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Nikon AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED Vibration Reduction Zoom Lens with Auto Focus for Nikon DSLR Cameras
Purchase options and add-ons
Brand | Nikon |
Focal Length Description | 16-85 millimeters |
Lens Type | Standard |
Compatible Mountings | Nikon F (DX) |
Camera Lens Description | 85 millimetres |
About this item
- AF-S DX Nikkor 16-85mm f/3.5-5.6G ED VR lens
- Focal Length Range : 16 -85 mm, Minimum Focus Distance : 1.3 ft. ( 0.38 m)
- Designed for use with Nikon DX digital SLR cameras, including the D40, D60, D80, D90, and D300
- Vibration reduction allows in-focus shots with longer exposure times (up to four shutter speeds slower), Ideal for wide-angle shots and portraiture
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Price | $349.95$349.95 | -27% $133.20$133.20 New Price: $183.99 | -10% $623.99$623.99 New Price: $696.95 | $699.99$699.99 | $382.76$382.76 | $2,296.95$2,296.95 |
Delivery | — | Get it Mar 29 - Apr 3 | Get it as soon as Tuesday, Mar 26 | Get it as soon as Tuesday, Mar 26 | Get it Apr 5 - 19 | Get it as soon as Tuesday, Mar 26 |
Customer Ratings | ||||||
Auto focus | 4.5 | 4.2 | 4.7 | 4.1 | 4.5 | 4.7 |
Picture quality | 4.8 | 4.8 | — | — | 4.6 | 4.7 |
Image stabilization | — | 4.4 | 5.0 | 4.0 | 4.6 | — |
Quality of material | 4.4 | — | — | — | 4.7 | 4.6 |
For landscape photography | — | 4.2 | — | 4.6 | 4.8 | — |
Sold By | Fast Ship Direct | Port Hole Renewed | Xpress Products (We track Serial Numbers) | Xpress Products (We track Serial Numbers) | 2reasons | Amazon.com |
lens type | Standard | Zoom | Wide Angle, Normal, Telephoto | Zoom lens | Telephoto | Telephoto |
compatible mountings | Nikon F (DX) | Nikon DX | Nikon F (DX) | Nikon F (FX) | Nikon F (DX) | Nikon F (FX) |
lens design | Zoom | Zoom | Zoom | Zoom | Zoom | Zoom |
focus type | Auto Focus | Micro-type ultrasonic | Ultrasonic | Auto Focus, Auto/Manual | Auto Focus | Ultrasonic |
minimum focal length | 16 millimeters | 55 millimeters | 18 millimeters | 28 millimeters | 55 millimeters | 80 millimeters |
max focal length | 85 millimeters | 200 millimeters | 300 millimeters | 300 millimeters | 300 millimeters | 400 millimeters |
Product Description
Product description
Nikon 16-85mm f/3.5-5.6G AF-S DX ED VR Nikkor Wide-Angle Telephoto Zoom Lens for Nikon DSLR Cameras (2178)
Amazon.com
The compact and highly versatile Nikon 16-85mm wide-angle-to-medium telephoto zoom lens is ideal for a broad range of shooting situations, from interiors and landscapes to portraits. The lens is equipped with Nikon's Vibration Reduction technology, which minimizes the effects of camera shake. This allows handheld shooting at up to four shutter speeds slower than would otherwise be possible, producing dramatically sharper images at distance. The lens also offers two extra-low-dispersion (ED) glass elements, which minimize chromatic aberration to produce superior sharpness and color correction, and three aspherical lens elements, which virtually eliminate coma effects and other flaws, even when used at the widest aperture. And photojournalists will love the exclusive Nikon Silent Wave Motor (SWM), which facilitates accurate, high-speed, ultra-quiet autofocusing.
Other features include a Super Integrated Coating (SIC) that offers superior color performance and reduced ghosting and flare; a closest focusing distance of 1.3 feet throughout the entire zoom range; a rounded seven-blade diaphragm that improves the appearance of out-of-focus image elements; and a one-year warranty.
Specifications
- Focal length: 16 to 85mm
- Maximum aperture: f/3.5 to f/5.6
- Zoom ratio: 5.3x
- Minimum aperture: f/22 to f/36
- AF-S Silent Wave Motor: Yes
- Vibration Reduction: Yes
- Minimum focus distance: 1.3 feet
- Maximum angle of view: 83 degrees
- Dimensions: 2.8 inches in diameter and 3.4 inches long
- Weight: 17.1 ounces
- Warranty: 1 year
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Product information
Product Dimensions | 3.35 x 2.83 x 2.83 inches |
---|---|
Item Weight | 1.07 pounds |
ASIN | B0013A1XDE |
Item model number | 2178 |
Customer Reviews |
4.4 out of 5 stars |
Best Sellers Rank | #345 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | November 24, 2003 |
Manufacturer | Nikon |
Country of Origin | Thailand |
Warranty & Support
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Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, sharpness, and performance of the lens. For example, they mention it's a good all-around lens, produces beautiful pictures, and works well with their cameras. That said, they like the value, color, and range. Opinions are mixed on the focus.
AI-generated from the text of customer reviews
Customers are satisfied with the quality of the lens. They mention that it is a very good DX lens, with good build quality. The lens delivers quality, autofocus speed, VR, and great focal length. It is able to produce impressive results and is regarded as a good all-around lens. Customers also mention that the lens is solid and well constructed. Overall, customers are happy with their purchase and recommend it to others.
"...It's much cheaper, though, and has a pseudo-macro capability, and most are reportedly sharp, so you might consider that lens also...." Read more
"...complements the Nikon D7000 very, very well with its size, weight, versatility and performance...." Read more
"...Otherwise, if you want a superfast high quality all around glass for landscape and portrait, then get the Nikon 24-70mm f/2.8..." Read more
"...VR helps out as expected.Build quality of the lens is good. The rings for focus and zoom are tight and responsive without being sticky...." Read more
Customers like the image quality of the lens. For example, they mention that it produces high-quality pictures, is ideal for close-ups, and has great optics. Some say that the lens is great for capturing bird pictures and has a great focal range for everyday photography.
"...18-200, and the lens extension is much tighter, as well there is no zoom creep. My 18-200 creeps to full zoom if you point it down even 45 degrees...." Read more
"...It is a good walk around lens for my D7000 and takes relatively sharp photos...." Read more
"...league as the Nikon 50 MM F1.8 AFD, but considering that it is a VR zoom lens that gives good results wide open and is relatively compact and light,..." Read more
"...If you do portrait sessions this is the lens for you, great bokeh and so crisp..." Read more
Customers are satisfied with the sharpness of the lens. They mention that it is an excellent lens, very crisp, and bright. They also say that it's well built and takes very sharp pictures.
"...To my surprise, the 16-85mm is tack-sharp to the point where it's even sharper than the 17-55mm. It's quite obvious on the corners...." Read more
"...VR works well. ½ second hand held at 33mm equivalent. It's dead sharp and 4 stops slower than the nominal 1/30th...." Read more
"...The focusing is fast, accurate and quiet. This lens is very, very sharp...." Read more
"...I am happy to report I have not been disappointed. Sharpness is excellent. Color fidelity is excellent. Exposure is excellent...." Read more
Customers are satisfied with the performance of the lens. They mention that the VR performs superbly, giving excellent results. The lens works well, is sharp, and has a great range. It also provides crisp, clear results. Some say that the macro works OK. Overall, most are happy with their purchase and recommend it to others.
"...The VR II is excellent on this lens; I get sharper pictures at f5.6 (1/13 sec) than the 17-55mm f2.8 (1/50 sec) for static subjects handheld...." Read more
"...Colors and focus are right on.Macro works OK.It's heavy: I knew it would be...." Read more
"...The VR works fine but in this focal range it is less apparent than on longer zooms. The zoom ring is very stiff - too stiff...." Read more
"...Maybe you can, but your father shouldn't try it. It has VR which is very handy, but you will want a good tripod...." Read more
Customers appreciate the value of the camera lens. They say it is adequate for the money, the quality is incredible for the price, and is worth the effort of carrying.
"...It's much cheaper, though, and has a pseudo-macro capability, and most are reportedly sharp, so you might consider that lens also...." Read more
"...(price tag around ~$1600 but it is worth every penny if you can afford it)." Read more
"...is relatively compact and light, I would say that it is an excellent value for the cost.Conclusion?..." Read more
"...Not a professional lens by any means, but a great value for what it does." Read more
Customers are satisfied with the color of the camera lens. They mention that the color is good across the whole zoom range, and they are amazed at the difference in the color saturation. The lens is contrasty, and the glass is gorgeous.
"...Colors and focus are right on.Macro works OK.It's heavy: I knew it would be...." Read more
"...The colors are accurate but not quite as 'vibrant' or 'punchy' as I usually like (easily corrected with in-camera settings)...." Read more
"...Sharpness is excellent. Color fidelity is excellent. Exposure is excellent...." Read more
"...It's incredibly sharp and contrasty. The AF is somewhat spotty when zoomed wide, but otherwise it's fast, silent, and accurate...." Read more
Customers are satisfied with the range of the lens. They mention that it has a great focal range, allowing for intimate proximity and covering their short distance needs. The lens has an amazing depth of field and crisp details, and provides a nice range for family gatherings, portraits, and a day in the wood. The barrel extends pretty far at 85mm, and there has been no creep or wobbling at all.
"...The barrel extends pretty far at 85mm and I haven't had any creep or wobbling at all...." Read more
"...It's range allows for intimate proximity as well as lending the ability to go somewhat unnoticed which is how I prefer to shoot a lot of the time...." Read more
"...For many people this could really be their only one lens. The range is great. It is amazingly sharp lens...." Read more
"This is a very sharp lens with a very good VR, quick focus and range. For what it is, a very sharp DX lens for a good price it does a great job...." Read more
Customers are mixed about the focus of the lens. Some mention that it has a very slow focus in low light conditions, and the focus snaps into place faster. However, others say that it does not keep focus when zooming in or out, and that the autofocus just stopped working.
"...This lens can focus much faster in low light conditions compared to the Nikon 18-200mm lens...." Read more
"...The focusing ring is perfect! To switch to manual you just grab the ring and start turning it - all lenses should be designed this way...." Read more
"...The one downside is simply that it's a slow lens. But, no slower than the 18-200...." Read more
"...And it focuses surprisingly close! Not a professional lens by any means, but a great value for what it does." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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The 16-85 is sharper than the 18-200. 16mm is significantly wider angle than 18mm, and I have found the extra wide angle more important than the zoom range I lost in going from the 18-200. The 16-85 is also significantly smaller and lighter than the 18-200, and the lens extension is much tighter, as well there is no zoom creep. My 18-200 creeps to full zoom if you point it down even 45 degrees. I don't think the 16-85 will develop that trait. There is significantly less image distortion at the wide end with the 16-85. BTW, my 18-200 is an early one, made in Japan, so likely a better than average sample. I believe all 16-85 lenses are made in Taiwan.
The one downside is simply that it's a slow lens. But, no slower than the 18-200. The VR on my sample is not really any better than that of the 18-200, but it's not worse either. I can get sharp images down to 1/8 to 1/15, depending on the zoom, with probably a 50% hit rate to be acceptably sharp. When shooting that slow, I just take 2 or 3 images at a time and one of them is usually sharp. Combined with the high ISO capability of the D300, I can live with the speed of this lens for my shooting. I do use the D300 battery grip, so have a bit of weight which helps with steadiness, too. I find the ability to shoot landscape or portrait with the grip far outweighs it's bulk. I never take it off the camera when handholding.
I do notice at the wide end when handheld with VR the images have an edgy character when zoomed to 100% that I take to be a characteristic added by VR. It could also be that it's approaching the resolution limit of the sensor and I'm expecting more from each pixel than can be provided at 16mm by a D300 12 MP sensor. I never noticed this with the 18-200. Neither do I notice it on my 12-24 at that focal length. I don't see it zoomed to anything less than 100%, and I'm far more pleased with having the 16mm shots than I'm bothered by this characteristic.
I was hoping for absolute sharpness, in the same vein as my 70-200 VR, and this lens is close, but not quite as sharp. But it's noticeably sharper than the 18-200, most especially at 85mm, and when looking past the center of the frame. At f8 and above, the center of the images between the 16-85 and 18-200 are fully the same sharpness. Past 85mm, the 18-200 becomes less useful due to loss of contrast and sharpness, again making the loss of that zoom range less bothersome.
I also considered the Sigma 17-70, but with no VR, that lens while faster would be much more limited. It's much cheaper, though, and has a pseudo-macro capability, and most are reportedly sharp, so you might consider that lens also. I shoot a lot of low light scenes, mostly street scenes at night. I don't mind some blurred people - it simply lends life to the image. I can easily handhold street scenes at night of lit storefronts etc with sharp images of static objects - all I can ask for.
My alternative was the 24-70. I know I would have been happier with that lens on an absolute basis, in terms of sharpness, build quality, and overall image quality. But the size and lack of VR of the 24-70 would limit my satisfaction and given the zoom range, it would be a much more limited lens. I have achieved close to the level of sharpness, with less weight and cost. Overall, this lens will add more to my photography than the 24-70, and for less than half the cost. When I get a D700, I will also add the 24-70, but not before.
I own other lenses with good to very good Bokeh. The 50 1.8, 70-200 2.8 VR, and Tamron 90 2.8 that I have all have very good Bokeh. Neither the 18-200 or 16-85 do. Just to say, it's very helpful to have at least one lens with very good background blur characteristics in your kit for portraits or closeups. The 16-85 is not that lens at most focal lengths.
In short, I'm happy with the purchase, and would purchase again. I will rarely use the 18-200 now that I've purchased this lens.
Reviewed in the United States on October 26, 2023
To my surprise, the 16-85mm is tack-sharp to the point where it's even sharper than the 17-55mm. It's quite obvious on the corners. From corner to corner, the lens is just excellent. Being somewhat of a pixel peeper, I am happy with this copy even wide open. It's much, much sharper than the 18-55mm VR, 18-105mm VR, 18-200mm VR , all of whom I've owned in the past but failed to secure their spots in my bag. The quality of the 16-85mm fairs pretty well against the 35mm 1.G prime.
The VR II is excellent on this lens; I get sharper pictures at f5.6 (1/13 sec) than the 17-55mm f2.8 (1/50 sec) for static subjects handheld. But if you plan on shooting moving objects in extreme low light, you'd have to bump up your ISO to a safe level or pull out your must-have fast primes. As good as it is, for events such as wedding or indoor parties, the 17-55mm could be a better option.
For a normal walkaround lens, the 16-85mm VR is more desirable than the 17-55mm where neither portraits with nice bokeh or moving subjects in extreme low light are deal breakers. But I do have the 50mm 1.8G as a remedy.
The 16-85mm VR complements the Nikon D7000 very, very well with its size, weight, versatility and performance. My other Nikon standard zooms just couldn't keep up with the higher sensor.
For lenses, my bag is reduced to the 16-85mm VR, 50mm 1.8G and 70-300mm VR. I am not a Pro by any means, just a D-SLR enthusiast with a happy smile '
Top reviews from other countries
La relación calidad-precio no es óptima, pero vale lo que cuesta.
No distorsiona demasiado a 16, y para la mayoría de las fotos de viajes vale.
Con la d7000 se lleva de miedo.
Incluye el típico parasol y bolsa.
Beide Objektive habe ich an meiner Nikon D7100 gestestet.
Ich muß hinzufügen das mein Vergleich ausschließlich Praxisbezogen ist und keinerlei Laborprüfungen durchgeführt worden sind. Meine Rezension beziehen sich ausschließlich auf Erfahrungen in der Praxis mit beiden Objektiven. Meine hier geschilderten Eindrücke und Bewertungen hinsichtlich dieser beiden Objektive sind daher sicherlich teilweise subjektiv.
Zur Abbildungsleistung:
Landschaftaufnahmen mit dem Nikkor 18-105mm waren trotz Verwendung von Stativ, Blende 8, Belichtungszeit von 160/S und 250/S recht matschig, insbesondere an den Bildrändern lässt meiner Meinung nach die Bildschärfe deutlich nach. (Brennweite 18mm). Bei Nutzung der anderen Brennweitenbereiche, bei Tabletopaufnahmen waren die Ergebnisse auch eher unterdurchschnittlich. Wenn man natürlich den Preis des Nikkor 18-105mm betrachtet ( ca. 200€ ) erhält man für dieses Geld ein ordentliches Immerdraufobjektiv.
Für meine Belange aber leider nicht ausreichend.
Das Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR bildet in allen Blendenbereichen und Brennweiten, auch bei Offenblende deutlich schärfer ab. Auch unter eher ungünstigeren Lichtbedingungen gelingen damit sehr scharfe Abbildungen. Die 20mm mehr Brennweite im Vergleich zum 18-105mm sind gut zu verschmerzen. Die 2mm weniger bei dem Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR waren mir da schon wichtiger.
Damit sind aber noch nicht alle Vorteile des Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR aufgezählt.
Der Autofokus ist sehr treffsicher und der Bildstabilisator verfügt über zwei Modi, zum einen Normal und zum anderen Active, mit dem Active Stabi gelingen sogar Aufnahmen, die auf einem Feldweg aus einem fahrenden Auto geschossen werden.
Die Verarbeitungsqualität ist hervorragend, an Stelle des Plastiktubus bei dem 18-105mm hat das 16-85mm einen Metalltubus. Auch das manuelle scharfstellen und das zoomen funktioniert an den Einstellringen des 16-85mm besser und genauer. Die Wiederstände der Einstellringe empfinde ich als sehr angenehm. Darüber hinaus ist das Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR am Bajonettverschluss mit einem Dichtring ausgestattet, somit ist die Warscheinlichkeit das Staub oder Feuchtigkeit in den Body eindringt um einiges geringer.
Mein Fazit:
Das Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR ist meiner Meinung nach das beste Standartzoomobjektiv das zur Zeit von Nikon für DX Kameras angeboten wird. Wenn man noch mehr möchte, wird man entweder noch mehr bezahlen müssen oder auf Festbrennweiten ausweichen müssen.
Habe ein Bild von unserem Australien Shepherd (Hütehund) hinzugefügt, schneller Autofokus und Knackscharf.
Ich bereue den Kauf nicht, eine klare Kaufempfehlung für Fotografen die etwas mehr möchten.
*Sollte diese Rezension für Sie hilfreich gewesen sein würde ich mich über ein positives Feedback freuen.
*Sollten in dieser rezension Fragen unbeantwortet geblieben sein, werde ich die Fragen im Rahmen meiner Möglichkeiten auf Nachfrage beantworten.
Reviewed in Germany on December 14, 2013
Beide Objektive habe ich an meiner Nikon D7100 gestestet.
Ich muß hinzufügen das mein Vergleich ausschließlich Praxisbezogen ist und keinerlei Laborprüfungen durchgeführt worden sind. Meine Rezension beziehen sich ausschließlich auf Erfahrungen in der Praxis mit beiden Objektiven. Meine hier geschilderten Eindrücke und Bewertungen hinsichtlich dieser beiden Objektive sind daher sicherlich teilweise subjektiv.
Zur Abbildungsleistung:
Landschaftaufnahmen mit dem Nikkor 18-105mm waren trotz Verwendung von Stativ, Blende 8, Belichtungszeit von 160/S und 250/S recht matschig, insbesondere an den Bildrändern lässt meiner Meinung nach die Bildschärfe deutlich nach. (Brennweite 18mm). Bei Nutzung der anderen Brennweitenbereiche, bei Tabletopaufnahmen waren die Ergebnisse auch eher unterdurchschnittlich. Wenn man natürlich den Preis des Nikkor 18-105mm betrachtet ( ca. 200€ ) erhält man für dieses Geld ein ordentliches Immerdraufobjektiv.
Für meine Belange aber leider nicht ausreichend.
Das Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR bildet in allen Blendenbereichen und Brennweiten, auch bei Offenblende deutlich schärfer ab. Auch unter eher ungünstigeren Lichtbedingungen gelingen damit sehr scharfe Abbildungen. Die 20mm mehr Brennweite im Vergleich zum 18-105mm sind gut zu verschmerzen. Die 2mm weniger bei dem Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR waren mir da schon wichtiger.
Damit sind aber noch nicht alle Vorteile des Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR aufgezählt.
Der Autofokus ist sehr treffsicher und der Bildstabilisator verfügt über zwei Modi, zum einen Normal und zum anderen Active, mit dem Active Stabi gelingen sogar Aufnahmen, die auf einem Feldweg aus einem fahrenden Auto geschossen werden.
Die Verarbeitungsqualität ist hervorragend, an Stelle des Plastiktubus bei dem 18-105mm hat das 16-85mm einen Metalltubus. Auch das manuelle scharfstellen und das zoomen funktioniert an den Einstellringen des 16-85mm besser und genauer. Die Wiederstände der Einstellringe empfinde ich als sehr angenehm. Darüber hinaus ist das Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR am Bajonettverschluss mit einem Dichtring ausgestattet, somit ist die Warscheinlichkeit das Staub oder Feuchtigkeit in den Body eindringt um einiges geringer.
Mein Fazit:
Das Nikon AF-S DX Nikkor 16-85mm 1:3,5-5,6G ED VR ist meiner Meinung nach das beste Standartzoomobjektiv das zur Zeit von Nikon für DX Kameras angeboten wird. Wenn man noch mehr möchte, wird man entweder noch mehr bezahlen müssen oder auf Festbrennweiten ausweichen müssen.
Habe ein Bild von unserem Australien Shepherd (Hütehund) hinzugefügt, schneller Autofokus und Knackscharf.
Ich bereue den Kauf nicht, eine klare Kaufempfehlung für Fotografen die etwas mehr möchten.
*Sollte diese Rezension für Sie hilfreich gewesen sein würde ich mich über ein positives Feedback freuen.
*Sollten in dieser rezension Fragen unbeantwortet geblieben sein, werde ich die Fragen im Rahmen meiner Möglichkeiten auf Nachfrage beantworten.
Bref c'est un achat que je ne regrette pas et referais si je ne l'avais déjà fait, Je le recommande à tout photographe exigeant. La qualité des photos et l'aisance des prises de vue font vite oublier le prix, certes assez élevé.
Allowing for the crop factor, the 16-85mm focal length used on a DX camera gives effective angles of view of around 24 - 125mm. This overcomes one of the minor issues I had with the 18-35mm: It's a good wide angle lens, but I was forever having to swap to my 24-80mm zoom to get the longer view. This lens covers that ground nicely. It's no replacement for my 28-80 f2.8 Tokina, but it's good to have the overlap.
The biggest problem I wished to overcome was that while the images from my older 18-35mm where pretty sharp, the barrel distortion at the 18mm end of the zoom was ridiculous. I can correct the bulging in Photoshop if I was careful to make sure that the plane of the camera in front of the photographic subject was well placed, but that's not always possible. The end result is that it can be very painful trying to straighten out wonky lines. There is still a little barrel distortion at the 16mm end of the 16-85mm lens, but even with the extra 2mm focal length gain, the distortion is very mild. If you're not photographing straight lines (alas, architecture is one of my favourite subjects) then you'll probably not even notice it.
Being restricted to smaller apertures is not great in poor light, and my old lens gave me problems in that department. I also like shooting graffiti, which is often seen in low light conditions. The 16-85mm isn't any faster then my old lens, but with the amazing VR mechanism built in I can hand hold in poorly lit places with long shutter speeds which would have me ramping up the ISO with the old lens.
The end result is that this lens is quite an upgrade. It's wider and longer at the same time, it's no faster then my old lens, but with VR it overcomes some of the issues associated with low-light shooting. It covers the ground that I needed two lenses to cover previously and it's all but removed the barrel distortion problems I've had in the past.
Shooting with the new lens is a real joy. The lens feels solid and robust, with a good heft to it. The zoom action feels smooth, and can be taken from the 16mm to 85mm extremes with one twist. The focus with the Sonic Wave motor is reasonably quick, and as yet I've not noticed any problems trying to auto-focus in low light, where other lenses I have had will tend to 'hunt' before eventually locking up under similar conditions. I've only shot a few dozen images through the lens to date, but those have come back sharp, with great contrast and little by way of colour aberrations even under close scrutiny.
In summery then, I think for a compromise lens (the 17-35mm f/2.8D ED-IF AF-S NIKKOR would be great but at around £1000... ouch!) this offers phenomenal value for money at this price. It will undoubtedly become the lens most attached to my camera going forward.