that its long feud with the Roknari princedoms is on-going, and known of, within the Weald.
It *could* be set during the period when the very first Roknari invaders overran Chalion clear to the border edge of Darthaca, before they were pushed back...or it could be set during the military campaigns of Paladin of Souls, as Chalion begins to edge towards possibly winning the war with the Roknari Princedoms forever. There is not enough detail to tell and perhaps it is not an important issue, except that it seems to cause question. I initially felt that it was concurrent in time with the first two books, but I don't insist upon that. Whether concurrent with The Curse of Chalion, and Paladin of Souls or set further back in time, it is consistent with the author's world building.
The other constant criticism that seems to rise in reviews of The Hallowed Hunt is that the characters are shallow and not as "fleshed out" as they are in the first two books, that we spend too much time inside the main character's head and view point, and that the pace of the novel is slower than the first two. I realize that my review like all readers' reviews is a personal opinion seen through the lenses of my own thoughts and biases. But I feel that if there is a "slow, rambling" book at all in the Chalion series, it is Paladin of Souls, as it meanders with Ista on her religious pilgrimage. And even that is not a criticism of Paladin of Souls, for that is consistent with how the characters are experiencing their adventure within its setting.
Further more, both Paladin of Souls and the preceding book, The Curse of Chalion are seen entirely from the POV of their main characters, just as it is The Hallowed Hunt seen entirely from the POV of its main character, Ingrey. And I think we spend as much time with Ista's or Cazaril's inner thoughts as we do with Ingrey's interior landscape. So, I just don't see that this "criticism" is sustained or correct.
Further more, to me, the main characters - Ingrey, Ijada, Wencel - are just as well developed as they are in the first two books, with just as many enjoyable secondary characters as well. In fact, the secondary characters, such as the cheerful madman Jokul, serious, worried prince Biast, the scorned princess Fara (who rises to become a stunningly pivotal character at the last, and - oh my - the vivid wild priestess of two gods, Halanna...no. In this book, the secondary characters come close to committing grand theft novel in a way that does not occur in the previous two books, so I think that this criticism is not sustained either.
I think, that what has happened a great deal with The Hallowed Hunt is that we all pounced on it the day it came out, expecting to go wallow again in the rich culture of Chalion, and perhaps follow a secondary character or even new character based again in the world of The Curse of Chalion and Paladin of Souls. Since even from the cover of the book, we can perceive before we open it, that the primary god of the story is the Son of Autumn, we might assume perhaps for instance to pick up with a son born to Bergon and Iselle, the rulers of Chalion, perhaps embroiled in the final resolving conflict of the war with the Roknari princedoms, as a possible hypothesis.
Instead, what we got was a great leap to an entirely unknown culture and a unique interpretation of the existing religion in a country so distant as to be virtually unknown in Chalion; an incredible exercise in consistent world building while creating something entirely new. While this may have initially created a sense of whip lash to our expectations, the sheer breathtaking creativity that Bujold brings to this leap into something entirely different, while staying entirely consistent with her world building shows her writing at its best, and invites us to expand our horizons and join her in experiencing the journey of these vivid new characters. I was not in the least disappointed. In some ways. and without in the least criticizing The Curse of Chalion and Paladin of Souls at all - I give them 5 stars too! - for me, The Hallowed Hunt may be my favorite, for it speaks deeply to my soul every time I read it.
Thus my personal thoughts.
Hopefully, they are helpful.
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Reviewed in the United States on January 22, 2022
I love Bujold, and with this book there's now nothing of hers I haven't read--oh, how I wish there were! This one took me what, fifteen years to read? I think that's right. I cracked it when it first came out, but really what I was looking for then was more like Curse of Chalion, and this was not that. Now I want more Penric, and this is much more in that flavor, I think. But it's more uneven and less sharply plotted than her usual style... her main character is awesome, but not very distinctly drawn... The whole book feels like Kubla Khan, the Coleridge poem. Like maybe it was based on a vision or a dream and the rest of the story was built not quite in context to support that, so now we have a rustic log cabin with soaring gothic towers, or something equally disjointed but impressive. Anyway, it's great, I was up all night reading it hence my wacky review, just different and hard to come to grips with. I'll probably have to read it six more times!
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Reviewed in the United States on July 13, 2016
I see why some other McMaster Bujold fans have been somewhat disappointed in this book compared to her other works, but I think the issue is just a difference in tone. The Hallowed Hunt has an archaic and elegiac air, like Mary Renault's oldest stories (The King Must Die, The Bull from the Sea), or some of Guy Gavriel Kay's works (Tigana, A Song for Arbonne). As they are read, these stories take on a cool, almost remote grief, because they are told against a backdrop of grave loss: the dying moments of a culture no longer our own, now almost wholly lost in antiquity. (Whether that culture is sourced in archaeology or fantasy, whether it did or will or may exist some-when in the universe, doesn't matter. What does matter is the power of the author's vision, and the depths of our own response to it.)

The stories evoke our truest desires. We hunger for their fierce bright certainties, for times when the holy spoke outright to ordinary hearts, when high deeds and greatness might be claimed by anyone with faith to hear and courage to follow their call.

But however strongly we feel their pull, we are separated from them by an unimaginable distance of time and diminishment. We no longer expect the gods, dressed in their mysteries and terrible glory, to intrude upon our daily lives; the seasons have lost their meaning, and the places of the earth no longer drop us to the ground in awe and trembling.

MINOR SPOILER:
The distance in time also makes it harder for us as readers to fully enter into the characters' personalities. Their assumptions, expectations and choices are often very much removed from our own, especially for modern women. I sometimes find myself getting furious at a female character's reaction to some injustice, like Ijada's rather calm acceptance of Prince Boleso's intent to rape her, but I've come to realize that the problem doesn't lie in the character's response, but in my social and cultural expectations. I'm wanting the character to share my outrage at her plight and react the way I would, when my anger simply indicates that the author has done a very good job of writing a character who's living in a very different culture or era, or just doesn't think the way I do.

For Ijada, what bothered her most wasn't the prospect of being raped, as that seemed common enough in her society that she'd already thought about her options and decided how best to react. Rather she felt betrayed by Prince Boleso's broken vow to protect her and her rights as his liege; she was furious that she had to imperil her soul by defending herself violently against him, and she was horrified and outraged at the impiety of his attempt to bind her will while she lived, and prevent her soul from reaching her god once she died.

None of those things would bother many modern people, because we don't think this way anymore. We too seldom value our honor or oaths very dearly, most people see self-defense as completely justifiable, and few people believe anyone else could control them completely or prevent their souls from moving on to whatever existence is to come. We don't share Igada's experiences, culture, religion or belief systems, so we also may have a hard time understanding many of her reactions or those of the other people in the book.

We just aren't those people, maybe we couldn't ever be those people--or maybe we've just forgotten how. Maybe we've just lost the way of seeing the world as they do--and yet stories like this can remind us of them so clearly that, even as we live in the story, we also feel the pain of knowing that there is no way back to that time or place or way of being human. It has already vanished and once the tale is finished, we are left clinging only to a few fragments of its history, or the power of the author's imagination.

Thousands of years ago, great writers were believe to carry a divine spark, a gift of the gods that burned with their truth. That fragment of light was seen sometimes as stolen, like Prometheus' fire or Raven's orb of sun, and for human beings, its light was both joy and suffering for everyone involved--and though the joy always seemed to just edge out the pain, both cut deeply into the soul. The best books are like that, and McMaster Bujold has written one here.
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Top reviews from other countries

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VanIsleReader
5.0 out of 5 stars third in the a”Chalion” series and just as great as the first two.
Reviewed in Canada on September 2, 2021
The Chalion books of Lois McMasterBujold are a great series with a completely original World where there are interesting contacts with the “Five Gods” of the existing religion. The characters are interesting and engaging the storyline is excellent. Can’t say enough about this series. I hope there more books written in this series
ProjektMyra
5.0 out of 5 stars Dreifach genossen
Reviewed in Germany on March 8, 2024
Während ich den ersten Chalion Roman als Audiobook via Overdrive BW konsumiert habe, hatte ich diesen schon, noch ungelesen, als EOS Paperback im Regal stehen. Ein Fantasyroman der via BookCrossing.com zu mir gelangt war. Ich habe mich beim hören des einen bereits auf das Lesen des anderen gefreut - übrigens zurecht, wie andere Reviews bestätigen werden: Hallowed Hunt ist gut und erneut gelingt es der Autorin, höfische Intrige und Zwischenmenschliches besser darzustellen als die meisten Männer die schreiben können. Um das Lesen nicht unterbrechen zu müssen bei schlechtem Licht etwa im Bus zur Arbeit habe ich mir noch EBook und Audiobook geholt und bruchlos zwischen den drei Formen Papier Digital und Audio gewechselt. Danke für den Genuss dabei und die Ideen die mir selbst beim Lesen kamen.
Daniel Lazar
5.0 out of 5 stars Very good reading
Reviewed in Spain on December 5, 2019
Like it a lot, very good writing.
Shorty Sue
5.0 out of 5 stars Top Notch! As Always...
Reviewed in the United Kingdom on May 14, 2019
Superb story lines, beautifully written with this author's trademark protagonists packed full engaging traits that make the reader both weep and grin at various stages. Both heroes and villains have depth and their motivations are understandable.
Craig Rayner
5.0 out of 5 stars 5 stars
Reviewed in Australia on May 29, 2019
5 stars