As a photographer, finding the right lens is essential to capturing stunning visuals, and I've found that the Sigma 18-35mm F1.8 Art DC HSM Lens for Canon truly stands out in this regard. Here's why I believe this lens should be the first purchase for anyone looking to elevate their photography:
Exceptional Quality: The Sigma 18-35mm F1.8 lens provides crystal clear images with minimal chromatic aberration. The colors are vibrant, and the sharpness is top-notch. Whether you're a professional or a hobbyist, this lens will help you take your images to the next level.
Fast Aperture: With an aperture of F1.8, this lens allows for fantastic low-light performance. It's great for creating beautiful bokeh, giving you that professional touch to your portraits and other creative works.
Versatile Focal Range: Covering a wide focal length of 18-35mm, this lens is adaptable to various shooting scenarios. Whether you're capturing landscapes, group shots, or intimate portraits, it offers flexibility without the need to switch lenses constantly.
Build and Design: The build quality is solid, and the Art series design is both stylish and ergonomic. It feels comfortable in the hand and inspires confidence when shooting.
Affordable Price: Compared to other lenses with similar features, the Sigma 18-35mm F1.8 offers excellent value for money. It performs at a level that you'd expect from a far more expensive lens.
Compatibility: Specifically designed for Canon cameras, it integrates seamlessly, providing smooth autofocusing and excellent image stabilization.
Perfect for Video: Many videographers swear by this lens too. Its smooth focusing and constant aperture across the zoom range make it an excellent choice for video work.
Summary: The Sigma 18-35mm F1.8 Art DC HSM Lens for Canon has earned a spot in my essential photography toolkit. Its combination of quality, versatility, and affordability makes it a compelling choice for photographers of all levels. Whether you're just starting out or looking to upgrade your current lens, this one is hard to beat. It's a lens that truly lives up to the "Art" in its name, enabling creativity and delivering exceptional results. If you're considering a new lens, don't hesitate to give this one a try. It might just become your favorite too!
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This Item  Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101) |  |  |  |  | | |
| Price | -16% $669.00 List: $799.00 | $699.00 | -22% $699.99 List: $899.00 | $649.00 | $769.99 | -9% $609.00 New Price: $669.00 |
| Delivery | — | Get it as soon as Thursday, May 16 | Get it May 13 - 15 | Get it as soon as Wednesday, May 15 | Get it May 13 - 15 | Get it May 16 - 20 |
| Customer Ratings | ||||||
| Auto focus | ||||||
| For portrait photography | ||||||
| Image stabilization | ||||||
| Sold By | TRADING DEALS | Amazon.com | TRADING DEALS | Xpress Products (We track Serial Numbers) | Focus Camera LLC | U.S.Refurbs |
| lens type | Wide Angle | Standard | Wide Angle | Wide Angle | Standard, Wide Angle | zoom |
| compatible mountings | Canon EF-S | Sigma SA | Canon EF | Nikon F | — | Canon EF, Canon EF-S |
| lens design | Zoom | Zoom | Prime | Zoom | Zoom | Zoom |
| focus type | Auto Focus | — | Ring-type ultrasonic | Auto Focus | Auto Focus | Auto Focus |
| minimum focal length | 18 millimeters | 18 millimeters | 35 millimeters | 18 millimeters | 18 millimeters | 18 millimeters |
| max focal length | 35 millimeters | 35 millimeters | 35 millimeters | 35 millimeters | 35 months | 35 millimeters |
| fixed focal length | 1 millimeters | 35 millimeters | 35 millimeters | 35 millimeters | 35 millimeters | 35 millimeters |
| real angle of view | 76.5 degrees | 76.5 degrees | 63.4 degrees | — | — | — |
From the manufacturer
Sigma 18-35mm F1.8 DC HSM | A Lens
The first and fastest of its kind
Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal focusing and zooming allows for more usability and functionality. The 18-35mm is ideal for landscapes, portraits, still life, snap shots, casual, and close-ups and the Hyper Sonic Motor (HSM) ensures smooth, fast and accurate autofocusing. The use of Thermally Composite Material (TSC) reduces size and weight but increases the lens durability. Its new Global Vision design works with its compatibility with the Sigma USB dock for further customization. A 9 blade rounded diaphragm also creates beautiful background blur. The Sigma 18-35mm 1.8 DC HSM is a new benchmark in photographic history and a must have for every camera bag.
USB Dock Compatibility
Sigma has developed special software (SIGMA Optimization Pro) that can update the lens firmware and adjust parameters such as focus.
About Sigma
Since 1961, and with the recent introduction of Sigma Global Vision, we have worked toward one single, simple goal: To hold ourselves to the highest standard of design & manufacturing of imaging products. Photography is all we do. And it’s all we’ve done. So you can rest assured that it’s something we know extensively and care deeply about. You have a vision. We’ve made it our mission.
- Great for video production. See below for a video made with the 18-35mm!
- Unique. fast constant aperture zoom lens
- Front & rear lens caps and lens hood is included with the lens.
Videos
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Reviews with images
Sharpness of the image using an a6300 in 4K 30fps with metabones speed booster can't be beat for a wide ZOOM lens!!! STUNNING!!
There's NO WAY there's a better video lens for the a6300 (if it is appropriate to use, meaning for being close up, or for wanting to be wide).WELL-- first let me state 2 things, first off, I am using the metabones speed booster adapter for Sony A mount to Sony E mount, and THIS set up sets this lens on FIRE, turning an F1.8 into an F1.3, which is the KING set up PERIOD. There's nothing like it, AND it's affordable.This lens is for APSC sensors, or APSC mode, not for full frame 35mm sensors.ALSO: Use of the metabones focal reducer (speed booster) is best suited for the cropped sensor version you get on the a6300 shooting in 4K at 30fps. When you try to use other modes, even 24fps 4K will cause vignetting on the lower range of focus, and some 18mm to 22mm will have vignetting.NEVERTHELESS--- go ahead and use it in 4K at 30fps, and THIS is just incredible what you get!! less than 2 meters from a subject, you can capture the entire room, and still zoom all the way in, and make your subject larger than life!!I just shot 2 days in the studio in North Carolina, and then an event the following day, all 3 days using this combo, (Sigma 18 35 with metabones speedbooster on a6300).I am certain auto focus is NOT something you would want to mess with, as trying to take stills using auto focus does NOT work, and that is an issue that makes me wish I had purchased the version of this Sigma 18 35 for CANON, and then the more expensive metabones adapter, but THEN be able to use the Sigma MC-11 adapter that is claiming native auto focus! (anyone tried that with VIDEO??)Me and my Dad can't believe what we just saw, even on our old 1080, 63 inch plasma TV, that was the most amazing footage of ANYTHING we have ever seen!! SO sharp, it's like looking through a WINDOW!The mics on the a6300 are WAY better than the a6000 now, and VERY decent, although of course not PRO audio grade.Don't EVEN question it if you are intending to shoot 4K with either the a6300, or using crop mode for your A7sii, and A7rii. For that matter, who has footage from an FS5 or FS7 using this Sigma lens and metabones speed booster?? THEN you could still keep zooming in!! THAT must be just out of control at F1.3!!ALSO-- this must be a monster low-light combo with the A7sii, which I will shoot next chance I get!!GOD!! I just wish I could include footage, but that would be a copyright issue to even send a link at this point, but YEAH, this is PRO grade stuff BY FAR in a VERY in-expensive package for some $2250, a6300/metabones speed-booster/Sigma 18mm to 35mm Art (and a tripod, this lens is not stabilized, and neither is the camera, BUT tripod duty does GREAT, and this has to be the most portable PRO 4K set up you could possibly get, for an amateur level price, for sure!!If you then get a Shogun or similar 4K recorder and monitor, YES, this is in FACT professional grade, although my Atomos Shogun Flame did not arrive in time for my event, forcing me to record internally, which I did with no overheating, and I managed just fine to NAIL focus. My eyes are perfect, but I did use the EVF, not the 3 inch LCD, which is borderline worthless, especially when using a wide lens.SO-- I will be keeping this a6300 in my bag with an A7sii, and A7rii, and of course, this lens is going to be used whenever possible just to get that shockingly SHARP image!!BAD ASS LENS!! Does very well shooting stills too, although using an laea3 could definitely be better auto focus, and using the laea4 would cost you the light you just added with the speed booster adapter.I was happiest using manual focus, and when zooming, it stayed "sharp as a tack", although it is softer on the edges than it is in the center, but it actually is an "ARTSY" effect that looks VERY nice, and puts extra emphasis on the subject in the center, so GREAT for shooting MUSIC events both in a studio environment, and concerts where you are either close, or want to get EVERYTHING in view, (or BOTH-- and then if you stick that on an FS5, you could keep zooming in from there!!) I'll be getting into an FS5 as well, especially now that I have several amazing E mount lenses and adapters.
Top reviews from the United States
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Reviewed in the United States on June 23, 2016
WELL-- first let me state 2 things, first off, I am using the metabones speed booster adapter for Sony A mount to Sony E mount, and THIS set up sets this lens on FIRE, turning an F1.8 into an F1.3, which is the KING set up PERIOD. There's nothing like it, AND it's affordable.
This lens is for APSC sensors, or APSC mode, not for full frame 35mm sensors.
ALSO: Use of the metabones focal reducer (speed booster) is best suited for the cropped sensor version you get on the a6300 shooting in 4K at 30fps. When you try to use other modes, even 24fps 4K will cause vignetting on the lower range of focus, and some 18mm to 22mm will have vignetting.
NEVERTHELESS--- go ahead and use it in 4K at 30fps, and THIS is just incredible what you get!! less than 2 meters from a subject, you can capture the entire room, and still zoom all the way in, and make your subject larger than life!!
I just shot 2 days in the studio in North Carolina, and then an event the following day, all 3 days using this combo, (Sigma 18 35 with metabones speedbooster on a6300).
I am certain auto focus is NOT something you would want to mess with, as trying to take stills using auto focus does NOT work, and that is an issue that makes me wish I had purchased the version of this Sigma 18 35 for CANON, and then the more expensive metabones adapter, but THEN be able to use the Sigma MC-11 adapter that is claiming native auto focus! (anyone tried that with VIDEO??)
Me and my Dad can't believe what we just saw, even on our old 1080, 63 inch plasma TV, that was the most amazing footage of ANYTHING we have ever seen!! SO sharp, it's like looking through a WINDOW!
The mics on the a6300 are WAY better than the a6000 now, and VERY decent, although of course not PRO audio grade.
Don't EVEN question it if you are intending to shoot 4K with either the a6300, or using crop mode for your A7sii, and A7rii. For that matter, who has footage from an FS5 or FS7 using this Sigma lens and metabones speed booster?? THEN you could still keep zooming in!! THAT must be just out of control at F1.3!!
ALSO-- this must be a monster low-light combo with the A7sii, which I will shoot next chance I get!!
GOD!! I just wish I could include footage, but that would be a copyright issue to even send a link at this point, but YEAH, this is PRO grade stuff BY FAR in a VERY in-expensive package for some $2250, a6300/metabones speed-booster/Sigma 18mm to 35mm Art (and a tripod, this lens is not stabilized, and neither is the camera, BUT tripod duty does GREAT, and this has to be the most portable PRO 4K set up you could possibly get, for an amateur level price, for sure!!
If you then get a Shogun or similar 4K recorder and monitor, YES, this is in FACT professional grade, although my Atomos Shogun Flame did not arrive in time for my event, forcing me to record internally, which I did with no overheating, and I managed just fine to NAIL focus. My eyes are perfect, but I did use the EVF, not the 3 inch LCD, which is borderline worthless, especially when using a wide lens.
SO-- I will be keeping this a6300 in my bag with an A7sii, and A7rii, and of course, this lens is going to be used whenever possible just to get that shockingly SHARP image!!
BAD ASS LENS!! Does very well shooting stills too, although using an laea3 could definitely be better auto focus, and using the laea4 would cost you the light you just added with the speed booster adapter.
I was happiest using manual focus, and when zooming, it stayed "sharp as a tack", although it is softer on the edges than it is in the center, but it actually is an "ARTSY" effect that looks VERY nice, and puts extra emphasis on the subject in the center, so GREAT for shooting MUSIC events both in a studio environment, and concerts where you are either close, or want to get EVERYTHING in view, (or BOTH-- and then if you stick that on an FS5, you could keep zooming in from there!!) I'll be getting into an FS5 as well, especially now that I have several amazing E mount lenses and adapters.
Style: SonySet: US VersionVerified Purchase
Sharpness of the image using an a6300 in 4K 30fps with metabones speed booster can't be beat for a wide ZOOM lens!!! STUNNING!!
Reviewed in the United States on June 23, 2016
There's NO WAY there's a better video lens for the a6300 (if it is appropriate to use, meaning for being close up, or for wanting to be wide).Reviewed in the United States on June 23, 2016
WELL-- first let me state 2 things, first off, I am using the metabones speed booster adapter for Sony A mount to Sony E mount, and THIS set up sets this lens on FIRE, turning an F1.8 into an F1.3, which is the KING set up PERIOD. There's nothing like it, AND it's affordable.
This lens is for APSC sensors, or APSC mode, not for full frame 35mm sensors.
ALSO: Use of the metabones focal reducer (speed booster) is best suited for the cropped sensor version you get on the a6300 shooting in 4K at 30fps. When you try to use other modes, even 24fps 4K will cause vignetting on the lower range of focus, and some 18mm to 22mm will have vignetting.
NEVERTHELESS--- go ahead and use it in 4K at 30fps, and THIS is just incredible what you get!! less than 2 meters from a subject, you can capture the entire room, and still zoom all the way in, and make your subject larger than life!!
I just shot 2 days in the studio in North Carolina, and then an event the following day, all 3 days using this combo, (Sigma 18 35 with metabones speedbooster on a6300).
I am certain auto focus is NOT something you would want to mess with, as trying to take stills using auto focus does NOT work, and that is an issue that makes me wish I had purchased the version of this Sigma 18 35 for CANON, and then the more expensive metabones adapter, but THEN be able to use the Sigma MC-11 adapter that is claiming native auto focus! (anyone tried that with VIDEO??)
Me and my Dad can't believe what we just saw, even on our old 1080, 63 inch plasma TV, that was the most amazing footage of ANYTHING we have ever seen!! SO sharp, it's like looking through a WINDOW!
The mics on the a6300 are WAY better than the a6000 now, and VERY decent, although of course not PRO audio grade.
Don't EVEN question it if you are intending to shoot 4K with either the a6300, or using crop mode for your A7sii, and A7rii. For that matter, who has footage from an FS5 or FS7 using this Sigma lens and metabones speed booster?? THEN you could still keep zooming in!! THAT must be just out of control at F1.3!!
ALSO-- this must be a monster low-light combo with the A7sii, which I will shoot next chance I get!!
GOD!! I just wish I could include footage, but that would be a copyright issue to even send a link at this point, but YEAH, this is PRO grade stuff BY FAR in a VERY in-expensive package for some $2250, a6300/metabones speed-booster/Sigma 18mm to 35mm Art (and a tripod, this lens is not stabilized, and neither is the camera, BUT tripod duty does GREAT, and this has to be the most portable PRO 4K set up you could possibly get, for an amateur level price, for sure!!
If you then get a Shogun or similar 4K recorder and monitor, YES, this is in FACT professional grade, although my Atomos Shogun Flame did not arrive in time for my event, forcing me to record internally, which I did with no overheating, and I managed just fine to NAIL focus. My eyes are perfect, but I did use the EVF, not the 3 inch LCD, which is borderline worthless, especially when using a wide lens.
SO-- I will be keeping this a6300 in my bag with an A7sii, and A7rii, and of course, this lens is going to be used whenever possible just to get that shockingly SHARP image!!
BAD ASS LENS!! Does very well shooting stills too, although using an laea3 could definitely be better auto focus, and using the laea4 would cost you the light you just added with the speed booster adapter.
I was happiest using manual focus, and when zooming, it stayed "sharp as a tack", although it is softer on the edges than it is in the center, but it actually is an "ARTSY" effect that looks VERY nice, and puts extra emphasis on the subject in the center, so GREAT for shooting MUSIC events both in a studio environment, and concerts where you are either close, or want to get EVERYTHING in view, (or BOTH-- and then if you stick that on an FS5, you could keep zooming in from there!!) I'll be getting into an FS5 as well, especially now that I have several amazing E mount lenses and adapters.
Images in this review
Top reviews from other countries
Regg Peterson
Arrives safe and sound.
Reviewed in Canada on March 13, 2024Style: CanonSet: US VersionVerified Purchase
Regg Peterson
Reviewed in Canada on March 13, 2024
Images in this review
JOSE MIGUEL VARGAS VILCHIS
Lente excelente
Reviewed in Mexico on February 19, 2024Style: NikonSet: US VersionVerified Purchase
JOSE MIGUEL VARGAS VILCHIS
Reviewed in Mexico on February 19, 2024
Images in this review
Renato Fernandes da Rocha
Ótimo vendedor, cumpriu tudo que foi anunciado inclusive pagou taxas alfandegárias que apareceram.
Reviewed in Brazil on December 12, 2023Style: CanonSet: US VersionVerified Purchase
Magdalena
Great quality
Reviewed in the United Kingdom on March 4, 2024Style: CanonSet: US VersionVerified Purchase
