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Canon EF 24-105mm f/4 L is USM Lens for Canon EOS SLR Cameras
Purchase options and add-ons
Brand | Canon |
Focal Length Description | 24-105 millimeters |
Lens Type | Telephoto |
Compatible Mountings | Canon EF |
Camera Lens Description | 4 |
About this item
- 24-105mm standard zoom lens with f/4 maximum aperture for Canon EOS SLR cameras, Macro Focus Range : 0.45 m
- 1 Super UD glass element and 3 aspherical lenses minimize chromatic aberration and distortion
- Ring-type USM system delivers silent but quick autofocus (AF); full-time manual focus
- Image Stabilizer technology steadies camera shake at up to 3 stops; weighs 23.6 ounces
- Dust- and moisture-resistant; measures 3.3 inches in diameter and 4.2 inches long; 1-year warranty
- E7Magnification - Extension Tube EF25 II - ¹ Only compatible at tele.
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Important information
Legal Disclaimer
FULL 14 DAY SATISFACTION GUARANTEE, FULL 90 DAY PARTS AND LABOR WARRANTY. SERIAL #00753022, DATE CODE UV0209. USA MODEL w/WARRANTY CARD.
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Price | $699.95$699.95 | -25% $519.00$519.00 New Price: $689.95 | $623.99$623.99 | -18% $1,064.71$1,064.71 New Price: $1,299.00 | $1,088.99$1,088.99 | $1,184.95$1,184.95 |
Delivery | Get it as soon as Tomorrow, Mar 30 | Get it as soon as Tomorrow, Mar 30 | Get it Apr 4 - 5 | — | Get it as soon as Tomorrow, Mar 30 | Get it as soon as Tomorrow, Mar 30 |
Customer Ratings | ||||||
Image stabilization | 4.4 | 4.5 | — | 5.0 | — | — |
Auto focus | 4.4 | 4.7 | — | 5.0 | — | — |
For landscape photography | 4.3 | 5.0 | — | 5.0 | — | — |
Sold By | 6ave | Minty Gadgets (we track serial numbers) | Global Camera USA | HOTOTRONICS RENEWED | Minty Gadgets (we track serial numbers) | 6ave |
lens type | Telephoto | Standard | zoom | Wide Angle, Telephoto | Telephoto | — |
compatible mountings | Canon EF | Canon EF | Canon EF | Canon RF | Canon EF | Canon EF |
lens design | Zoom | Zoom | Zoom | Zoom | Zoom | Prime |
focus type | Auto Focus | Auto/Manual | manual-and-auto-focus | Auto Focus | — | Manual Focus, Auto Focus |
minimum focal length | 24 millimeters | 24 millimeters | 105 millimeters | — | 100 millimeters | 50 millimeters |
max focal length | 105 millimeters | 105 millimeters | 24 millimeters | 105 millimeters | 400 millimeters | 50 millimeters |
fixed focal length | 105 millimeters | 105 millimeters | 105 millimeters | 105 millimeters | 400 millimeters | 50 millimeters |
model name | 0344B002 | — | EF 24-105mm f/4L IS II | 2963C002 | ef | — |
Videos
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What You Should Know Before Buying This Lens
Simple Jane
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This is why you need this lens! 8 year review.
Kim & Karym
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The Best All-Round Lens for Photo and Video?.mp4
Simon Kenny
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Canon EF 101 - Lens Basics
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Product information
Product Dimensions | 4.21 x 3.31 x 3.31 inches |
---|---|
Item Weight | 1.48 pounds |
ASIN | B000AZ57M6 |
Item model number | 0344B002 |
Customer Reviews |
4.4 out of 5 stars |
Best Sellers Rank | #203 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | September 14, 2004 |
Manufacturer | Canon |
Country of Origin | Japan |
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What's in the box
Product guides and documents
Product Description
Product Description
L9) Canon 24-105Mm F/4 L Is Usm Lens. The L-Series Is Canon'S Flagship Professional Lens Range, Representing The Best In Precision-Designed Ef Optics. L-Series Lenses Combine Superior Performance With Superlative Handling, And Are Resistant To Dust And Moisture. The Ef 24-105Mm F/4L Is Usm Features Canon'S Three-Stop Image Stabilizer (Is), Making It Ideal For Handheld Work. Is Permits The Use Of Shutter Speeds Up To Three Stops Slower Than Normal, With No Perceptible Increase In Image Blur From Camera Shake. E7Magnification - Extension Tube EF25 II - ¹ Only compatible at tele.
From the Manufacturer
Dust and moisture resistant and incorporating Canon's very finest standards of precision optics, the EF 24-105mm f4L IS USM is designed for reportage, event, travel, and celebrity photographers looking for a lightweight and maneuverable lens with minimal image quality compromise.
Complementing the EF 17-40mm f4L USM and EF 70-200mm f4L USM, the lens completes Canon's f4L-series zoom lens range. These lenses are designed for professional photographers requiring a light zoom lens with a fixed aperture throughout the zoom range. For outstanding camera-shake reduction, Image Stabilizer allows shutter speeds of 3 stops slower than would otherwise be possible, with no perceptible increase in image blur.
The L-series is Canon's flagship professional lens range, designed to include outstanding image performance, ultimate operability, and weather resistance. The EF 24-105mm f4L IS USM offers a lightweight alternative to the renowned EF 24-70mm f2.8L USM.
Image Stabilizer
Image Stabilizer (IS) dramatically reduces image blur caused by camera shake. Gyro sensors detect unwanted vibrations, triggering the corresponding movement of a correcting lens group perpendicular to the optical axis. This alters the light path, returning the image to its correct position on the sensor or film plane.
The 3-stop advantage means that photographers normally shooting a 105mm lens handheld at 1/125 second can obtain a shake free result with a shutter speed as low as 1/15 second, for vastly extended options in low light conditions.
Superb autofocus
The ring-type USM motor found in the EF 24-105mm f4L IS USM employs ultra-sonic frequency vibrations to drive autofocus with unrivalled speed and near-silent operation. A powerful CPU and improved AF algorithm contribute to speed performance. Good holding torque stops the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. Photographers can choose manual focus instantly and at any time simply by moving the manual focus ring without first having to switch out of autofocus mode.
Constant f4 aperture from 24 to 105mm
The EF 24-105mm f4L IS USM offers the highest possible optical quality with no change in aperture over the full focal range of the lens. This allows photographers to set exposure at the widest aperture and zoom all the way through to 105mm without having to vary the shutter speed. It is the perfect lens for professional photographers looking for a lightweight and extended zoom alternative to its EF 24-70mm f2.8L USM counterpart. The lens employs an almost perfectly circular barrel aperture, helping create attractive, defocused backgrounds.
Image quality
To limit lens size and improve image clarity over the total image area, an Ultra-Low Dispersion glass (UD) element is used to eliminate the secondary chromatic aberrations that otherwise reduce sharpness and introduce color fringing. Aspherical lens elements correct spherical aberration for crisp, high-contrast, corner-to-corner quality. By optimizing Super Spectra lens coatings and lens element shaping, Canon's engineers have been effective in suppressing flare and ghosting--more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural color balance.
EOS system integration
The EF 24-105mm f4L IS USM includes distance metering information, providing compatibility with the E-TTL II flash system of late-model cameras such as the EOS-1D Mark II N and EOS 5D. When used in conjunction with Canon's range of EX Speedlite flash units, the lens passes distance information to the flash algorithm for markedly improved flash exposure metering. To match the weather resistance afforded by EOS-1 professional camera bodies, an O-ring seals the lens against the lens mount and numerous seals around the lens' moving components provide protection against the ingress of dust and moisture.
AF Mode and IS switches have been reshaped, making them less susceptible to being engaged or disengaged accidentally.
The EF 24-105mm f4L IS USM comes with a bayonet mount lens hood EW-83H and soft lens pouch LP1219. In keeping with Canon's Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.
What's in the box
Canon 24-105mm f/4L IS EF USM AF Lens, E-77U 77mm Snap-On Lens Cap, Lens Dust Cap E (Rear), EW-83H Lens Hood, LP1219 Soft Lens Case, 1-Year Warranty.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the sharpness, quality and image quality of the lens. For example, they mention it's a great all-purpose lens, takes good photos in all light conditions and produces sharp images. Customers are also impresseded with the performance, saying the IS works well and does all the little things quite well.
AI-generated from the text of customer reviews
Customers are satisfied with the sharpness of the lens. They mention that it is supper sharp, delivers images razor-sharp, and has good sturdy build. Some say that they have not found any problems with sharpness on their lens from end to end. They also mention that the detail and sharpness are incredible, with super tack-shape at the center and very little softness at the extreme edges. Overall, most are happy with the quality and performance of this lens.
"...This one, however, will be an excellent anchor lens for most small-number lens sets...." Read more
"...Plus did I mention that the optical quality is wonderful?..." Read more
"...-frame camera it's a great all-purpose walk-around as well as a great portrait lens...." Read more
"...It's very sharp and the colors are great. You can tell a difference in the colors of photos taken with this lens and cheaper lenses...." Read more
Customers like the quality of the lens. They say it is a great all-around lens that is suitable for full-frame cameras. The lens has a nice build and is an amazing all-purpose lens. It has use in many different shooting situations and is perfect as a walk-around.
"...or to keep a faster shutter speed or in low light, it does amazing things for handholding - I'm a convert to it - 3 to 4 stops more handholding..." Read more
"...On a full-frame camera it's a great all-purpose walk-around as well as a great portrait lens...." Read more
"...The constant aperture, IS, and L lens quality makes this a great all-around lens...." Read more
"...I feel like this lens gives the most versatility for someone who wants amazing photos and also wants to shoot occasional handheld videos...." Read more
Customers are satisfied with the image quality of the lens. They mention that it produces crisp, colorful, and full of detail images. They also say that it is excellent for landscape photography and that it improves clarity and color over the Canon EF 28-135mm I. Customers also say it is great for portrait or event photography.
"...too bad, the distortions wide open aren't bad and the image quality is simply astounding. Now is it the equal of my 28-70L - no way...." Read more
"...as the wide angle is really a wide angle, and the picture quality is just awesome. There critics! What do you have to say now?" Read more
"...The EF 24-105L not only takes good photos, it takes beautiful ones, notably nicer than several other well-regarded lenses in the same price..." Read more
"...And I remember why.This is great for portrait or event photography. I also like to take nature and fauna pictures...." Read more
Customers like the performance of the lens. They say the IS works well, the optical quality is excellent, and the movements are smooth. The lens does all the little things quite well under decent conditions, and customers are pleased with the results. It performs well as an all-round lens and works flawlessly on both cameras. The auto focus works and is amazing for landscape photography. It works reasonably well on mirrorless with an adapter, and is very good at a lot of things.
"...Overall the lens is a winner - it does all the little things quite well under decent conditions...." Read more
"...The circular aperture of this camera works well and allows you to get the depth of field you want with out the annoying jagged edges in out of focus..." Read more
"...The IS works well and is much quieter than the newer IS in the Canon EF-S 17-55mm...." Read more
"...Over all, I love it; it worked fine with my 6D." Read more
Customers are satisfied with the range of the lens. For example, they mention it has a great zoom range, providing enough opportunities to capture great photos. That said, they say it's a good lens for everyday use, and good for general wide-angle work up through short telephoto. Customers also say it has enough reach to get nice shots from a bit of a distance. Overall, they're happy with their purchase and recommend it to others.
"...It is good for general wide-angle work up through short telephoto (ideal for portraits), and it even has a limited "macro" ability to shoot close-ups..." Read more
"...24-105 is much better due to its slightly smaller weight and its greater range. Plus did I mention that the optical quality is wonderful?..." Read more
"...for 80% of the price of the EF24-105L. It's lighter-weight and has a wider angle, and the IS is a newer generation, but pictures were less rich and..." Read more
"...has the optical quality of the shorter zooms and the range provides enough opportunities to capture many great photos...." Read more
Customers like the color of the lens. They say the colors and contrast are excellent, and the L series quality produces great colors. The bokeh on this lens is impressive, and it has very crisp images.
"...Speaking of F4 it lets in a fair amount of light, I have not noticed any Vingeting at any focal length, but shooting on a 1.6 sensor crops out the..." Read more
"...puts into L lenses makes your pictures more saturated and true to life in color, and the L lenses will deliver professional results...." Read more
"...It's very sharp and the colors are great. You can tell a difference in the colors of photos taken with this lens and cheaper lenses...." Read more
"...The images are sharp, with awesome colors. They have an almost 3-D like quality about them!..." Read more
Customers are mixed about the value of the lens. Some mention that it's light weight compared to its 24-70 f/2.8 cousin, and produces great image sharpness. They also say that it retains its value well. However, others say that the weight is 10 oz heavier, the 70mm feels limiting for portraits, and it can also get heavy if you're carrying it around all day.
"...vacation or hiking then the 24-105 is much better due to its slightly smaller weight and its greater range...." Read more
"...Although not cheap, to me it's well worth every penny." Read more
"...However, two things worked against it for me. It was much heavier than I thought I would be able to handle for a full day, and the extra speed would..." Read more
"...the oomph I'd expect for 80% of the price of the EF24-105L. It's lighter-weight and has a wider angle, and the IS is a newer generation, but..." Read more
Customers are mixed about the focus of the camera. Some mention that it has a quick focus and adequate autofocus, while others say that it's slow and has shaky focusing.
"...Both the IS and autofocus features can be turned off in response to special photographic circumstances...." Read more
"...Therefore, candid shots were challenging due to the inability to focus quickly.I decided to purchase the Sigma 18-200...." Read more
"...I see no degradation as of yet when using this filter. Focusing is swift and quiet...." Read more
"...The only benefit of it is it's low minimum focus distance, but I plan to get a set of extension tubes next for the 50mm prime for macro photography...." Read more
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The lens is one of Canon's "L" (or red ring) lenses, which are their best. It is an image stabilization lens, which allows you to shoot somewhat slower handheld shots than would otherwise be possible. Both the IS and autofocus features can be turned off in response to special photographic circumstances. If you are using a tripod, for example, you may wish to turn off image stabilization, which if left engaged can in some circumstances actually give you a softer image than a tripod alone. If you are shooting close-ups with a tripod, you may also wish to defeat autofocus in order to force the exact focal plane you want for the item you are recording.
Canon makes a similar 24-70mm zoom lens that is an f/stop faster than this one, but it is heavier and doesn't have the focal range of this one. Evaluate your likely usage to see if that lens would be a better choice for you than this one. But I have to believe that this lens is probably the best central-range lens in a three-lens system for almost anyone.
To set a context for my evaluation, my basic three-lens system consists of this lens, a 17-40mm zoom for very wide angle or interior photography, and a 70-300mm zoom for telephoto work. Since I am also a macrophotographer, I have a couple of dedicated lenses for that kind of image capture. I specifically chose individual zooms with overlapping ranges for general photography so that I could minimize lens changes if an image I wanted to take was right at the capture boundaries of two separate lenses. But Canon makes several different zooms, and picking a lens set with different focal length continuity is certainly possible for people who have different ideas about the best focal lengths for their image priorities.
For individuals who prefer to buy a Canon camera body and lens individually rather than a complete kit with lens included, this is an excellent candidate for the first lens you should acquire to make a functional camera package.
Overall the lens is a winner - it does all the little things quite well under decent conditions. Its fast enough (with at least a little light) the vignetting isn't too bad, the distortions wide open aren't bad and the image quality is simply astounding. Now is it the equal of my 28-70L - no way. The 28-70 wide open, at the extremes was better and faster. Especially in low light. But if I'm walking around town or on vacation or hiking then the 24-105 is much better due to its slightly smaller weight and its greater range. Plus did I mention that the optical quality is wonderful? the IS really works (while it doesn't help if you want bokeh or to keep a faster shutter speed or in low light, it does amazing things for handholding - I'm a convert to it - 3 to 4 stops more handholding range - sign me up!)
If you are looking for a travel/everyday lens for a full frame dslr this may be the perfect lens when you take into account size, range and optical quality. Highly recommended
Of course we all could wish it was cheaper, but professional camera gear is just this way... when I go out to do landscape and wildlife photography my jeep triples in value as soon as I put the camera bag in the back.
The Image Stabilization system in this camera is great, leave it on always, its sensitive enough to even help absorb the flicker of the mirror in your camera. You don't have to switch it off when you mount it on a tripod. While it will not save every shot and blur is always a possibility when you go below 1 60th of a second with any lens but I have had great luck using this to hand hold images down to as low as 1/4 of a second some of them turn out some of them dont but the fact that ANY of them turn out is impressive to me and proof the technology works.
You need to know HOW to use the IS however, its important that you allow the internal gyros time to spin up before you take the shot this takes about a half a second. Learning to see the photo before it happens and anticipating the shot is all part of this process, allowing the lens a half second to spin up to speed will allow you to utilize the full potential of IS
The circular aperture of this camera works well and allows you to get the depth of field you want with out the annoying jagged edges in out of focus items that lenses with normal aperture blades will give you. Bokeh is a little weak but we are only at f4 so that is expected.
Speaking of F4 it lets in a fair amount of light, I have not noticed any Vingeting at any focal length, but shooting on a 1.6 sensor crops out the edges...
Compared side by side with the 28-135 on a rebel xti the shots taken with this lens are easily recognizable as more contrasty and sharper. (the 28-135 IS is STILL a great lens however)
As with any lens this one has its own characteristics that you will need to get use to. Flare is very minimal in all but the most extreme lighting situations. However when you do encounter flare (usually only happens when your TRYING to get the lens to flare out on you) you usually get a sharp jagged object with a halo around it, If your trying to create a purposeful flare effect that looks good this is not the lens to use.
If you just bought the rebel XTi this is the kind of lens you are going to need to utilize all ten million pixels on the camera.
So if you buy this lens, congratulations you have just reached the top of technology and optical performance. If treated right this lens will provide you with a life time of images of uncompromising quality.
Of course we all could wish it was cheaper, but professional camera gear is just this way... when I go out to do landscape and wildlife photography my jeep triples in value as soon as I put the camera bag in the back.
The Image Stabilization system in this camera is great, leave it on always, its sensitive enough to even help absorb the flicker of the mirror in your camera. You don't have to switch it off when you mount it on a tripod. While it will not save every shot and blur is always a possibility when you go below 1 60th of a second with any lens but I have had great luck using this to hand hold images down to as low as 1/4 of a second some of them turn out some of them dont but the fact that ANY of them turn out is impressive to me and proof the technology works.
You need to know HOW to use the IS however, its important that you allow the internal gyros time to spin up before you take the shot this takes about a half a second. Learning to see the photo before it happens and anticipating the shot is all part of this process, allowing the lens a half second to spin up to speed will allow you to utilize the full potential of IS
The circular aperture of this camera works well and allows you to get the depth of field you want with out the annoying jagged edges in out of focus items that lenses with normal aperture blades will give you. Bokeh is a little weak but we are only at f4 so that is expected.
Speaking of F4 it lets in a fair amount of light, I have not noticed any Vingeting at any focal length, but shooting on a 1.6 sensor crops out the edges...
Compared side by side with the 28-135 on a rebel xti the shots taken with this lens are easily recognizable as more contrasty and sharper. (the 28-135 IS is STILL a great lens however)
As with any lens this one has its own characteristics that you will need to get use to. Flare is very minimal in all but the most extreme lighting situations. However when you do encounter flare (usually only happens when your TRYING to get the lens to flare out on you) you usually get a sharp jagged object with a halo around it, If your trying to create a purposeful flare effect that looks good this is not the lens to use.
If you just bought the rebel XTi this is the kind of lens you are going to need to utilize all ten million pixels on the camera.
So if you buy this lens, congratulations you have just reached the top of technology and optical performance. If treated right this lens will provide you with a life time of images of uncompromising quality.
Top reviews from other countries
Reviewed in Mexico on December 9, 2019
Excellent carry-on lens, just be aware that it's much larger and heavier that a kit lens!