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Roland INTEGRA-7 SuperNATURAL Sound Module, 1-Inch
Purchase options and add-ons
Color | MultiColored |
Brand | Roland |
Model Name | INTEGRA 7 |
Item Dimensions LxWxH | 18.9 x 10.4 x 3.6 inches |
Item Weight | 8.1 Pounds |
About this item
- Flagship Synth module with over 6, 000 sounds built in
- The latest supernatural sounds with Enhanced behavior Modeling Technology for expressive acoustic instruments and accurate reproduction of performance articulations
- Produced “must-have” srx expansion sound library built in; all 12 srx titles included
- Dedicated multi-effects and EQ for each Part (16 parts), plus Dedicated comp+eq (use six simultaneously) for drums and ambience parameters for supernatural drum kits
- INTEGRA-7 Editor for Mac/Windows
- This is an aftermarket of generic part
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This Item Roland INTEGRA-7 SuperNATURAL Sound Module, 1-Inch | Recommendations | dummy | dummy | dummy | dummy | |
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Price | $1,999.99$1,999.99 | $399.99$399.99 | $159.00$159.00 | $399.99$399.99 | $199.99$199.99 | -13% $347.95$347.95 List: $399.99 |
Delivery | Get it Mar 28 - 29 | Get it as soon as Sunday, Mar 31 | Get it as soon as Sunday, Mar 31 | Get it as soon as Sunday, Mar 31 | Get it as soon as Sunday, Mar 31 | Get it as soon as Sunday, Mar 31 |
Customer Ratings | ||||||
Versatility | — | — | 4.1 | 4.7 | 4.4 | 4.6 |
Value for money | — | 4.5 | 4.1 | — | — | 4.7 |
Portability | — | — | — | 5.0 | 5.0 | 4.9 |
Quality of material | — | — | — | 4.5 | 4.3 | 5.0 |
Sold By | GearNuts | Amazon.com | Amazon.com | Amazon.com | Amazon.com | Amazon.com |
model name | INTEGRA 7 | JU-06A | SR16 | — | — | JX 8 |
connector type | — | — | MIDI USB | — | Usb Type C | USB Type C |
weight | 8.1 pounds | 2 pounds | 2.5 pounds | 2 pounds | 1.28 pounds | 3 pounds |
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Product information
Item Weight | 8.1 pounds |
---|---|
Product Dimensions | 18.9 x 10.4 x 3.6 inches |
ASIN | B00961HYI0 |
Item model number | INTEGRA-7 |
Customer Reviews |
3.8 out of 5 stars |
Best Sellers Rank | #40,396 in Musical Instruments (See Top 100 in Musical Instruments) #8 in Electronic Drum Controllers |
Is Discontinued By Manufacturer | No |
Date First Available | September 5, 2012 |
Color Name | MultiColored |
Size | medium |
Standing screen display size | 1 |
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Product Description
Powerhouse rack for fast, fluid workflow with the development of supernatural sound and behavior modeling technology, Roland has blurred the boundary between acoustic and electronic instruments. Built upon these core technologies, the new INTEGRA-7 gives musicians a Gold mine of the latest supernatural sounds in a Fast-Access, fully stocked 16-part module. The powerhouse rack comprises a “greatest hits” collection of sounds from Roland's flagship keyboards and v-drums modules, plus a coveted lineup from the legacy srx library. It also introduces a new technology called motional surround, a 17-part ambience engine that lets you graphically control the distance and position of each part within 360-degree sound field. With the immense power of the INTEGRA-7, you can create amazingly realistic and detailed orchestral arrangements, immersive, spatial sounds, and beyond.
From the manufacturer
Powerhouse Rack For Fast, Fluid Workflow
With the development of SuperNATURAL sound and Behavior Modeling technology, Roland has blurred the boundary between acoustic and electronic instruments. Built upon these core technologies, the new INTEGRA-7 gives musicians a gold mine of the latest SuperNATURAL sounds in a fast-access, fully stocked 16-part module. The powerhouse rack comprises a “greatest hits” collection of sounds from Roland’s flagship keyboards and V-Drums modules, plus a coveted lineup from the legacy SRX library. It also introduces a new technology called Motional Surround, a 17-part ambience engine that lets you graphically control the distance and position of each part within 360-degree sound field. With the immense power of the INTEGRA-7, you can create amazingly realistic and detailed orchestral arrangements, immersive, spatial sounds, and beyond.
- Flagship synth module with over 6,000 sounds built in
- SuperNATURAL synth engine with fat analog synth models and vintage filter types
- Producer’s “must-have” SRX Expansion sound library built in; all 12 SRX titles included
- Innovative 17-part Motional Surround ambience engine for stereo, headphone, and 5.1-channel output
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SuperNATURAL SynthesizerThe INTEGRA-7’s SuperNATURAL powers reach beyond acoustic instruments. It’s loaded with SuperNATURAL synth tones that meticulously recreate the fat sounds of beloved vintage synthesizers, including their expressive filters and unique envelope behaviors. Hundreds of PCM waveforms are on board as well, providing a treasure trove of classic digital synth sounds prevalent in the ’80s and ’90s. You can even edit the sounds intuitively from compatible DAW software with the dedicated INTEGRA-7 plug-in editors for Mac (AU/VSTi) and Windows (VSTi). |
SuperNATURAL Drums and SFXThanks to Behavior Modeling Technology, the INTEGRA-7 SuperNATURAL drum engine can groove like a real drummer. Drum kits respond smoothly and naturally to velocity, with seamless tonal transitions from soft to loud. Play fast drum fills that don’t sound like fake machine-gun fire, and create fluid snare, tom, and cymbal rolls with real-time control of their speed and volume via mod lever. The drum engine even has its own ambience effect, plus six COMP+EQ sets, which you can apply to the drum instruments individually. |
Motional SurroundThe INTEGRA-7 introduces a new era of spatial sound design. Motional Surround — derived from Roland’s proprietary RSS (Roland Sound Space) technology — lets you control not only the left/right panning of sounds, but also their depth, even placing them behind you! A solo instrument can be placed nearby, for example, while the backing or percussion instruments can be placed at a distance, thus creating a sound field with natural width and depth. Motional Surround is particularly stunning when applied to orchestral simulations. |
First-Class HardwareThe hardware design of the INTEGRA-7 is stylish and sturdy. Housed in a rugged metal chassis, it’s beautifully designed and built to withstand decades of use, whether in a studio or a touring road rack. The INTEGRA-7’s internal components are premium grade, including high-quality, low-noise D/A converters. It’s also equipped with dedicated effects engines, so you don’t have to worry about CPU load; each of the 16 parts can have their own MFX and EQ, rather than sharing the same effects for all parts. |
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I have more than 6,000 instruments in VSTs. The Roland Integra-7 has more than 6,000 instruments. The difference between the two is it's actually easier for me to find the ones I am interested in by selecting and auditioning them with the front panel of the Integra-7 than it is to sort through VSTs on the computer. You have a wealth of bread and butter sounds at your disposal for the quick composition of songs. You can use it with your choice of physical instruments, controllers (with the right adapters), or DAWs. I currently use it with Ableton Live, MPC Software, Cubasis for Android, MPCs, and keyboards. It has been a real time saver in the creation of music. Less time searching for instruments and more time composing.
I only regret not buying one years ago. It's far from perfect but it's perfect for my needs.
I've used this unit heavily since it came out and already realize that, no matter what sound I'm looking for, it will be in this unit. With thousands of sounds, there a so many of each type of sound, that you can't help but find exactly what you want. The newest sounds that Roland added, which Roland calls "Supernatural", have a little more clarity and treble end than the previous generations' units. I suspect they have been sampled at a higher spec. They have also added some realistic performance controls, such as auto-strumming chords on acoustic guitars, adjusting the growl of each sax note, adding lots of guitar effect sounds on the far left keys of distorted guitar patches, playing horn notes differently if you play legato than not-legato, etc.
I was initially concerned (and there has been some criticism on forums) that you can only load 4 expansion modules at one time. However, every major type of sound is already exhaustively covered in the unit's base sounds so I have found I wasn't using the expansion sounds as much as I thought (I found nearly everything in the base sounds), and the expansion modules are specialized, so you would be unlikely to need more than 4 more modules at one time anyway. For example, if you're in a cover band, you probably won't need the African instruments of the World expansion module, or the woodwinds of the orchestral, or the film scoring sound effects expansion. And there are already many of all the sound categories in in the base sounds. With 4 expansion modules loaded, there are so many sounds that it can be almost overwhelming anyway. Fortunately Roland has always had a "tone finder" button which lets you audition all the sounds in a category. So don't worry about not loading more than 4 expansion modules--trust me that you will never think to yourself that you need more sounds to choose from!
The sounds are really excellent, as has always been the mark of Roland products. They are very usable. While it's fun to hear synths that can make a 30 second sound of exploding alien landings, where Roland excels is in top quality usable sounds--pianos, electric pianos, brass, strings, synths of all types, drum kits (the same kits from their well-respected V-Drum line), and tons of usable electronic and hip hop. The expansion boards add more depth in specialized categories exotic world instruments, sound effects, full orchestra, numerous brass instruments, acoustic, distorted, and electric guitars, and hundreds more electronic/techno/hip hop sounds. So if you're in a cover band for example, you'll add different expansion sounds than if you're doing film soundtracks. It's easier (for me at least) to quickly audition many sounds in a category and find the perfect sound on this unit than with a bunch of software synths.
The new sound engine allows all the effects, including their complex "MFX" effects, to be applied to all 16 MIDI channels, whereas previous generations only had enough power to do that for 1 or 3 channels.
The unit has 128 voices, which in theory could run out if you use many channels with very complex sounds, but I have not heard any dropouts except once when I intentionally made it happen by holding the pedal down and then playing a glissando down the whole keyboard.
A couple of criticisms of the unit:
1) there is no good software editor. The iPad editor works okay, but you can only edit the newer Supernatural sounds, not the older sounds, so is pretty limited. There is also a VSTi plugin but it adjusts surround localization only. I used a software editor with my previous XV-5080 and gave up on it eventually because, in my experience, it is just faster to edit or audition sounds on the synth itself. I position the Integra in a convenient place at eye-level, and can turn a dial or push buttons with one hand and play notes with the other hand to hear the changes almost instantly. Software editors, in my experience, have just enough lag when you make a change to get aggravating after a while. Of course, I'm used to editing Roland synths so editing on the unit goes very fast for me, whereas a new user will take a while to learn their system. I still would like to see a full software editor though, as it is handy for scanning all the parameters at one glance and learning how they made their sounds, or just experimenting, and would make learning the synth easier for many, so if anyone from Roland is reading this, you need to make a full software editor now! In reality, most people will find the available sounds nearly always have what they are looking for and will not have much need for a lot of sound editing anyway.
2)The front panel knobs and buttons are actually not as robust as on the older XV-5080. Presumably to save costs, the screen shows a little less information, and the 8 buttons under the screen from the XV-5080 are gone. In practice, this doesn't slow me down more than a few seconds here and there, but it takes a few more button presses sometimes. Not a deal-breaker, but more of a head scratcher. I guess the other option would have been a higher price.
BOTTOM LINE: The unit is like having Roland Corporation's entire sound generation history in your hands. With thousands of great, top quality patches, the sound you are looking for is in the box. The new "Supernatural" sounds are numerous and are especially clear and detailed sounds. The "tone finder" function helps easily locate that sound you need by having them already sorted by category. While not really designed for heavy editing, sounds can be edited quickly on the unit once you learn it. You can add even more sounds--if you dare!--by loading 4 expansion sound sets, which are included in the unit, to add tons more sounds in the specialty of the type of music you are playing. Perhaps the single word to sum the unit up is "Usable"--Roland has a great track record of making synths and sounds for working musicians. I'm very happy with the Integra-7 and can't imagine anyone would regret getting it. Happy giggig!
Top reviews from other countries
This is a serious bit of kit - it's pricey, and a few years old (I googled V8 but found only silence), but I love it already. :)
敢えて難を言えばでかくて重いことですね。同社の以前の音源モジュールSonic cellの軽量さを思えば持ち運びには難があります(SUPER JUPITER+コントローラーよりは全然軽いですが)。素人向けに機能限定の廉価版だけど音のクオリティは準じている小型軽量のモデルなんかがあると良かったとは思います(JUPITER-80に対するJUPITER-50とかTR-8Sに対するTR-6Sみたいに)。
Die Klänge sind durchweg hervorragend.
Natürlich setzt man in einer Produktion nicht 10 parallele Instrumente eines einzigen Gerätes wie dem Integra 7 ein, und kommt dann so wie ein Vorredner mit 128 Stimmen nicht aus.
Wer aber in der Realität bei einer Produktion 1 bis 3 Spuren mit dem Gerät macht, kommt nicht an die Grenzen.
Tone(音色数)
SuperNATURAL Acoustic Tone 256
SuperNATURAL Synth Tone 1109
PCM Synth Tone 896
GM2 Tone (PCM Synth Tone) 256
ExSN1:Ethnic 17
ExSN2:Wood Winds 17
ExSN3:Session 50
ExSN4:A.Guitar 12
ExSN5:Brass 12
SRX-01:DynamicDrumKits(Menu) 41
SRX-02:Concert Piano 50
SRX-03:Studio SRX 128
SRX-04:Symphonique Strings 128
SRX-05:Supreme Dance 312
SRX-06:Complete Orchestra 449
SRX-07:Ultimate Keys 475
SRX-08:Platinum Trax 448
SRX-09:World Collection 414
SRX-10:Big Brass Ensemble 100
SRX-11:Complete Piano 42
SRX-12:Classic EPs 50
ExPCM (GM2#) 256
ExPCM (HQ PCM Sound Collection) 512
ーーーーーーーーーーーーーーーーーーーー
Total 6030
Drum Kit (ドラムキット数)
SuperNATURAL Drum Kit 26
PCM Drum Kit 14
GM2 Drum Kit 9
ExSN6:SFX 7
SRX-01:Dynamic Drum Kits 79
SRX-03:Studio SRX 12
SRX-05:Supreme Dance 34
SRX-06:Complete Orchestra 5
SRX-07:Ultimate Keys 11
SRX-08:Platinum Trax 21
SRX-09:World Collection 12
ExPCM (GM2#) 9
ExPCM (PCM Drum Kit) 19
ーーーーーーーーーーーーーーーーーーーー
Total 258
となります。数字が見づらくてすみません。Amazonの仕様で連続したspaceやtabが使えません。あしからず
あとそれから「隠しSC-55モード」が入っておりGS RESET(F0 41 10 42 12 40 00 7F 00 41 F7)を受信すると音色がいじれない状態で昔のSC-55を再現したモードが現れます。ですがあまり互換性はありませんでした。あくまでもおまけ要素ですね
プリセット音色ばかり目を奪われがちですがユーザーエリアもちゃんとあります。
SuperNATURAL Acoustic Tone (SN-A) 256
SuperNATURAL Synth Tone (SN-S) 512
SuperNATURAL Drum Kit (SN-D) 64
PCM Synth Tone (PCMS) 256
PCM Drum Kit (PCMD) 64
これだけあれば音色づくりにも困らないと思います。別途USBメモリーにエクスポートも出来ますし。
音はRolandさん特有の柔らかい感触、太いシンセベースや繊細なストリングス、挙動がリアルなピアノ、一つ一つの音色は単体だとパッとしないところもあるけどいざアンサンブルさせてみるとよく溶け込むおなじみの音、あとドラムキットでキックドラムはもうちょいローエンドよりに欲しい気もします。シンバルのロールはやたらリアルです。
【追記】2019/11/17(日)musictrack.jpのマイページより加筆修正
【長文注意】INTEGRA-7はSuperNATURAL音源のアコースティック部とシンセ部とドラム部(それぞれSN-A,SN-S,SN-Dと訳す)PCMシンセ部とドラム部(PCMS,PCMDと訳す)5種類の仕様の異なる音源と、共通のインサーション・エフェクト(MFX:マルチ・エフェクトと訳す)の組み合わせで音を作っていきます。
SN-A(アコースティック)はRolandさんによればビヘイビア・モデリング技術といって、波形サンプルに簡易物理モデリングを組み合わせたものと推測されます。余談:昔YAMAHAさんから物理モデリング音源が出ていたのですが当時1音あたり50 MIPS要するとかで処理が重い、波形合成をサンプリングに置き換えれば負担が減りますもんね、SN-Aは既存の楽器のシミュレート担当です。
SN-Sはオシレータにアナログ波形orPCM波形が選べる(多分アナログモデリング)シンセで、バリバリのシンセサイザー部分で構造がわかりやすく音色が作りやすい(自分も今までここで音色作ってたし)OSCにADSR形式のわかりやすいエンベロープのFILTERとAMP, LFOの組み合わせを最大3枚重ねしたものです。
SN-DはPCM波形を基にした挙動をリアルに:シンバルやスネア連打を自然にしたり専用のコンプ+EQを6系統使えてさらにルームのアンビエンス効果等も追加したドラム音源です。
PCMSはオシレータをPCM波形とするWG(WaveGenerator)にTVF(TimeVariantFilter)とTVA(TimeVariantAmplitude),LFO2系統の構造が最大4枚構造:正確には1+2と3+4の組み合わせで、アルゴリズム構造10種を持たせたものでFM変調やリング変調をかけられます。仮想SRXボードもこちらのPCMS音源でまかないます。エンベロープも構造も複雑ですが完全に理解したらなかなか凄そうな音源部です。
PCMDはいわゆるPCMのドラムです。従来のMIDI音源と同じですがやはり専用のコンプ+EQが6系統使えます。仮想SRXボードのドラムキットもここでまかないます。
これら5種の音源部にMFXをそれぞれ組み合わせてMIDI ch.ごとに自由に設定できます。すなわちMFX(エフェクト)込みでひとつの音色として扱います。
やってる事かなり複雑で理解するまでかなり時間が掛かりましたが実際に同社のA-49などのMIDI鍵盤で弾きやすいようパラメータの操作がやりやすいように設計されています。MIDIのコントロールチェンジCC#16,17,18,19,80,81,82,83などは新しい汎用操作子になります。CCでシンセのパラメータやMFXのパラメータを操作できます。SN-AではこれらCCで例えばギターのミュート弾きやハーモニクスなどを切り替えられます。
しかし、Rolandさん、こんな複雑なシステムよくまとめたなと思います。