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90125 Expanded
LP
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Listen Now with Amazon Music |
90125 (Deluxe Version)
"Please retry" | Amazon Music Unlimited |
Price | New from | Used from |
MP3 Music, November 7, 1983
"Please retry" | $10.49 | — |
Vinyl, Original recording, January 1, 1983
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| $139.00 | $9.54 |
Audio, Cassette, October 17, 1990
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From the brand
Track Listings
1 | Owner of a Lonely Heart (2003 Remaster) |
2 | Hold On |
3 | It Can Happen |
4 | Changes |
5 | Cinema (2003 Remaster) |
6 | Leave It (2003 Remaster) |
7 | Our Song (2003 Remaster) |
8 | City of Love (2003 Remaster) |
9 | Hearts (2003 Remaster) |
10 | Leave It (Single Remix) |
11 | Make It Easy |
12 | It Can Happen (Cinema Version) |
13 | It's Over |
14 | Owner of a Lonely Heart (Extended Remix) |
15 | Leave It (A Capella) |
Editorial Reviews
Time has proven Yes to be the most successful progressive rock band ever. Formed after Jon Anderson and Chris Squire met in a London club, Yes signed to Atlantic in 1969, and that year's self-titled debut LP launched a steady stream of artistically adventurous albums. Following up the '02 release of the 5-CD In A Word: Yes (1969 ), we continue exploring their oceanic catalog with three masterpieces from the '70s & '80s that are fitting testaments to Yes' remarkable staying power.
90125 is newly expanded with over 30 minutes of bonus material, including the Cinema version of "It Can Happen," an extended remix of "Owner Of A Lonely Heart," and the previously unreleased "It's Over."
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.71 x 5.12 x 0.39 inches; 3.46 ounces
- Manufacturer : Elektra Catalog Group
- Item model number : 2020713
- Original Release Date : 2004
- Date First Available : January 29, 2007
- Label : Elektra Catalog Group
- ASIN : B00009Z570
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #4,339 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #53 in Classic Psychedelic Rock
- #88 in Progressive Rock
- #108 in Arena Rock (CDs & Vinyl)
- Customer Reviews:
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By far, the single “Owner of a Lonely Heart” is the most memorable of the tracks on the album that is followed by “Leave It” and “It Can Happen.” Each song had a music video that played in heavy rotation on the music video channel. On the deluxe edition of the album and in addition to the initial album’s list of tracks, listeners have the chance to listen to alternate versions and extra tracks that are not on the original record, “Owner of a Lonely Heart” (extended remix) and “Leave it” in its various mixes (single remix and a cappella version), “It Can Happen” (Cinema Version), and one previously unreleased song “It’s Over.” The most interesting part of listening to the entire album is that one can hear the distinct sound that made Yes that special band quite different from the rest from Jon Andersen’s unique vocals, the keyboards and synths of Tony Kaye and Trevor Rabin, and the rhythm sections from bass guitar extraordinaire Chris Squire and drummer Alan White.
For diehard or curious listeners or those that grew up doing the MTV age or album oriented or top 40 FM radio, this is an album of nostalgia and pure listening enjoyment.
I have heard and owned the original cd, the Rhino remaster and now the Audio Fidelity Gold CD. The Rhino remaster is excellent and a must buy if you want something that is affordable, but the best sound quality belongs to the AFGCD. The gold CD has more midrange presence, smooth highs and a bass that is more natural. These are all subtle differences that will be hard to hear without premium equipment, so unless you are an audiophile it won't affect you. The differences in quality when comparing Mobile Fidelity and Audio Fidelity gold cds usually result in MoFi showing a slight edge, but AF is still better than your average remaster. This title, however is pricey and hard to find so unless you're willing to spend the money to get it, you should be ok with the Rhino remaster
The reason was surely the huge influence of new guitarist Trevor Rabin upon the quality of the songwriting. Rabin is no Jon Anderson. Two of the songs from side one should have been replaced with other material. This shortened version of the album is much more energetic and interesting:
1. Owner of a Lonely Heart (4:26) Flashy new 1980s sounds put to effective use. Some cool guitar work.
2. Changes (6:20) A few interesting tidbits, although still a bit dragged out with hypnotic repetition.
3. Cinema-Leave It (6:22) The first couple minutes won a Grammy Award for best rock instrumental.
4. Our Song (4:18) Nice, lively, upbeat.
5. City of Love (4:51) Actually a very groovy jam!
6. Hearts (7:39) Considered by the band to be this album's nod to their progressive rock traditions. Decent enough.
Removed from my play list is "Hold On" and "It Can Happen" - although these songs are not without some appeal, they are so heavily from the original MTV-era of songwriting in which the title of the song just keeps being repeated and repeated. Gheesh! At least Owner of a Lonely Heart has more interesting stuff going on while its own title gets repeated and repeated, but this unfortunate trend is why the 1980s were in general so much weaker a period for this band.
However, although one of the weakest albums by this band, this IS an awesome band. And so their weakest work is actually a pretty appealing listen, and I do get in the mood to hear most of it a few times each year - except for those two Rabin-dominated songs which pretty quickly wore thin. I feel like only those who are unfamiliar with the work done by Yes during the 1970s would think otherwise.
Top reviews from other countries
Reviewed in Mexico on June 21, 2023
Of a lonely heart”. But this is just an all around rocking record from start to finish
So it was first to get onto cd
Lizard
Grazie
Premièrement il marque une rupture flagrante dans l'orientation musicale du groupe, ce qui a fait grincer des dents bien des fans de la première heure.
Deuxièmement, et paradoxalement, cette nouvelle orientation musicale plus pop / rock FM a permis de faire connaitre au monde entier le groupe. Du moins jusqu'à la parution de the big generator, où Yes retombera dans le quasi anonymat des médias.
Troisièmement, c'est un épisode (de plus) dans l'histoire des multiples remaniements du groupe, qui marquera pendant une décennie un gros conflit entre les identités Jon Anderson / Chris Squire d'un coté et Wakeman / Howe de l'autre.
Les trames de ce conflit et les coulisses de l'enregistrement sont retranscrits d'ailleurs dans le nouveau livret de cette nouvelle édition.
Je ne parlerai pas de la qualité artistique de cet album puisque tous les gouts sont dans la nature, mais force est de constater que sans être mon préféré de la carrière de Yes, cet album est incontournable dans ma très riche cédéthèque. Ben oui, au final, c'est par Owner of a Lonely Herat que j'ai connu Yes dans mon adolescence. Jusqu'à ce que je découvre bien plus tard les véritables perles de la discographie de Yes dans sa période bénite dite progressive .
Et si par le passé vous vous êtes senti blousé pour parler gentiment dans votre vie de mélomane et / ou d'audiophile par un logo remaster sur une pochette d'un Cd , je peux vous garantir que cette fois-ci vous en aurez pour votre argent ! Sans aller jusqu'à dire que le mixage original était pourri, loin de là, là la dynamique est exceptionnelle, tout comme l'aération, et le son est à la base bien plus fort qu'à l'origine. C'est un sacré coup de jeune que connait cet album controversé et chéri à la fois.
Quant aux titres bonus : pour ma part, ils n'étaient pas nécessaires. mais c'est toujours ça de pris, pour pas cher ;-)
Dommage, pas de CD TEXT, mais Rhino / Atlantic n'est pas coutumier de cette pratique de toute façon.