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Line 6 POD HD500X Guitar Floor Multi-Effects Pedal
Brand | Line 6 |
Style | Compact |
Color | Black |
Item Weight | 15.39 Pounds |
Voltage | 9 Volts |
About this item
- World-class collection of HD amps and effects
- More power and flexibility for total creativity
- Professional-grade, backlit footswitches for easy operation
- The command center for your guitar rig
- Now includes the HD Fully Loaded Amp Bundle - a $99 Value
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This Item Line 6 POD HD500X Guitar Floor Multi-Effects Pedal | Recommendations | dummy | dummy | dummy | dummy | |
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Price | Currently unavailable. | $582.99$582.99 | $349.99$349.99 | $95.99$95.99 | $349.99$349.99 | $399.00$399.00 |
Delivery | — | Get it as soon as Tuesday, Mar 26 | Get it as soon as Tuesday, Mar 26 | Get it as soon as Tuesday, Mar 26 | Get it as soon as Tuesday, Mar 26 | Get it as soon as Tuesday, Mar 26 |
Customer Ratings | ||||||
Value for money | 4.6 | 4.5 | 4.6 | 3.9 | 4.4 | 4.0 |
Versatility | — | 4.2 | 3.4 | 3.9 | 4.1 | 4.1 |
Sound quality | — | 4.1 | 4.5 | 4.1 | 3.9 | 4.9 |
Easy to use | 3.9 | — | 4.4 | 3.7 | — | 4.4 |
Sturdiness | — | 5.0 | — | 3.6 | — | 4.3 |
Sold By | — | japan-move | KART IT | MOOER | AWEGOO | Amazon.com |
hardware interface | — | usb | usb | — | usb | usb |
power source | Corded Electric | Corded Electric | Corded Electric | Electric | Corded Electric | Corded Electric |
amperage | 500 milliamps | 300 milliamps | 100 milliamps | 300 milliamps | 300 milliamps | 3000 milliamps |
signal format | Analog | Analog | Analog | Analog | Analog | Analog |
controls type | Touch | Touch | Knob | Knob | Knob | Touch |
voltage | 9 volts | 9 volts | 9 volts | 9 volts | 9 volts | 12 volts |
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Product information
Item Weight | 15.39 pounds |
---|---|
Product Dimensions | 14 x 29.75 x 6 inches |
ASIN | B00DN43PQ6 |
Item model number | HD 500 |
Customer Reviews |
4.2 out of 5 stars |
Is Discontinued By Manufacturer | No |
Date First Available | July 1, 2013 |
Color Name | Black |
Signal Format | Analog |
Power Source | Corded Electric |
Standing screen display size | 3 |
Voltage | 9 Volts |
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Customer Review: Drops sound; impossible to use
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Line 6 POD HD500X Guitar Floor Multi-Effects Pedal
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Great gear. Keep your pedals. Add them to the fx loop
Jared shoegaze
Product Description
MORE POWER TO CREATE
POD® HD500X is the ultimate tone palette for players who want to define their sound on their own terms. Sure, POD® HD500X has a world-class collection of amps and effects, but it isn’t just about sounding like the classics—it’s also about sounding unlike anything else. That’s just one reason why POD is the source of tones heard on hundreds of hit records—and counting.
Now POD® HD500X has even more DSP power to give you new levels of control when you’re creating your sounds. And thanks to HD technology, POD HD500X provides the sonic depth, character and touch nuance that helps you play and sound better than ever before.
- World-class collection of HD amps gives you unmatched depth and touch response
- Dynamic DSP and flexible routing options let you create unique sounds
- Assignable, pro-grade, backlit footswitches for at-a-glance operation
- The command center for any guitar setup including the Line 6 Dream Rig—the only system that can be virtually any rig
WORLD-CLASS HD AMPS
From vintage classics to modern powerhouses, each HD amp delivers incredible sonic depth, character and touch nuance to inspire your playing—and that’s just the beginning. Customize the tone and dynamic response of each HD amp with an extensive set of deep parameters including Sag, Bias, Bias Excursion, Hum and more.100+ STUDIO AND STOMP EFFECTS
POD HD500X gives you over 100 studio and boutique stomp effects, so you can take your sound in any direction. Emulate classic signal chains with distortions, delays, mods, filters, reverbs and more, or discover entirely new sounds by mixing and matching up to eight simultaneous effects. You also get pro-grade, assignable footswitches and a built-in, die-cast expression pedal to control your effects in real time.MORE PROCESSING POWER, MORE CREATIVITY
With unparalleled flexibility and more processing power than anything in its class, POD HD500X lets you create the sounds you’re seeking. To start, POD provides dynamic DSP, so you can stack the effects you want wherever you want them. You can also mix and match HD amps, cabinets, mics and effects to create new sounds or dial in the tones of your favorite guitarists. With 512 presets, you’ve got virtually endless options for recalling your tones.SCULPT SOUNDS WITH DUAL SIGNAL PATHS
Legendary guitar tones are often created with more than one signal path. POD HD500X lets you create these complex, rich tones without the setup headaches of traditional dual-amp rigs. You can route your guitar through two completely independent paths—each with its own HD amp and effects chain, of course—or process two signals at once by using the 1/4” guitar, 1/4" auxiliary or XLR mic inputs. So whether you want to configure elaborate signal chains for more traditional stereo amp setups or create unique soundscapes, you've picked the right tool.ASSIGNABLE FOOTSWITCHES AND RUGGED CONSTRUCTION
With POD HD500X, you get professional-grade footswitches with bright LED rings for at-a-glance operation. You can use them to enable or bypass amps and effects, or to select presets directly. If you want to get more creative, you can assign multiple amp and effects parameters to morph between sounds (controlling up to 52 parameters in real time!). The footswitches also control the built-in 48-second looper—an instrument unto itself. The bent-metal chassis and rugged construction make POD HD500X ideal for any stage.FLEXIBLE I/O FOR RECORDING WITH ANY DAW
POD HD500X provides all the connections you need for studio, stage and anywhere in between. You can plug in a mic to record vocals or acoustic instruments, track with your favorite HD amps, use the stereo FX loop to connect stompboxes and outboard effects, and much more. Connect to your computer via USB for multi-channel, studio-quality recording with your favorite DAW software—or tap into POD HD Edit, the free editor/librarian software that makes it easy to tweak and organize all your tones.COMMAND CENTER FOR YOUR GUITAR EXPERIENCE
It doesn’t matter if you use a guitar amp, go straight to the PA or take advantage of a next-gen full-range guitar rig—POD HD500X is the ideal command center for any guitar setup. It’s a fully assignable MIDI controller, so you can use the footswitches and expression pedal to control all kinds of external hardware and software—and it gets even better when you use POD HD500X with other Line 6 gear.Connect a James Tyler® Variax® guitar and DT amp or StageSource® speaker to form the Line 6 Dream Rig—the only system that can instantly become virtually any rig. With the press of a single POD HD500X footswitch, you can recall up to 512 totally different rigs—with changes to preamp type, power amp configuration, guitar type, polyphonic alt-tuning, effects chain and more.
With StageSource L2m, you’ve got a cutting-edge, full-range, flat-response guitar system that delivers consistent tone at any volume—from studio to rehearsal, to the gig.
FEATURES
- Extensive collection of award-winning HD amps for authentic tone and feel
- 100+ studio and stomp effects—use up to eight simultaneously
- Selectable speaker cabinets and mics
- Unparalleled flexibility to craft your tones:
- Dual signal paths
- Multiple routing options
- Dynamic DSP with more power for amps and effects - Stereo FX loop can be inserted anywhere in the signal chain
- Professional-grade footswitches with bright LED rings for at-a-glance operation
- Comprehensive I/O includes USB 2.0, MIDI, S/PDIF, balanced XLR outputs, integrated mic preamp and more
- Guitar input with variable impedance
- Fully assignable MIDI controller—control external hardware and software via footswitches and expression pedal
- Variable input impedance
- L6 LINK™ connection for integration and control of DT-series amplifiers and StageSource® series loudspeakers
- VDI connection for integration and control of James Tyler® Variax® guitars
- 8 set lists containing 64 presets
- 512 user-writable preset locations
- Eight set list banks
- Assignable expression pedal controls amp and effect parameters
- Integrated 48-second looper with dedicated footswitch
- Built-in chromatic tuner
- Tap-tempo footswitch
- Professional-grade construction with bent metal chassis, chrome roll bar and die-cast expression pedal
- Downloadable POD® HD500X software editor/patch librarian
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Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the quality, sound quality, sturdiness, and features of the guitar effect device. For example, they mention it's a great device, sounds amazing, and has great tones. Some appreciate the value. That said, opinions are mixed on ease of use.
AI-generated from the text of customer reviews
Customers like the quality of the guitar effect device. They mention that it's a great device, has amazing capabilities, and is a good product. Some say that it does it all and is worth every cent.
"...home in small and large rooms, I’d vouch for this setup being a great gigging rig. Plenty of volume and lots of tonal malleability." Read more
"...to spend on a pedal board then the pod is ideal because it gets you so many pedals for such a low price that u can really learn about each pedal..." Read more
"...You can move the effects around, place them in a chain, set up external effects loops, so the chain can be massive if you wanted it to be...." Read more
"...great sounds, very "amp-like" in it's responsiveness, decent effects, etc...." Read more
Customers like the sound quality of the guitar effect device. For example, they say it sounds amazing, has great tones, and is incredibly flexible for routing processing. They also appreciate the audio interface, the looper, and modification of setup. Customers also mention that the device has hundreds of tones from standard to truly weird, with long delays, lush reverbs, deep phasing, and heavy filters. They say creating tones is remarkably easy and backing them up is pretty.
"...Long delays, lush reverbs, deep phasing, and heavy filters should be more than sufficient for an average/straightforward player – anyone looking for..." Read more
"...I cant hear the difference. Sounds amazing. There is a learning curve, which I have been on for the last 3 weeks...." Read more
"...If you set it right, it's got a very believable sound. It's not as good as an amp, boutique board, etc etc. It lacks a little nuance...." Read more
"...looking for something to gig with and this does the job nicely ... great sounds, very "amp-like" in it's responsiveness, decent effects, etc...." Read more
Customers are satisfied with the sturdiness of the guitar effect device. They mention that it has a tremendous amount of hardware, built better, and has slick pedal buttons. Overall, customers are happy with the quality and functionality of the product.
"...PROs:-Great iteration of POD tech-Solid board build (better switches than the XT, cleaner vol pedal travel, etc)..." Read more
"...It's built very sturdily and I never felt like I was going to break it or do damage to the unit.Now the bad...." Read more
"...Don't get me wrong it is a nice solid unit with a tremendous amount of effects but for us old school Line 6 people it was a real let down...." Read more
"...wich a can`t connect to, it`s very versátil, and it`s construction is strong as concrete...." Read more
Customers like the features of the guitar effect device. They say it's loaded with usable presets, offers much greater flexibility when building the signal chain, and is extremely versatile. Customers also say it has great options to choose from in the pedals, amps, and cabinets, providing plenty of volume and tonal malleability. Overall, customers are satisfied with the features and functionality of the product.
"...Plenty of volume and lots of tonal malleability." Read more
"...need something light weight, it costs a 1/4 of your rig and extremely versatile so you won't give up much...." Read more
"...Unlike Gearbox, HDEdit offers much greater flexibility when building the signal chain...." Read more
"...There are many usable presets in the unit. I do feel that the presets are very heavly into high gain settings, which are not what I use...." Read more
Customers appreciate the value of the guitar effect device. They say it's a fantastic value for the price.
"...then the pod is ideal because it gets you so many pedals for such a low price that u can really learn about each pedal while still having good..." Read more
"...And the looper too, which works very nicely and makes this a fantastic value...." Read more
"...device, fun to fool around with, probably good for recording, and fair price for what you get. But you are not getting a real sound here...." Read more
"...Worth every cent and worth the time and the challenge of learning to use and modify it to your preference...." Read more
Customers are mixed about the ease of use of the guitar effect device. Some mention that it's user friendly with plenty of tutorial videos to view online. However, others say that the interface is confusing at first, and the device is unnecessarily complicated.
"...This is a nice convenient all around device, fun to fool around with, probably good for recording, and fair price for what you get...." Read more
"...There was some setup and dialing in required (always with digital processors and pairing them with any amp) & I’d advise that cab modeling be turned..." Read more
"...The computer interface makes it really easy to use." Read more
"...Now, live is a different story. The onboard interface is a joke. You will NEVER want to be dealing with adjustments live...." Read more
Customers are mixed about the configurable. Some mention that it has a database of guitar sounds, ultimate configurability, decent preset effects, and the ability to modify the setup is amazing. However, others say that the factory presets are a detriment when trialing the unit.
"...I think the best feature you will like is the XLR to PA set up...." Read more
"...The factory presets are a detriment when trialing the unit and only showcase the nonmusical noises it can make...." Read more
"...ProsOnline database of guitar soundsUltimate configurabilityPreset effects are decentLooks cool..." Read more
"...What are you supposed to do with that in a stage?All the presets are crap, there's not one single useful preset...." Read more
Customers are dissatisfied with the boxy guitar effect device. They mention that the software is klunky, the analog is pricey, heavy, and finicky.
"I came from an analog rig. Analog is pricey, heavy, and finickey. It will also give you exactly what you want...." Read more
"...I don't even know how to describe it with words... muddy? boomy? boxy?..." Read more
"...The software works, but is pretty klunky, kind of feels like I'm using software developed in the 1990's in 2014.Does it sound good?..." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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I’m not an effects heavy player, but relished the opportunity to get back into having more parameters at my fingertips (my Valve MKi was limited). Long delays, lush reverbs, deep phasing, and heavy filters should be more than sufficient for an average/straightforward player – anyone looking for more probably doesn’t have a taste for multi effects units anyway. The XT had pretty bad “synth” models so I didn’t expect much from the HD500, but was definitely pleasantly surprised with the tracking/response and the tonal flexibility. It’s definitely something I would have loved to had been able to incorporate in my cover band days, as synth lead lines would have come in super handy for adding depth to some pop selections.
About 2 years after getting the POD I caught a DT50 1x12 on clearance and had to pull the trigger given I already had a POD HD500x. Combining these two is an AMAZING tonal experience IMHO. I thoroughly enjoyed the POD on its own and always preferred to demo guitars through DT Series amps (closer in sound to my MKi vs. the MKii Spider Valves) so was familiar and comfortable with them both apart.
The L6 Link connection between the POD and the DT is a simple XLR cable and would make for a very clean stage setup, as I’ve not gigged this rig. Further, the automatic synchronization of the analog and digital elements tied to a patch makes for a relatively great out of the box experience. There was some setup and dialing in required (always with digital processors and pairing them with any amp) & I’d advise that cab modeling be turned off and checking the input/mixer settings. For some reason the combination of the inputs and the mixer settings can cause volume dropoff. I’m pretty sure mine is set up to have input 1 set to guitar, input 2 set to Variax (I don’t have/use one) + the mixer with channel A at 0dB panned to center, and channel B muted. I’m not running a stereo setup so I haven’t run into issues with this configuration & do remember getting more out of my tone when I set up the inputs and mixer “correctly.”
PROs:
-Great iteration of POD tech
-Solid board build (better switches than the XT, cleaner vol pedal travel, etc)
-Fantastic out of the box tones, with lots of depth to fine tune
-Effects variety and quality you expect from L6
-L6 Link with DT amps can generate the sweeter sweet t0aNz
CONs:
-Power cable length
-Display brightness contrast isn’t great in darkness IMO
-L6 Link setup/settings is not 100% straightforward
-Would prefer USB 3.0/USB C ports for updated connectivity
-Not all amp models included from factory
***Detail/Experience
To provide some context, I’ve been playing electric guitar for over 21 years. The early days had me playing metal in a high school band, junior college had me gigging with a jazz combo and playing in a big band, then varying live and studio projects that included metal, R&B and fronting a wedding/cover band. I made the switch to Line 6 back in ’05 when I moved into an apartment and wanted to have great quality tone via headphones + USB recording capabilities – the PODxt was the newest at the time. Since then I’ve purchased 2 Line 6 amps to replace my 80’s Peavey solid state combos and a Marshall halfstack. Long to short: I’ve moved through a good variety of gear in a variety of settings to give me perspective on this processor.
Prior to getting the POD HD500x I had been gigging with Line 6’s Spider Valve MKi 1X12 & had no need for any effects beyond what the Spider had onboard, let alone a full processor. This had reignited my ear for tube tone and the warm dynamics you get from a living & breathing valve amp & was loving my sound like never before. A huge upside was also the simplicity for gigging: FBV controller + amp + guitar, with a Cat5 on the floor and a cable from guitar to amp. Setup, teardown, and the DI into the board vs. mic positioning had the lead guitarist in my band overhaul his whole rig when he heard my tone. Having also demoed and being really taken by the Line 6 DT series valve amps, I knew that the POD HD and DT duo was going to be my next rig. After some varied playing at home in small and large rooms, I’d vouch for this setup being a great gigging rig. Plenty of volume and lots of tonal malleability.
Regarding the actual pedal, I am really impressed with it. I was sceptial at first hearing all the talk about tone loss ect bla bla. I cant hear the difference. Sounds amazing. There is a learning curve, which I have been on for the last 3 weeks. Not to say I got some usable sounds straight away. There's just soooo much u can do with it. Need distortion? Try several dist pedals each as malablle as the last. Still not the sound your after how about a compression pedal or 7? Maybe pre and post equalising? A the same time?
Not even touching on the amp modeling which is amazing and exponentially multiplies the various sound patches u can make. U can even use them as an effects, not just to model a particular amp.
There are a host of other effect I haven't even used yet. Mainly stuck with a few delays and reverbs which are all great.
Just note it requires fiddling to get sounds right. But there's plenty of online help and guidance.
Oh don't forget the looper which u can record 48 seconds of a riff u like in one patch and then play over it endlessly with another patch model.
Top reviews from other countries
Delays, choruses, etc have been good enough quality for decades but amp emulation is a gamechanger. You don't need to lug a heavy, super expensive amp around to gigs if you don't want to anymore. I recently seen a Metallica tribute band do their whole show (the old good tunes not the thin crap they've put out lately) with no amps on stage and it sounded just like the album. Even the bass player ran a Helix.
I chose the HD-500X over the Helix because I wasn't interested in paying an extra $1000+ for some pretty lights and a few features that don't really matter. There's even a side-by-side comparison on YT showing the HD-500X with an edge tonally over the Helix, but suffice it to say that this will do everything you'd want without the rainbow lights to impress your non-player friends.
I will say that if you haven't used a multi-effects processor before you're in for a bit of torture with their interface, but to me it was similar enough to other systems that it didn't take too many manual references and google searches to do the specific things I wanted. But for someone new it can be daunting to get away from those scattered one or two patches you'll actually use.
The other thing I love about the HD-500X is the parallel effects chain which allows you to set up two separate amps and effects to run stacked and mixed, or toggle switched to keep everything in one patch! Pretty handy for cover gigs where you need to access a bunch of different sounds all in one song without going to a different patch. Or blend a bit of that clean Fender into your Plexi classic metal tone if you like. Personally, I've been gravitating towards the Line-6 amps for emulation and tweaking them for my tastes.
If you play cover songs spanning different tones and genres, you can't live without this. Sell that amp or keep it as a display in your jam room from now on and save your back for playing the gig not setting up for it. I would rate this 6/5 if I could.
La calidad del sonido es impecable, en mi caso tengo una variax y hacen una increíble mancuerna.
Ojalá lo disfruten tanto como Yo.
Saludos desde QRO, MEX
spent more time online and made my guitar patches and hey it sounds very professional :).
i recommend this processor to all guitarists who want to make very big gigs in their life .
the more you research on this processor the more you get out of it. it beats its competitors :)
Reviewed in India on November 21, 2016
spent more time online and made my guitar patches and hey it sounds very professional :).
i recommend this processor to all guitarists who want to make very big gigs in their life .
the more you research on this processor the more you get out of it. it beats its competitors :)
例えば、BOSSのME-5やME-10はアナログでしたのでペダルを踏んで音色を切りかえる瞬間も音は途切れず綺麗に切り替わるものでした。その後のデジタル化によって音が途切れる進化とは言えない「退化」を経験させられました。
今はデジタル処理速度の向上でどこ吹く風ですが、、、
このエフェクターは、お持ちのマルチエフェクターに自分で作った音色をゼロからプログラムして使ってきた人には取説なしでも一日あれば95%(主観的)ぐらいは攻略出来るでしょう。基本的には他社のと一緒です。
わからないのはボリュームペダルを新規に入力するとVOLUMEとしてプログラム出来ない事です。
とりあえずボリュームペダルがメーカープリセットで組み合わされているものを一旦ユーザーエリアにコピーして他を削除して好みのエフェクターを組み合わせて使っています。問題は全くありません。
と評価してきましたが、その後アレコレやっているうちに今日(2018/03/04)、本体ペダル中央左にある「 EXP 1」「EXP 2」のLED切替方法が分かり問題は解決しました。
本体ペダルをつま先の方向へ思いっきり踏み込むと切り変わります。「EXP 2=緑色」のほうにすれば新規でボリュームペダルを加えても使えるようになります。
日本語の取説にも書いてありました。
取説チェックも大切ですね(笑)
サイズと重量は大型の部類です。よって長距離をギター背負ってこれを持って歩くのは辛いかも、、、(若ければ問題ないと思いますが中年以降はキツい)
初期のBOSSマルチエフェクターは演奏中ギターシールドが本体に乗っただけでバンクが勝手に切り変わり意図せぬ不審を買ったりしてましたが、このモデルはチョット触ると切り替わるスイッチ類も無いので音色が不本意に勝手に切り替わる事も無さそう。よく考えて造られている事がわかります。
エフェクターの順番も自由自在で痒い所に手が届いて頑丈に出来ていますので内部回路が壊れない限り永く使えそうです。
音も良いですね!
膨大なライブラリーの中から好みのものを見つけて気に入っています。